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(Více-než-lidské světy a mezidruhová infrastruktura), který představuje víceletou spolupráci pěti mezinárodních umělců a výzkumníků z Etnologického ústavu Akademie věd České republiky. Projekt vyvrcholí výstavou v Galerii Rudolfinum a v galerii Věda a umění Akademie věd České republiky na podzim roku 2027. Přednáška v angličtině proběhne od 18 hodin.",[236],{"__typename":237,"background":4,"title":238,"items":239},"AccordionBlock",{"cs":4,"en":4},[240,257],{"title":241,"content":244,"content_nodes":247},{"cs":242,"en":243},"O přednášce","About the lecture",{"cs":245,"en":246},"\u003Cp>Lidé tvoří méně než jedno procento života na Zemi, přesto víme pozoruhodně málo o bytostech, s nimiž tuto planetu sdílíme, i o skrytých strukturách, díky nimž jsou naše životy závislé na těch jejich. V této přednášce kurátor Jason Waite představí projekt \u003Cem>More-Than-Human Worlds and Interspecies Infrastructure\u003C\u002Fem>, což je víceletá spolupráce pěti mezinárodních umělců a výzkumníků z Etnologického ústavu Akademie věd České republiky. Projekt vyvrcholí výstavou v Galerii Rudolfinum a v galerii Věda a umění České akademie věd na podzim roku 2027.\u003C\u002Fp>\u003Cp>Waite pojímá infrastrukturu jako dvě věci najednou: jako materiální systémy, které organizují společenský život, a jako myšlenky, které tento řád udržují. Na základě svých kurátorských zkušeností z krizových oblastí, včetně kolektivního projektu \u003Cem>Don’t Follow the Wind\u003C\u002Fem> v zakázané zóně kolem Fukušimy, zkoumá, jak umělci a antropologové zabývající se divokými prasaty, ptáky, odpadními krajinami, zoologickými zahradami a mikrobiálním rozkladem zviditelňují tyto přehlížené světy. Ptá se také, jak by v praxi mohla vypadat mezidruhová spolurozhodování a jak by nová spojenectví mezi lidmi a jinými tvory mohla učinit z nápravy a péče společný, kolektivní projekt.\u003C\u002Fp>\u003Cp>Přednášku pořádá Katedra teorie a dějin umění AVU s Etnologickým ústavem AV ČR za podpory Strategie AV21.\u003C\u002Fp>","\u003Cp>Humans make up less than one percent of life on Earth, yet we know remarkably little about the beings we share the planet with, or about the hidden structures that make our lives depend on theirs. In this talk, curator Jason Waite introduces \u003Cem>More-Than-Human Worlds and Interspecies Infrastructure\u003C\u002Fem>, a multi-year collaboration between five international artists and researchers from the Institute of Ethnology at the Czech Academy of Sciences. 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He also asks what interspecies co-determination might look like in practice, and how new alliances between humans and other creatures could make repair and care a shared, collective project.\u003C\u002Fp>\u003Cp>The lecture is organised by the Department of Art Theory and History at the Academy of Fine Arts in Prague in collaboration with the Institute of Ethnology of the Czech Academy of Sciences, with the support of the Strategy AV21.\u003C\u002Fp>",{"cs":248,"en":253},[249,251,252],{"__typename":250},"RichContentHtml",{"__typename":250},{"__typename":250},[254,255,256],{"__typename":250},{"__typename":250},{"__typename":250},{"title":258,"content":260,"content_nodes":263},{"cs":259,"en":259},"Bio",{"cs":261,"en":262},"\u003Cp>Jason Waite je kurátor a spisovatel působící v Oxfordu a Tokiu, jehož práce se zaměřuje na krizová místa s cílem najít radikální představy a nové způsoby společného života a spolupráce, mimo jiné v rámci kolektivu \u003Cem>Don’t Follow the Wind\u003C\u002Fem>, který realizuje dlouhodobý projekt v uzavřené zóně ve Fukušimě. Kurátoroval projekty v Palais de Tokyo v Paříži, v Art in General v New Yorku a v Casco Art Institute v Utrechtu. Doktorát získal na Oxfordské univerzitě, kde vyučuje dějiny umění na St. Anne's College, a je redaktorem časopisu \u003Cem>Art Review Oxford\u003C\u002Fem>.\u003C\u002Fp>","\u003Cp>Jason Waite is a curator and writer based in Oxford and Tokyo whose work looks to sites of crisis for radical imaginaries and new ways of living and working together, including as part of the collective \u003Cem>Don’t Follow the Wind\u003C\u002Fem>, which runs an ongoing project inside the Fukushima exclusion zone. He has curated projects at the Palais de Tokyo, Paris, Art in General, New York, and Casco Art Institute, Utrecht, holds a PhD from the University of Oxford where he teaches History of Art at St. Anne's College, and is the editor of \u003Cem>Art Review Oxford\u003C\u002Fem>.\u003C\u002Fp>",{"cs":264,"en":266},[265],{"__typename":250},[267],{"__typename":250},[269],"31353",[271],{"id":269,"caption":4,"alt_text":4,"url":272,"srcset":273,"media":274,"conversions":279,"created_at":290,"updated_at":290},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002FUntitled.png","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_mobile_lg.webp 1080w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_fhd.webp 1920w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_1440.webp 2560w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_4k.webp 3840w",{"id":275,"name":276,"file_name":276,"mime_type":277,"size":278,"url":272},"3785","Untitled.png","image\u002Fpng",1718226,[280,282,284,286,288],{"name":25,"url":281,"width":27},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_mobile.webp",{"name":29,"url":283,"width":31},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_mobile_lg.webp",{"name":33,"url":285,"width":35},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_fhd.webp",{"name":37,"url":287,"width":39},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_1440.webp",{"name":41,"url":289,"width":43},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3785\u002Fconversions\u002FUntitled-webp_4k.webp","2026-10-14 07:40:08",[],"CDB946","2026-10-20 18:00:00","AVU Veletržní – Černý sál, Veletržní 61, Praha 7","Upcoming",false,[298],{"id":299,"title":300,"slug":301},"57","Katedra teorie a dějin umění",{"cs":302,"en":303},"katedra-teorie-a-dejin--umeni","department-of-theory-and-history-of--art",{"title":305,"description":306,"canonical_url":307,"og_title":308,"og_description":309,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fjason-waite-more-than-human-worlds-and-interspecies-infrastructure",{"cs":312,"en":315},[313,314],{"label":157,"menu_url":158},{"label":231,"menu_url":310},[316,317],{"label":168,"menu_url":158},{"label":231,"menu_url":310},"2026-10-14 07:43:22","2026-10-16 07:11:24",{"__typename":216,"id":321,"event_category_id":189,"eventCategory":322,"eventTags":324,"title":331,"slug":332,"perex":335,"content_blocks":336,"featured_image":471,"featuredImage":473,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":493,"video_trailer":4,"background":494,"starts_at":495,"ends_at":495,"location":496,"schedule_status":295,"is_featured":296,"is_published":178,"status":179,"departments":497,"seo":597,"menu_url":603,"breadcrumbs":604,"parentNodePage":4,"created_at":613,"updated_at":614},"31138",{"id":189,"name":190,"slug":323},{"cs":192,"en":193},[325],{"id":326,"name":327,"slug":328},"6","Den otevřených dveří",{"cs":329,"en":330},"den-otevrenych-dveri","open-day","Den otevřených dveří 2026",{"cs":333,"en":334},"den-otevrenych-dveri-2026","avu-open-day-2026","Akademie výtvarných umění v Praze zve nejen všechny zájemce a zájemkyně o studium na Den otevřených dveří. Dozvíte se základní informace o škole, studijních programech a přijímacím řízení, nahlédnete do ateliérů a během individuálních konzultací můžete s pedagogy a pedagožkami probrat své portfolio. Konzultace je potřeba předem rezervovat, registrace poběží od 12. do 18. října 2026.",[337,436,447],{"__typename":237,"background":4,"title":338,"items":339},{"cs":4,"en":4},[340,362,402,414],{"title":341,"content":344,"content_nodes":347},{"cs":342,"en":343},"Otevřené budovy","Open Buildings",{"cs":345,"en":346},"\u003Cp>9–17.00\u003C\u002Fp>\u003Cp>Hlavní budova – U Akademie 4, Praha 7\u003C\u002Fp>\u003Cp>Škola architektury – U Akademie 2, Praha 7\u003C\u002Fp>\u003Cp>AVU Veletržní – Veletržní 61, Praha 7\u003C\u002Fp>\u003Cp>Moderní galerie – Výstaviště 188, Praha 7\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>Hlavní budova a Moderní galerie jsou bezbariérové. Škola architektury a AVU Veletržní nikoliv.\u003C\u002Fp>","\u003Cp>9 am – 5 pm\u003C\u002Fp>\u003Cp>Main Building – U Akademie 4, Prague 7\u003C\u002Fp>\u003Cp>School of Architecture – U Akademie 2, Prague 7\u003C\u002Fp>\u003Cp>AVU Veletržní – Veletržní 61, Prague 7\u003C\u002Fp>\u003Cp>Modern Gallery – Výstaviště 188, Prague 7\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>The Main Building and the Modern Gallery are wheelchair accessible. The School of Architecture and AVU Veletržní are not.\u003C\u002Fp>",{"cs":348,"en":355},[349,350,351,352,353,354],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},[356,357,358,359,360,361],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"title":363,"content":366,"content_nodes":369},{"cs":364,"en":365},"Program","Programme (in Czech)",{"cs":367,"en":368},"\u003Cp>9–10.00\u003C\u002Fp>\u003Cp>Představení Akademie (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Poslechněte si základní informace o škole, studijních programech a průběhu přijímacího řízení\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>10–12.00\u003C\u002Fp>\u003Cp>Individuální konzultace portfolií v ateliérech (otevřené budovy AVU)\u003C\u002Fp>\u003Cp>\u003Cem>Konzultace se týkají výhradně portfolií. Informace k přijímacímu řízení a praktickým aspektům studia na AVU vám rádi poskytneme na Studijním oddělení.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>12–13.00\u003C\u002Fp>\u003Cp>Představení Akademie (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Poslechněte si základní informace o škole, studijních programech a průběhu přijímacího řízení\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>13–17.00\u003C\u002Fp>\u003Cp>Individuální konzultace portfolií v ateliérech (otevřené budovy AVU)\u003C\u002Fp>\u003Cp>\u003Cem>Konzultace se týkají výhradně portfolií. Informace k přijímacímu řízení a praktickým aspektům studia na AVU vám rádi poskytneme na Studijním oddělení.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>9–16.00\u003C\u002Fp>\u003Cp>Studijní oddělení (Hlavní budova)\u003C\u002Fp>\u003Cp>\u003Cem>Ptejte se na veškeré informace o přijímacím řízení a studiu na AVU.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>13–18.00\u003C\u002Fp>\u003Cp>Galerie AVU (Veletržní 63)\u003C\u002Fp>\u003Cp>\u003Cem>Prohlédněte si aktuální výstavu, která propojuje studující a pedagožstvo z AVU, pařížské Beaux-Arts, University of Applied Arts Vienna a Fakulty umění Technické univerzity v Košicích.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>9.00–10.00\u003C\u002Fp>\u003Cp>Introduction to the Academy (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Find out the basics about the school, study programmes and the admissions process\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>10.00–12.00\u003C\u002Fp>\u003Cp>Individual portfolio consultations in the studios (AVU buildings open to the public)\u003C\u002Fp>\u003Cp>\u003Cem>These consultations relate exclusively to portfolios. We will be happy to provide you with information on the admissions process and the practical aspects of studying at AVU at the Study Department.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>12.00–13.00\u003C\u002Fp>\u003Cp>Introduction to the Academy (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Hear some basic information about the school, study programmes and the admissions process\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>13:00–17:00\u003C\u002Fp>\u003Cp>Individual portfolio consultations in the studios (AVU buildings open to the public)\u003C\u002Fp>\u003Cp>\u003Cem>Consultations relate exclusively to portfolios. We will be happy to provide you with information on the admissions process and the practical aspects of studying at AVU at the Study Department.\u003C\u002Fem>\u003C\u002Fp>",{"cs":370,"en":389},[371,372,373,374,375,376,377,378,379,380,381,382,383,384,385,386,387,388],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},[390,391,392,393,394,395,396,397,398,399,400,401],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"title":403,"content":406,"content_nodes":409},{"cs":404,"en":405},"Individuální konzultace","Portfolio Consulation",{"cs":407,"en":408},"\u003Cp>Pro individuální konzultace portfolií s pedagogy a pedagožkami v ateliérech je nutná registrace na \u003Ca href=\"http:\u002F\u002Fdod.avu.cz\">dod.avu.cz\u003C\u002Fa>. \u003Cstrong>Registrační formulář bude otevřený od 12. 10. 2026 (9.00) do 18. 10. 2026 (23.59)\u003C\u002Fstrong>. Mimo tento termín již registrace nebude možná.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>","\u003Cp>To book individual consultations with lecturers in the studios, you must register at \u003Ca href=\"http:\u002F\u002Fdod.avu.cz\">dod.avu.cz\u003C\u002Fa>. \u003Cstrong>The registration form will be open from 12 October 2026 (9.00) to 18 October (23.59)\u003C\u002Fstrong>. Registration will not be possible outside this period.\u003C\u002Fp>",{"cs":410,"en":412},[411],{"__typename":250},[413],{"__typename":250},{"title":415,"content":418,"content_nodes":421},{"cs":416,"en":417},"Otevřené ateliéry","Open Studios",{"cs":419,"en":420},"\u003Cp>\u003Cem>Nahlédněte do ateliérů AVU a seznamte se s koncepcí ateliérové tvorby našich vyučujících. Každý ateliér tento čas pojímá různě – probíhají prezentace, skupinové konzultace nebo speciální program.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>10.00\tMalba 1, Socha 1, Intermédia 3, Architektura\u003C\u002Fp>\u003Cp>11.00\tMalba 2, Socha 2, Nová média 1, Restaurování moderních uměleckých děl z netradičních materiálů\u003C\u002Fp>\u003Cp>13.00\tMalba 3, Figurální socha a medaile, Grafika 1, Umění a současné technologie\u003C\u002Fp>\u003Cp>14.00\tMalba 4, Intermédia 1, Grafika 2, Restaurování sochy\u003C\u002Fp>\u003Cp>15.00\tKresba, Intermédia 2, Nová média 2, Restaurování malby a polychromované plastiky\u003C\u002Fp>","\u003Cp>\u003Cem>Take a look inside the AVU studios and find out about our lecturers’ approach to studio-based work. Each studio organises this time differently – there are presentations, group consultations or a special programme.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>10.00 Painting 1, Sculpture 1, Intermedia 3, Architecture\u003C\u002Fp>\u003Cp>11.00 Painting 2, Sculpture 2, New Media 1, Restoration of Modern Artworks Made from Non-Traditional Materials\u003C\u002Fp>\u003Cp>13.00 Painting 3, Figurative Sculpture and Medals, Printmaking 1, Art and Contemporary Technologies\u003C\u002Fp>\u003Cp>14.00 Painting 4, Intermedia 1, Printmaking 2, Restoration of Sculpture\u003C\u002Fp>\u003Cp>15.00 Drawing, Intermedia 2, New Media 2, Painted Artworks and Polychrome Statues 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07:03:02",[472],"31265",[474],{"id":472,"caption":4,"alt_text":4,"url":475,"srcset":476,"media":477,"conversions":481,"created_at":492,"updated_at":492},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3697\u002FAVU.jpg","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3697\u002Fconversions\u002FAVU-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3697\u002Fconversions\u002FAVU-webp_mobile_lg.webp 1080w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3697\u002Fconversions\u002FAVU-webp_fhd.webp 1920w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3697\u002Fconversions\u002FAVU-webp_1440.webp 2560w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3697\u002Fconversions\u002FAVU-webp_4k.webp 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exilu, války nebo ohrožení. Zatímco aukce v roce 2022 byla reaktivním gestem pomoci Ukrajině, rok 2026 přináší širší, humanitárně-etický rámec. Aukce bude probíhat fyzicky v Černém sále AVU Veletržní a souběžně online na platformě LiveBid.",[632],{"__typename":237,"background":4,"title":633,"items":634},{"cs":4,"en":4},[635,650,662],{"title":636,"content":639,"content_nodes":642},{"cs":637,"en":638},"O aukci","About the Auction",{"cs":640,"en":641},"\u003Cp>Akademie výtvarných umění v Praze připravuje na podzim 2026 benefiční aukci RE-CONNECTION na podporu umělců a umělkyň v situaci exilu, války nebo ohrožení.\u003C\u002Fp>\u003Cp>Zatímco aukce v roce 2022 byla reaktivním gestem pomoci Ukrajině, rok 2026 přináší širší, humanitárně-etický rámec. Skupina AVU PRO tvořená dobrovolníky z komunity AVU, se transformovala v platformu, která vnímá umělce a umělkyně v situaci exilu, války nebo ohrožení jako integrální součást našeho sdíleného světa. Název RE-CONNECTION symbolizuje akt znovunapojení – propojení těch, jejichž tvorba byla násilně přerušena, s prostředím, které jim umožňuje pokračovat.\u003C\u002Fp>\u003Cp> Aukční sbírka, kterou tvoří díla pedagožstva, studujících a alumni AVU je vyjádřením profesní a lidské sounáležitosti. Věříme, že akademická půda má být výsostným územím svobody a ochrany. Touto aukcí nenabízíme pouze umělecká díla, ale stáváme se aktivním bodem v síti podpory, která pomáhá zachovat integritu tvůrčí osobnosti tam, kde je bytostně ohrožena.\u003C\u002Fp>\u003Cp>Výtěžek z prodeje je určen na přímou pomoc umělcům a umělkyním v krizových situacích prostřednictvím transparentního účtu. Spojení fyzické výstavy v prostorách AVU s online aukční platformou LiveBid nám umožňuje komunikovat téma solidarity profesionálně a efektivně. Každé darované dílo je důkazem, že umělecká obec AVU nevnímá svět jen skrze zdi ateliérů, ale přijímá svou roli aktivního účastníka\u002Fčky humanitární pomoci.\u003C\u002Fp>\u003Cp>Výtěžek aukce půjde na transparentní účet určený k přímé podpoře – zejména na pokrytí nákladů na bydlení a dalších nezbytných životních výdajů během studia nebo stážování na AVU. Organizaci aukce zaštiťuje Oddělení mezinárodní spolupráce (OMS) spolu s dobrovolnictvem ze Skupiny AVU PRO a dalšími ze zaměstnanectva AVU.\u003C\u002Fp>","\u003Cp>\u003C\u002Fp>",{"cs":643,"en":649},[644,645,646,647,648],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},[],{"title":651,"content":654,"content_nodes":657},{"cs":652,"en":653},"Předaukční výstava","Pre-auction Exhibition",{"cs":655,"en":656},"\u003Cp>Předaukční výstava se bude konat od 13. do 15. listopadu 2026 v prostoru AVU Veletržní. Otevírací doba: 13–18.00.\u003C\u002Fp>","\u003Cp>The pre-auction exhibition will take place from 13 to 15 November 2026 at the AVU Veletržní venue. Opening hours: 1–6 pm.\u003C\u002Fp>",{"cs":658,"en":660},[659],{"__typename":250},[661],{"__typename":250},{"title":663,"content":666,"content_nodes":668},{"cs":664,"en":665},"Umělci a umělkyně","Participating Artists",{"cs":667,"en":667},"\u003Cp>Zbyněk Baladrán, Anna Banytiuk, Josef Bolf, David\u002FJiří Böhm\u002FFranta, Lucie Crocro, Lenka Černota, Radek Dětinský, Lilia Dorovska, Josef Duchan, Dominic Hafner, Yana Heraymovych, Martina Hozová, Sonya Kolopeniuk, Jan Kostohryz, Klára Kusá, Barbora Lou, Anetta Mona Chișa, Tamara Moyzes, Alice Nikitinová, Pavel Novák, Olena Nurmamedova, Kateřina Olivová, Adéla Ondrová, Kateřina Prskavcová Klíčová, Magdalena Rajchlová, Heorhii Rublik, Pavla Sceranková, Mikhailo Shostak, Pavla Soukupová, Viktorie Suchánková, Roman Štětina, Anastasiia Tovstokor, Jiří Vaněk, Tomáš Vaněk, Zuzana Vepřeková, Magdalena Vovsová, Dušan Zahoranský\u003C\u002Fp>",{"cs":669,"en":671},[670],{"__typename":250},[672],{"__typename":250},[674],"31214",[676],{"id":674,"caption":4,"alt_text":4,"url":677,"srcset":678,"media":679,"conversions":683,"created_at":694,"updated_at":694},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3646\u002F515728425_10171936627640074_4287161643677955914_n.jpg","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3646\u002Fconversions\u002F515728425_10171936627640074_4287161643677955914_n-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3646\u002Fconversions\u002F515728425_10171936627640074_4287161643677955914_n-webp_mobile_lg.webp 1080w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3646\u002Fconversions\u002F515728425_10171936627640074_4287161643677955914_n-webp_fhd.webp 1920w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3646\u002Fconversions\u002F515728425_10171936627640074_4287161643677955914_n-webp_1440.webp 2560w, 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09:55:09",[],"2026-11-15 15:00:00","AVU Veletržní, Veletržní 61, Praha 7",[699],{"id":700,"title":701,"slug":702},"31190","Skupina na podporu umělectva v nouzi AVU PRO",{"cs":703,"en":704},"skupina-na-podporu-umelectva-v-nouzi-avu-pro","avu-pro-group-for-the-support-of-artists-in-need",{"title":706,"description":707,"canonical_url":708,"og_title":709,"og_description":710,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fbeneficni-aukce-re-connection",{"cs":713,"en":716},[714,715],{"label":157,"menu_url":158},{"label":626,"menu_url":711},[717,718],{"label":168,"menu_url":158},{"label":719,"menu_url":720},"RE-CONNECTION Benefit Auction to support artists living in exile, in war zones or under threat","\u002Fre-connection-benefit-auction","2026-09-24 10:02:46","2026-10-14 11:29:51",{"title":724,"type":136,"link":185,"url":186,"target":139,"linkable":725,"content_type":216,"limit":742,"categories":743,"items":751},"Výstava",{"__typename":188,"id":189,"name":190,"slug":726,"seo":727,"menu_url":186,"breadcrumbs":733,"is_published":178,"status":179,"created_at":215,"updated_at":215},{"cs":192,"en":193},{"title":728,"description":729,"canonical_url":730,"og_title":731,"og_description":732,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":734,"en":738},[735,736,737],{"label":157,"menu_url":158},{"label":204,"menu_url":205},{"label":190,"menu_url":186},[739,740,741],{"label":168,"menu_url":158},{"label":210,"menu_url":211},{"label":213,"menu_url":214},1,[744],{"__typename":745,"id":189,"name":724,"slug":746,"created_at":749,"updated_at":750},"EventTag",{"cs":747,"en":748},"vystava","exhibition","2026-08-28 06:06:36","2026-10-10 05:16:40",[752],{"__typename":216,"id":753,"event_category_id":189,"eventCategory":754,"eventTags":756,"title":759,"slug":760,"perex":762,"content_blocks":763,"featured_image":829,"featuredImage":831,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":851,"video_trailer":4,"background":852,"starts_at":853,"ends_at":854,"location":855,"schedule_status":856,"is_featured":296,"is_published":178,"status":179,"departments":857,"seo":864,"menu_url":870,"breadcrumbs":871,"parentNodePage":4,"created_at":878,"updated_at":879},"31139",{"id":189,"name":190,"slug":755},{"cs":192,"en":193},[757],{"id":189,"name":724,"slug":758},{"cs":747,"en":748},"Bazaar’che",{"cs":761,"en":761},"bazaarche","Bazaar’che propojuje studentstvo a pedagožstvo z Prahy, Paříže, Vídně a Košic v mezinárodním projektu založeném na spolupráci, výměně zkušeností a společné tvorbě napříč geografickými a kulturními hranicemi. Název odkazuje k „malému bazaru“ jako prostoru setkávání a výměny a několikaměsíční společná práce vyvrcholí v říjnu 2026 výstavou v Galerii AVU, kde se setkají díla, myšlenky a pracovní postupy vznikající mezi vzdálenou spoluprací a osobním setkáním.",[764,810],{"__typename":237,"background":4,"title":765,"items":766},{"cs":4,"en":4},[767,783,796],{"title":768,"content":771,"content_nodes":774},{"cs":769,"en":770},"O projektu","About the project",{"cs":772,"en":773},"\u003Cp>Bazaar’che je mezinárodní umělecký projekt propojující studentstvo a pedagožstvo Akademie výtvarných umění v Praze, Beaux-Arts de Paris, University of Applied Arts Vienna a Fakulty umění Technické univerzity v Košicích. V rámci programu Erasmus+ BIP vytváří prostor pro spolupráci, výměnu zkušeností a společnou tvorbu napříč různými geografickými, kulturními a uměleckými prostředími.\u003C\u002Fp>\u003Cp>Projekt začíná několik měsíců před fyzickým setkáním jeho účastnictva v Praze. Během léta studentstvo sdílí fragmenty svých současných zájmů, vizuální reference, otázky a pracovní intuice a postupně vytváří menší mezinárodní skupiny. V říjnu se vzdálená spolupráce přesune do Prahy, která se stane místem osobního setkání a společné realizace vznikajících projektů. To, co se do té doby rozvíjí mezi několika evropskými městy, se zde setkává v jednom fyzickém prostoru.\u003C\u002Fp>\u003Cp>Projekt zároveň pracuje s omezeními, která přináší mezinárodní spolupráce a samotná produkce výstavy. Absence možností přepravy rozsáhlých uměleckých děl vede k hledání jiných forem tvorby: práce mohou být koncipovány jako lehké a snadno přenosné objekty, jako plány či scénáře realizované až v Praze nebo jako projekty vznikající za pomoci místního týmu. Praktická omezení se tak proměňují v součást tvůrčího procesu a ovlivňují samotnou podobu vznikajících děl.\u003C\u002Fp>","\u003Cp>Bazaar’che is an international art project bringing together students and educators from the Academy of Fine Arts in Prague, Beaux-Arts de Paris, the University of Applied Arts Vienna, and the Faculty of Arts at the Technical university in Košice. Developed within the Erasmus+ BIP programme, it creates a space for collaboration, the exchange of experience, and collective artistic practice across different geographical, cultural, and artistic contexts.\u003C\u002Fp>\u003Cp>The project begins several months before the participants meet in person in Prague. Over the summer, students share fragments of their current interests, visual references, questions, and working intuitions, gradually forming smaller international groups. In October, the remote collaboration moves to Prague, which becomes the site of an in-person encounter and the collective realization of the emerging projects. What has until then been developing across several European cities comes together here in a single physical space.\u003C\u002Fp>\u003Cp>The project also works with the limitations inherent in international collaboration and exhibition production. The lack of capacity to transport large-scale artworks encourages the exploration of other forms of artistic production: works may be conceived as lightweight and easily transportable objects, as plans or scores to be realized only in Prague, or as projects developed with the assistance of the local team. Practical constraints thus become part of the creative process and influence the very form of the works that emerge.\u003C\u002Fp>",{"cs":775,"en":779},[776,777,778],{"__typename":250},{"__typename":250},{"__typename":250},[780,781,782],{"__typename":250},{"__typename":250},{"__typename":250},{"title":784,"content":786,"content_nodes":789},{"cs":724,"en":785},"Exhibition",{"cs":787,"en":788},"\u003Cp>Název Bazaar’che vychází z perského výrazu bāzārče, který znamená „malý bazar“ nebo „malé tržiště“. V kontextu projektu označuje dočasný prostor setkávání a výměny, v němž však necirkulují pouze objekty, ale také myšlenky, zkušenosti, pracovní postupy, obrazy a různé perspektivy. Bazar zde funguje jako metafora situace, do níž každý přináší něco vlastního, zároveň ale reaguje na to, co přinášejí ostatní. Výměna tak není pouze pohybem věcí, ale také procesem vzájemného ovlivňování, vyjednávání a proměny.\u003C\u002Fp>\u003Cp>Vyústěním několikaměsíční mezinárodní spolupráce bude výstava Bazaar’che v Galerii AVU, Veletržní 63 v Praze. Vernisáž proběhne 15. října 2026 od 18 hodin a výstava potrvá do 14. listopadu 2026. Galerie se na čas promění v malé tržiště uměleckých přístupů – místo, kde se vzdálený kontakt mění ve fyzické setkání a kde mezi účastnictvem i publikem vstupují do oběhu objekty, gesta, zkušenosti, myšlenky a různé způsoby vnímání.\u003C\u002Fp>","\u003Cp>The title Bazaar’che derives from the Persian word bāzārče, meaning “small bazaar” or “small marketplace.” In the context of the project, it refers to a temporary space of encounter and exchange in which not only objects circulate, but also ideas, experiences, working methods, images, and different perspectives. The bazaar functions here as a metaphor for a situation in which everyone brings something of their own while at the same time responding to what others bring. Exchange thus becomes not only the movement of things, but also a process of mutual influence, negotiation, and transformation.\u003C\u002Fp>\u003Cp>Several months of international collaboration will culminate in the Bazaar’che exhibition at Galerie AVU, Veletržní 63, Prague. The opening will take place on 15 October 2026 at 6 PM, and the exhibition will run until 14 November 2026. For a time, the gallery will become a small marketplace of artistic approaches—a place where remote contact turns into physical encounter and where objects, gestures, experiences, ideas, and different ways of seeing circulate between participants and audiences.\u003C\u002Fp>",{"cs":790,"en":793},[791,792],{"__typename":250},{"__typename":250},[794,795],{"__typename":250},{"__typename":250},{"title":797,"content":800,"content_nodes":803},{"cs":798,"en":799},"Termín a otevírací doba","Dates and opening hours",{"cs":801,"en":802},"\u003Cp>Trvání výstavy: 16. 10. – 14. 11. 2026\u003Cbr>Vernisáž: 15. 10. 2026, 18.00\u003C\u002Fp>\u003Cp>Galerie AVU, Veletržní 63, 170 00 Praha 7\u003Cbr>Otevírací doba: út–so 13.00–18.00\u003C\u002Fp>","\u003Cp>Exhibition: 16 October – 14 November 2026\u003Cbr>Opening: 15 October 2026, 6 pm\u003C\u002Fp>\u003Cp>Galerie AVU, Veletržní 63, 170 00 Prague 7\u003Cbr>Opening hours: Tue–Sat 1–6 pm\u003C\u002Fp>",{"cs":804,"en":807},[805,806],{"__typename":250},{"__typename":250},[808,809],{"__typename":250},{"__typename":250},{"__typename":437,"background":4,"title":811,"type":4,"display":439,"links":812},{"cs":4,"en":4},[813],{"type":814,"color":815,"target":139,"link":816,"url":817,"page_id":4,"page":4,"file":818,"label":826},"file","grey","31356","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3788\u002Favu-bazaar-che-A4-text-CZ.pdf",{"id":816,"caption":4,"alt_text":4,"url":817,"srcset":4,"media":819,"conversions":824,"created_at":825,"updated_at":825},{"id":820,"name":821,"file_name":821,"mime_type":822,"size":823,"url":817},"3788","avu-bazaar-che-A4-text-CZ.pdf","application\u002Fpdf",114951,[],"2026-10-15 15:12:35",{"cs":827,"en":828},"Text k výstavě","Exhibition 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15:13:36",{"title":881,"type":136,"link":882,"url":883,"target":139,"linkable":884,"content_type":905,"limit":906,"categories":907,"items":908},"Publikace","publication_category:1","\u002Fpublikace",{"__typename":885,"id":189,"name":881,"slug":886,"seo":889,"menu_url":883,"breadcrumbs":895,"is_published":178,"status":179,"created_at":903,"updated_at":904},"PublicationCategory",{"cs":887,"en":888},"publikace","publications",{"title":890,"description":891,"canonical_url":892,"og_title":893,"og_description":894,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":896,"en":899},[897,898],{"label":157,"menu_url":158},{"label":881,"menu_url":883},[900,901],{"label":168,"menu_url":158},{"label":881,"menu_url":902},"\u002Fpublications","2026-08-28 06:06:35","2026-09-25 12:05:45","Publication",5,[],[909,1040,1107,1180,1245],{"__typename":905,"id":910,"title":911,"slug":912,"description":641,"file":915,"image":916,"year":925,"authors":926,"publisher":125,"place_of_publication":927,"isbn":928,"edition":929,"extent":930,"language":931,"publication_type":4,"price":932,"eshop_link":933,"info":934,"content_blocks":935,"seo":1018,"menu_url":1024,"breadcrumbs":1025,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1034,"publicationTags":1037,"created_at":1038,"updated_at":1039},"27523","Bratři s kufry. Osm kapitol o rakousko-uherské civilizační misi v Bosně a Hercegovině (1878–1918)",{"cs":913,"en":914},"bratri-s-kufry-osm-kapitol-o-rakousko-uherske-civilizacni-misi-v-bosne-a-hercegovine-1878-1918","brothers-with-suitcases-eight-chapters-on-the-austro-hungarian-civilizing-mission-in-bosnia-and-herzegovina-1878-1918","27524",{"id":915,"caption":917,"alt_text":4,"url":918,"srcset":4,"media":919,"conversions":923,"created_at":924,"updated_at":924},"Borozan_Remesova_obalka_","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1894\u002Fborozan-remesova-obalka.jpg",{"id":920,"name":917,"file_name":921,"mime_type":21,"size":922,"url":918},"1894","borozan-remesova-obalka.jpg",263011,[],"2026-09-02 11:03:28",2025,"Vjera Borozan a Anna Remešová (eds.)","Praha","978-80-88366-62-1","Edice 32","250 stran","česky",390,"https:\u002F\u002Fknihy.artmap.cz\u002Fbratri-s-kufry\u002F",[],[936,953,973],{"__typename":937,"background":494,"heading":938,"content":939,"content_nodes":942},"TextBlock",{"cs":4,"en":4},{"cs":940,"en":941},"\u003Cp>Kniha \u003Cem>Bratři s kufry\u003C\u002Fem> je souborem studií zaměřených na rakousko-uherskou civilizační misi v Bosně a Hercegovině v období její okupace a anexy mezi lety 1878 a 1918. Publikace z perspektivy několika vědních oborů a metodologických přístupů sleduje pohyb lidí, zboží, idejí, vědeckého poznání a kapitálu mezi Prahou, Vídní a Sarajevem. Část příspěvků zkoumá roli aktérů a aktérek pocházejících z českých zemí a jejich účast na okupační správě, na sociální disciplinaci bosenského obyvatelstva (prostřednictvím školství, lékařství či práva) a propagaci koloniálních „úspěchů“.\u003C\u002Fp>\u003Cp>Druhá část textů tyto aktivity reflektuje v širším časovém a geopolitickém rámci a sleduje otázku (dis)kontinuit imperiálních politik. Jak pohled zblízka na konkrétní činnosti těchto jednotlivců, tak pohled z odstupu na principy koloniální správy ukazují ambivalentní roli, kterou díky jazykové a kulturní příbuznosti sehrávali ti, kdo do Bosny a Hercegoviny přicházeli z českých zemí (nejen) s vidinou výdělku a profesního úspěchu – odtud název knihy \u003Cem>Bratři s kufry\u003C\u002Fem>.\u003C\u002Fp>","\u003Cp>The book Bratři s kufry (Brothers with Suitcases) is a collection of studies focusing on the Austro-Hungarian civilizing mission in Bosnia and Herzegovina during its occupation and annexation between 1878 and 1918. From the perspective of several scientific disciplines and methodological approaches, the publication traces the movement of people, goods, ideas, scientific knowledge, and capital between Prague, Vienna, and Sarajevo. Some of the contributions examine the role of actors from the Czech lands and their participation in the occupation administration, in the social discipline of the Bosnian population (through education, medicine, and law), and in the promotion of colonial "successes."\u003C\u002Fp>\u003Cp>The second part of the texts reflects on these activities in a broader temporal and geopolitical framework and examines the question of the (dis)continuity of imperial policies. Both a close-up view of the specific activities of these individuals and a distanced view of the principles of colonial administration reveal the ambivalent role played by those who came to Bosnia and Herzegovina from the Czech lands (not only) with the prospect of financial gain and professional success, thanks to their linguistic and cultural affinity – hence the title of the book, Brothers with Suitcases.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"cs":943,"en":948},[944,946],{"__typename":250,"html":945},"\u003Cp>Kniha \u003Cem>Bratři s kufry\u003C\u002Fem> je souborem studií zaměřených na rakousko-uherskou civilizační misi v Bosně a Hercegovině v období její okupace a anexy mezi lety 1878 a 1918. Publikace z perspektivy několika vědních oborů a metodologických přístupů sleduje pohyb lidí, zboží, idejí, vědeckého poznání a kapitálu mezi Prahou, Vídní a Sarajevem. Část příspěvků zkoumá roli aktérů a aktérek pocházejících z českých zemí a jejich účast na okupační správě, na sociální disciplinaci bosenského obyvatelstva (prostřednictvím školství, lékařství či práva) a propagaci koloniálních „úspěchů“.\u003C\u002Fp>",{"__typename":250,"html":947},"\u003Cp>Druhá část textů tyto aktivity reflektuje v širším časovém a geopolitickém rámci a sleduje otázku (dis)kontinuit imperiálních politik. Jak pohled zblízka na konkrétní činnosti těchto jednotlivců, tak pohled z odstupu na principy koloniální správy ukazují ambivalentní roli, kterou díky jazykové a kulturní příbuznosti sehrávali ti, kdo do Bosny a Hercegoviny přicházeli z českých zemí (nejen) s vidinou výdělku a profesního úspěchu – odtud název knihy \u003Cem>Bratři s kufry\u003C\u002Fem>.\u003C\u002Fp>",[949,951],{"__typename":250,"html":950},"\u003Cp>The book Bratři s kufry (Brothers with Suitcases) is a collection of studies focusing on the Austro-Hungarian civilizing mission in Bosnia and Herzegovina during its occupation and annexation between 1878 and 1918. From the perspective of several scientific disciplines and methodological approaches, the publication traces the movement of people, goods, ideas, scientific knowledge, and capital between Prague, Vienna, and Sarajevo. Some of the contributions examine the role of actors from the Czech lands and their participation in the occupation administration, in the social discipline of the Bosnian population (through education, medicine, and law), and in the promotion of colonial \"successes.\"\u003C\u002Fp>",{"__typename":250,"html":952},"\u003Cp>The second part of the texts reflects on these activities in a broader temporal and geopolitical framework and examines the question of the (dis)continuity of imperial policies. Both a close-up view of the specific activities of these individuals and a distanced view of the principles of colonial administration reveal the ambivalent role played by those who came to Bosnia and Herzegovina from the Czech lands (not only) with the prospect of financial gain and professional success, thanks to their linguistic and cultural affinity – hence the title of the book, Brothers with Suitcases.\u003C\u002Fp>",{"__typename":237,"background":4,"title":954,"items":955},{"cs":4,"en":4},[956],{"title":957,"content":960,"content_nodes":963},{"cs":958,"en":959},"Autoři a autorky","Authors",{"cs":961,"en":962},"\u003Cp>Anna Remešová studuje doktorský program v oboru teorie a dějiny současného umění na AVU, kde se věnuje historii Náprstkova muzea a semiperifernímu postavení českých zemí v rámci Rakouska-Uherska. V minulosti pracovala jako redaktorka časopisu Artalk a společně s Alžbětou Bačíkovou vedla etc. galerii, kde se zabývala výzkumem dokumentárních strategií v současném uměleckém videu. Externě spolupracuje s Galerií Hraničář v Ústí nad Labem.\u003C\u002Fp>\u003Cp>Vjera Borozan vyučuje teorii současného umění a umění 19. století na AVU. Vystudovala dějiny a teorii umění na FF UK. V letech 2011–2019 byla ředitelkou internetové platformy pro současné umění Artyčok TV. V minulosti působila na FaVU v Brně a UMPRUM v Praze. Byla ředitelkou Národního muzea v Černé Hoře (2017–2018) a dlouhodobou spolupracovnicí iniciativy pro současné umění tranzit.cz.\u003C\u002Fp>\u003Cp>Autorstvo: Vjera Borozan, Anna Remešová, Edin Hajdarpašić, Markéta Křížová, Iva Lučić, Piro Rexhepi, Jakub Rákosník, Diana Reynolds Cordileone, Walter Sauer\u003C\u002Fp>\u003Cp>Text: Walter Sauer, Rakousko(-Uhersko) a evropský kolonialismus, překlad Veronika Korjagina.\u003C\u002Fp>","\u003Cp>Anna Remešová is pursuing a doctoral degree in the theory and history of contemporary art at the Academy of Fine Arts in Prague, where she focuses on the history of the Náprstek Museum and the semi-peripheral position of the Czech lands within the Austro-Hungarian Empire. In the past, she worked as an editor for the magazine Artalk and, together with Alžběta Bačíková, ran the etc. gallery, where she researched documentary strategies in contemporary art video. She collaborates externally with the Hraničář Gallery in Ústí nad Labem.\u003C\u002Fp>\u003Cp>Vjera Borozan teaches the theory of contemporary art and 19th-century art at the Academy of Fine Arts (AVU). She studied art history and theory at the Faculty of Arts, Charles University. From 2011 to 2019, she was the director of the online platform for contemporary art Artyčok TV. In the past, she worked at the Faculty of Fine Arts in Brno and the Academy of Arts, Architecture and Design in Prague. She was the director of the National Museum in Montenegro (2017–2018) and a long-term collaborator with the contemporary art initiative tranzit.cz.\u003C\u002Fp>\u003Cp>Authors: Vjera Borozan, Anna Remešová, Edin Hajdarpašić, Markéta Křížová, Iva Lučić, Piro Rexhepi, Jakub Rákosník, Diana Reynolds Cordileone, Walter Sauer, Text - Walter Sauer: Austria-Hungary and European Colonialism, translated by Veronika Korjagina.\u003C\u002Fp>",{"cs":964,"en":969},[965,966,967,968],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":250},[970,971,972],{"__typename":250},{"__typename":250},{"__typename":250},{"__typename":448,"background":494,"heading":974,"images":975},{"cs":4,"en":4},[976,986,994,1002,1010],{"id":977,"caption":978,"alt_text":4,"url":979,"srcset":4,"media":980,"conversions":984,"created_at":985,"updated_at":985},"29338","Bratři s kufry","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1889\u002Fbratri-s-kufry-22.jpg",{"id":981,"name":978,"file_name":982,"mime_type":21,"size":983,"url":979},"1889","bratri-s-kufry-22.jpg",378801,[],"2026-09-02 11:03:27",{"id":987,"caption":978,"alt_text":4,"url":988,"srcset":4,"media":989,"conversions":993,"created_at":924,"updated_at":924},"29337","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1890\u002Fbratri-s-kufry-6.jpg",{"id":990,"name":978,"file_name":991,"mime_type":21,"size":992,"url":988},"1890","bratri-s-kufry-6.jpg",951951,[],{"id":995,"caption":978,"alt_text":4,"url":996,"srcset":4,"media":997,"conversions":1001,"created_at":924,"updated_at":924},"29339","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1891\u002Fbratri-s-kufry-55.jpg",{"id":998,"name":978,"file_name":999,"mime_type":21,"size":1000,"url":996},"1891","bratri-s-kufry-55.jpg",1194137,[],{"id":1003,"caption":978,"alt_text":4,"url":1004,"srcset":4,"media":1005,"conversions":1009,"created_at":924,"updated_at":924},"29340","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1892\u002Fbratri-s-kufry-103.jpg",{"id":1006,"name":978,"file_name":1007,"mime_type":21,"size":1008,"url":1004},"1892","bratri-s-kufry-103.jpg",331256,[],{"id":1011,"caption":978,"alt_text":4,"url":1012,"srcset":4,"media":1013,"conversions":1017,"created_at":924,"updated_at":924},"29336","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1893\u002Fbratri-s-kufry-2.jpg",{"id":1014,"name":978,"file_name":1015,"mime_type":21,"size":1016,"url":1012},"1893","bratri-s-kufry-2.jpg",221235,[],{"title":1019,"description":1020,"canonical_url":1021,"og_title":1022,"og_description":1023,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fbratri-s-kufry-osm-kapitol-o-rakousko-uherske-civilizacni-misi-v-bosne-a-hercegovine-1878-1918",{"cs":1026,"en":1029},[1027,1028],{"label":157,"menu_url":158},{"label":911,"menu_url":1024},[1030,1031],{"label":168,"menu_url":158},{"label":1032,"menu_url":1033},"Brothers with Suitcases: Eight Chapters on the Austro-Hungarian Civilizing Mission in Bosnia and Herzegovina (1878–1918)","\u002Fbrothers-with-suitcases-eight-chapters-on-the-austro-hungarian-civilizing-mission-in-bosnia-and-herzegovina-1878-1918",[1035],{"id":189,"name":881,"slug":1036},{"cs":887,"en":888},[],"2026-09-02 11:03:29","2026-10-14 11:35:38",{"__typename":905,"id":1041,"title":1042,"slug":1043,"description":641,"file":1046,"image":1047,"year":925,"authors":1055,"publisher":125,"place_of_publication":496,"isbn":1056,"edition":496,"extent":496,"language":931,"publication_type":4,"price":1057,"eshop_link":1058,"info":1059,"content_blocks":1060,"seo":1086,"menu_url":1092,"breadcrumbs":1093,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1102,"publicationTags":1105,"created_at":1038,"updated_at":1106},"25307","Jimena Mendoza, Voda nemá ruce",{"cs":1044,"en":1045},"jimena-mendoza-voda-nema-ruce","jimena-mendoza-water-has-no-hands","25308",{"id":1046,"caption":1048,"alt_text":4,"url":1049,"srcset":4,"media":1050,"conversions":1054,"created_at":1038,"updated_at":1038},"Jimena_křest_Praha_ig2","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1896\u002Fjimena-krest-praha-ig2-scaled.jpg",{"id":1051,"name":1048,"file_name":1052,"mime_type":21,"size":1053,"url":1049},"1896","jimena-krest-praha-ig2-scaled.jpg",984469,[],"Jimena Mendoza","978-80-88366-58-4",400,"https:\u002F\u002Fknihy.artmap.cz\u002Fen\u002Fjimena-mendoza-water-has-no-hands\u002F?srsltid=AU7gw4Wxf9mAPWGNtP9UDuQFVO_oYlsTRFN7dkSJ9JBDD-CXtz46Frgv",[],[1061,1071],{"__typename":937,"background":494,"heading":1062,"content":1063,"content_nodes":1066},{"cs":4,"en":4},{"cs":1064,"en":1065},"\u003Cp>Kniha \u003Cem>Water has no hands\u003C\u002Fem> shromažďuje, uchovává a sdílí obrazy a příběhy spojené s místy, procesy znečištění, ohněm, vzdálenými setkáními, vůlemi, původností, budoucností, pásy, chladem, barvou a přátelstvím – v určitých okamžicích a čase – ve formě sochy, mapující nedávnou tvorbu Jimeny Mendoza. Obsahuje několik esejí o všudypřítomné simultánnosti, maskování a vynořování, kosmu a slunečním čase. Roztrhané obrazy, stlačené formy, třesený materiál, rozdrcené, hladící, zadržující.\u003C\u002Fp>","\u003Cp>The book \u003Cem>Water has no hands\u003C\u002Fem> collects, preserves, and shares images and stories connected with places, processes of pollution, fire, distant encounters, wills, originality, the future, belts, cold, color, and friendship—at certain moments and times—in the form of a sculpture, mapping the recent work of Jimena Mendoza. It contains several essays on omnipresent simultaneity, masking and emergence, the cosmos and solar time. Torn images, compressed forms, shaken material, crushed, caressing, restraining.\u003C\u002Fp>",{"cs":1067,"en":1069},[1068],{"__typename":250,"html":1064},[1070],{"__typename":250,"html":1065},{"__typename":237,"background":4,"title":1072,"items":1073},{"cs":4,"en":4},[1074],{"title":1075,"content":1078,"content_nodes":1081},{"cs":1076,"en":1077},"Autorka","Author",{"cs":1079,"en":1080},"\u003Cp>Jimena Mendoza (*1979, Mexiko) jako umělkyně sbírá kulturní stopy, adaptované postupy, rozpory a nesourodé synkretismy a přistupuje k nim z vlastní mestické zkušenosti. Má zálibu ve všem, co je mimoběžné, vzdálené a cizorodé. Ve svém díle filtruje, rozkládá, konfrontuje a syntetizuje nejrůznější látky prostřednictvím svérázné výtvarné vize. Od roku 2019 vyučuje v Ateliéru Socha 2 na Akademii výtvarných umění v Praze.\u003C\u002Fp>","\u003Cp>Jimena Mendoza (*1979, Mexico) collects cultural traces, adapted practices, contradictions, and disparate syncretisms, approaching them from her own mestizo experience. She has a penchant for everything that is divergent, distant, and foreign. In her work, she filters, decomposes, confronts, and synthesizes a wide variety of materials through her unique artistic vision. Since 2019, she has been teaching at the Sculpture 2 Studio at the Academy of Fine Arts in Prague.\u003C\u002Fp>",{"cs":1082,"en":1084},[1083],{"__typename":250},[1085],{"__typename":250},{"title":1087,"description":1088,"canonical_url":1089,"og_title":1090,"og_description":1091,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fjimena-mendoza-voda-nema-ruce",{"cs":1094,"en":1097},[1095,1096],{"label":157,"menu_url":158},{"label":1042,"menu_url":1092},[1098,1099],{"label":168,"menu_url":158},{"label":1100,"menu_url":1101},"Jimena Mendoza, Water has no hands","\u002Fjimena-mendoza-water-has-no-hands",[1103],{"id":189,"name":881,"slug":1104},{"cs":887,"en":888},[],"2026-10-08 07:03:52",{"__typename":905,"id":1108,"title":1109,"slug":1110,"description":641,"file":1113,"image":1114,"year":1123,"authors":1124,"publisher":125,"place_of_publication":496,"isbn":1125,"edition":496,"extent":496,"language":1126,"publication_type":4,"price":1127,"eshop_link":1128,"info":1129,"content_blocks":1130,"seo":1159,"menu_url":1165,"breadcrumbs":1166,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1175,"publicationTags":1178,"created_at":1122,"updated_at":1179},"12941","Pavla Sceranková, Vesmír v hlavě ",{"cs":1111,"en":1112},"pavla-scerankova-vesmir-v-hlave","pavla-scerankova-universe-in-the-head","12942",{"id":1113,"caption":1115,"alt_text":4,"url":1116,"srcset":4,"media":1117,"conversions":1121,"created_at":1122,"updated_at":1122},"Pavla_Scerankova_obalka","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1913\u002Fpavla-scerankova-obalka.jpg",{"id":1118,"name":1115,"file_name":1119,"mime_type":21,"size":1120,"url":1116},"1913","pavla-scerankova-obalka.jpg",144646,[],"2026-09-02 11:03:33",2023,"Pavla Sceranková","978-80-88366-32-4","česky, anglicky",450,"https:\u002F\u002Fknihy.artmap.cz\u002Fvesmir-v-hlave\u002F?srsltid=AU7gw4UeafcgASQ4CwlgdVDRtLc1x14iXDvdRek2BDWf7QdDPXMkl2Xg",[],[1131,1142],{"__typename":937,"background":494,"heading":1132,"content":1133,"content_nodes":1136},{"cs":4,"en":4},{"cs":1134,"en":1135},"\u003Cp>Publikace \u003Cem>Vesmír v hlavě\u003C\u002Fem> předkládá obraz umělecké tvorby slovenské sochařky Pavly Scerankové v posledním desetiletí. Prostřednictvím textů britské kritičky Chloe Stead a českého kurátora Jana Zálešáka je rozvrstvena do tematických kapitol, které přináší vhled do autorčina bohatého sochařského a vizuálního jazyka.\u003C\u002Fp>","\u003Cp>The publication \u003Cem>Vesmír v hlavě\u003C\u002Fem> presents a picture of the artistic work of Slovak sculptor Pavla Sceranková in the last decade. Through texts by British critic Chloe Stead and Czech curator Jan Zálešák, it is divided into thematic chapters that provide insight into the artist’s rich sculptural and visual language.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"cs":1137,"en":1139},[1138],{"__typename":250,"html":1134},[1140],{"__typename":250,"html":1141},"\u003Cp>The publication \u003Cem>Vesmír v hlavě\u003C\u002Fem> presents a picture of the artistic work of Slovak sculptor Pavla Sceranková in the last decade. Through texts by British critic Chloe Stead and Czech curator Jan Zálešák, it is divided into thematic chapters that provide insight into the artist’s rich sculptural and visual language.\u003C\u002Fp>",{"__typename":237,"background":4,"title":1143,"items":1144},{"cs":4,"en":4},[1145],{"title":1146,"content":1147,"content_nodes":1150},{"cs":1076,"en":1077},{"cs":1148,"en":1149},"\u003Cp>Pavla Sceranková (*1980) přináší do oblasti sochařské a objektové tvorby nový autorský jazyk a výraz; novou koncepci, navazující na silný odkaz postmoderního, ale zároveň i neokonceptuálního prostorového umění. Vytváří sochařské objekty a instalace vyznačující se minimalistickou čistotou a citlivým vztahem k danému místu. Jinou polohou její tvorby je vytváření objektů, v nichž je zakomponován prvek akce, které vyzývají diváka k interakci. Někdy nabývají podoby videa, či spíše videosochy, která stojí na pomezí performance, animované sochy a autonomního videa. Vyjadřují existenciální vztah člověka k prostředí, ve kterém žije a se kterým se konfrontuje.\u003C\u002Fp>\u003Cp>V obsahové rovině se Pavla Sceranková intenzivně zabývá reflexí lidského vnímání, pamětí a individuálním prožíváním okolního světa. Vychází z osobního prožitku a zkoumá způsob, jak se tento prožitek uchoval v paměti, respektive jaký tvar nabyl. Autorka tematizuje fenomén vnímání, prožívání aktu vnímání, vztah vnímání ke vnímanému světu a vědomí aktu vnímání.\u003C\u002Fp>\u003Cp>Studovala v letech 2000–2006 na Akademii výtvarných umění v Praze, kde v roce 2011 úspěšně ukončila doktorské studium. V rámci stipendijních pobytů absolvovala roční stáž u prof. Tony Gragga v Berlíně. V letech 2010–2015 působila jako akademický pracovník na Katedře výtvarné výchovy a textilní tvorby Univerzity Hradec Králové. V současné době vede s Dušanem Zahoranským vlastní Ateliér intermediální tvorby na pražské Akademii výtvarných umění.Autorkou grafického designu je Adéla Svobodová.\u003C\u002Fp>","\u003Cp>Pavla Sceranková (*1980) brings a new authorial language and expression to the field of sculpture and object making; a new conception building on the strong legacy of postmodern but also neo-conceptual spatial art. She creates sculptural objects and installations characterized by minimalist purity and a sensitive relationship to a given place. Another aspect of her work is the creation of objects that incorporate an element of action, inviting the viewer to interact. Sometimes they take the form of video, or rather video sculpture, which stands between performance, animated sculpture, and autonomous video. They express the existential relationship of a person to the environment in which they live and with which they are confronted.\u003C\u002Fp>\u003Cp>In terms of content, Pavla Sceranková is intensively concerned with the reflection of human perception, memory and individual experience of the surrounding world. She draws on personal experience and examines the way this experience is preserved in memory, or what form it takes. The author thematizes the phenomenon of perception, the experience of the act of perception, the relation of perception to the perceived world, and the consciousness of the act of perception.\u003C\u002Fp>\u003Cp>She studied from 2000 to 2006 at the Academy of Fine Arts in Prague, where she earned her doctorate in 2011. As part of a scholarship, she completed a one-year internship with Prof. Tony Gragg in Berlin. From 2010 to 2015, she worked as an academic at the Department of Art Education and Textile Design at the University of Hradec Králové. She currently runs her own Studio of Intermedia Art at the Academy of Fine Arts in Prague with Dušan Zahoranský.Graphic Design: Adéla Svobodová.\u003C\u002Fp>",{"cs":1151,"en":1155},[1152,1153,1154],{"__typename":250},{"__typename":250},{"__typename":250},[1156,1157,1158],{"__typename":250},{"__typename":250},{"__typename":250},{"title":1160,"description":1161,"canonical_url":1162,"og_title":1163,"og_description":1164,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fpavla-scerankova-vesmir-v-hlave",{"cs":1167,"en":1170},[1168,1169],{"label":157,"menu_url":158},{"label":1109,"menu_url":1165},[1171,1172],{"label":168,"menu_url":158},{"label":1173,"menu_url":1174},"Pavla Sceranková, Universe in the Head","\u002Fpavla-scerankova-universe-in-the-head",[1176],{"id":189,"name":881,"slug":1177},{"cs":887,"en":888},[],"2026-10-09 06:54:53",{"__typename":905,"id":1181,"title":1182,"slug":1183,"description":641,"file":1185,"image":1186,"year":1195,"authors":1196,"publisher":125,"place_of_publication":496,"isbn":1197,"edition":496,"extent":496,"language":1126,"publication_type":4,"price":1057,"eshop_link":1198,"info":1199,"content_blocks":1200,"seo":1226,"menu_url":1232,"breadcrumbs":1233,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1240,"publicationTags":1243,"created_at":1194,"updated_at":1244},"19499","Tomáš Svoboda, Práce \u002F Works 2008–2024",{"cs":1184,"en":1184},"tomas-svoboda-prace-works-2008-2024","19505",{"id":1185,"caption":1187,"alt_text":4,"url":1188,"srcset":4,"media":1189,"conversions":1193,"created_at":1194,"updated_at":1194},"Svoboda_obalka","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1901\u002Fsvoboda-obalka.jpg",{"id":1190,"name":1187,"file_name":1191,"mime_type":21,"size":1192,"url":1188},"1901","svoboda-obalka.jpg",928141,[],"2026-09-02 11:03:30",2024,"Tomáš Svoboda","978-80-88366-49-2","https:\u002F\u002Fknihy.artmap.cz\u002Fprace-works-2008-2024\u002F",[],[1201,1212],{"__typename":937,"background":494,"heading":1202,"content":1203,"content_nodes":1206},{"cs":4,"en":4},{"cs":1204,"en":1205},"\u003Cp>Lze jedním médiem, médiem tištěné publikace, sestávajícím se z textů a obrazových reprodukcí, zprostředkovat uměleckou tvorbu vznikající v médiích zcela jiných? Jak lze katalogem uchopit dílo Tomáše Svobody, jež se v posledních letech téměř výhradně zabývá uměním pohyblivého obrazu? Jestliže je ve světě filmu zvykem vytvářet dokumentární film o filmu, je pro něj vhodně analogickým postupem vytvořit knihu o katalogu? Inventuru jeho umělecké práce z let 2008–2024 pohybující se na rozhraní výtvarného umění a filmu v knize předznamenává esej \u003Cem>Scénář jako „struktura, která chce být jinou strukturou“\u003C\u002Fem> Piera Paola Pasoliniho.\u003C\u002Fp>","\u003Cp>Is it possible to use a single medium, a printed publication consisting of texts and image reproductions, to convey artistic work created in completely different media? How can a catalogue capture the work of Tomáš Svoboda, who in recent years has focused almost exclusively on the art of the moving image? If it is customary in the world of film to make a documentary film about a film, is it appropriate to create a book about a catalogue as an analogous procedure? The inventory of his artistic work from 2008 to 2024, which straddles the boundary between visual art and film, is prefaced by Pier Paolo Pasolini’s essay “The Screenplay as a Structure that Wants to Be Another Structure.”\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"cs":1207,"en":1209},[1208],{"__typename":250,"html":1204},[1210],{"__typename":250,"html":1211},"\u003Cp>Is it possible to use a single medium, a printed publication consisting of texts and image reproductions, to convey artistic work created in completely different media? How can a catalogue capture the work of Tomáš Svoboda, who in recent years has focused almost exclusively on the art of the moving image? If it is customary in the world of film to make a documentary film about a film, is it appropriate to create a book about a catalogue as an analogous procedure? The inventory of his artistic work from 2008 to 2024, which straddles the boundary between visual art and film, is prefaced by Pier Paolo Pasolini’s essay “The Screenplay as a Structure that Wants to Be Another Structure.”\u003C\u002Fp>",{"__typename":237,"background":4,"title":1213,"items":1214},{"cs":4,"en":4},[1215],{"title":1216,"content":1218,"content_nodes":1221},{"cs":1217,"en":1077},"Autor",{"cs":1219,"en":1220},"\u003Cp>Tomáš Svoboda se své volné tvorbě dlouhodobě zabývá pohyblivým obrazem a jeho sociokulturními vazbami. Kromě vlastní umělecké praxe současně působí jako architekt výstav, filmový scénograf, vedoucí pedagog ateliéru Nová média 1 na AVU. Je jedním ze zakladatelů pražské galerie Display.\u003C\u002Fp>","\u003Cp>Tomáš Svoboda has long been interested in moving images and their socio-cultural connections in his free work. In addition to his own artistic practice, he also works as an exhibition architect, film set designer, and head teacher of the New Media 1 studio at the Academy of Fine Arts in Prague. He is one of the founders of the Display gallery in Prague.\u003C\u002Fp>",{"cs":1222,"en":1224},[1223],{"__typename":250},[1225],{"__typename":250},{"title":1227,"description":1228,"canonical_url":1229,"og_title":1230,"og_description":1231,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Ftomas-svoboda-prace-works-2008-2024",{"cs":1234,"en":1237},[1235,1236],{"label":157,"menu_url":158},{"label":1182,"menu_url":1232},[1238,1239],{"label":168,"menu_url":158},{"label":1182,"menu_url":1232},[1241],{"id":189,"name":881,"slug":1242},{"cs":887,"en":888},[],"2026-10-09 06:55:49",{"__typename":905,"id":1246,"title":1247,"slug":1248,"description":641,"file":1251,"image":1252,"year":1123,"authors":1261,"publisher":125,"place_of_publication":496,"isbn":1262,"edition":496,"extent":496,"language":1263,"publication_type":4,"price":1264,"eshop_link":1265,"info":1266,"content_blocks":1267,"seo":1305,"menu_url":1311,"breadcrumbs":1312,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1321,"publicationTags":1324,"created_at":1260,"updated_at":1325},"18610","Umění bez daně. Umění v éře planetární občanské války",{"cs":1249,"en":1250},"umeni-bez-dane-umeni-v-ere-planetarni-obcanske-valky","art-without-tax-art-in-the-era-of-planetary-civil-war","18625",{"id":1251,"caption":1253,"alt_text":4,"url":1254,"srcset":4,"media":1255,"conversions":1259,"created_at":1260,"updated_at":1260},"Hito_obalka","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1922\u002Fhito-obalka.png",{"id":1256,"name":1253,"file_name":1257,"mime_type":277,"size":1258,"url":1254},"1922","hito-obalka.png",292468,[],"2026-09-02 11:03:35","Hito Steyerl","978-80-88366-54-6","Česky",350,"https:\u002F\u002Fknihy.artmap.cz\u002Fen\u002Fumeni-bez-dane\u002F?gad_source=1&gad_campaignid=22103231739&gbraid=0AAAAABxbSlc8vVNRfLlQMrLYRbe7X1jif&gclid=Cj0KCQjwuJLWBhD_ARIsAIBcRUzcpC5Zn6D8L6peQr1w_Yx3qmpEk5iyY4qc9pjlACw1wTKpJHFuTe8aAmGpEALw_wcB",[],[1268,1292],{"__typename":937,"background":494,"heading":1269,"content":1270,"content_nodes":1273},{"cs":4,"en":4},{"cs":1271,"en":1272},"\u003Cp>Soubor textů \u003Cem>Umění bez daně. Umění v éře planetární občanské války\u003C\u002Fem> českým čtenářkám a čtenářům poprvé v ucelenějším souboru představuje myšlení významné německé umělkyně, dokumentaristky a intelektuálky Hito Steyerl.\u003C\u002Fp>\u003Cp>Jak píše editor knihy Zbyněk Baladrán, je úvodníkem do naší prožívané reality, pomáhá nám se v ní lépe zorientovat, pochopit a pojmenovat situaci, v níž se nacházíme. Autorčiny kritické úvahy jsou promítány do oblastí výtvarného umění, odkud zároveň i vycházejí. Steyerl poukazováním na podmínky současného uměleckého provozu – množství neplacené „dobrovolné“ práce, daňové úniky, praní peněz a deregulované finanční trhy – odkrývá pohled na autonomní svět umění.\u003C\u002Fp>\u003Cp>Kniha je dostupnou pomůckou studujícím a pracujícím napříč různými generacemi a obory, může být inspirující, zároveň však svým důrazem na problematické roviny nejen kultury, ale i celé společnosti, vyvolává značné znepokojení, nebo dokonce skepsi. Jednotlivé kapitoly tvoří texty psané při různých příležitostech – jako přednášky zazněly na konferencích např. v Tate Modern v Londýně, Van Abbemuseum v Eindhovenu, Whitney Museum of American Art v New Yorku, Haus der Kulturen der Welt v Berlíně, Akademie der Künste der Welt v Kolíně, Artists Space v New Yorku nebo ve Stedelijk Museum v Amsterdamu. Byly též publikovány například v časopise October nebo e-flux.\u003C\u002Fp>\u003Cp>Autorčino zázemí ve světě umění je patrné také ve stylu jejího psaní, které je mezioborové, plné asociací, novotvarů, metafor, nadhledu i detailních analýz.\u003C\u002Fp>","\u003Cp>A collection of texts \u003Cem>Art without Tax. Art in the Era of Planetary Civil War\u003C\u002Fem> presents for the first time in a more comprehensive collection the thought of the important German artist, documentary filmmaker and intellectual Hito Steyerl.\u003C\u002Fp>\u003Cp>As Zbyněk Baladrán, the editor of the book, writes, it is an introduction to our lived reality, helping us to better orient ourselves in it, to understand and name the situation in which we find ourselves. The author's critical reflections are projected into the field of visual art, from which they also originate. By pointing to the conditions of contemporary art operations – the abundance of unpaid "voluntary" work, tax evasion, money laundering and deregulated financial markets - Steyerl reveals a view of the autonomous world of art.\u003C\u002Fp>\u003Cp>An accessible tool for students and workers across generations and disciplines, the book can be inspiring, but at the same time, with its emphasis on problematic levels not only of culture, but of society as a whole, it provokes considerable concern, if not skepticism. The individual chapters consist of texts written on various occasions – as lectures given at conferences such as the Tate Modern in London, the Van Abbemuseum in Eindhoven, the Whitney Museum of American Art in New York, the Haus der Kulturen der Welt in Berlin, the Akademie der Künste der Welt in Cologne, Artists Space in New York, and the Stedelijk Museum in Amsterdam. They have also been published, for example, in October magazine or e-flux.\u003C\u002Fp>\u003Cp>The author's background in the art world is also evident in her writing style, which is interdisciplinary, full of associations, new shapes, metaphors, insight and detailed analyses.The book is available only in Czech.\u003C\u002Fp>",{"cs":1274,"en":1283},[1275,1277,1279,1281],{"__typename":250,"html":1276},"\u003Cp>Soubor textů \u003Cem>Umění bez daně. Umění v éře planetární občanské války\u003C\u002Fem> českým čtenářkám a čtenářům poprvé v ucelenějším souboru představuje myšlení významné německé umělkyně, dokumentaristky a intelektuálky Hito Steyerl.\u003C\u002Fp>",{"__typename":250,"html":1278},"\u003Cp>Jak píše editor knihy Zbyněk Baladrán, je úvodníkem do naší prožívané reality, pomáhá nám se v ní lépe zorientovat, pochopit a pojmenovat situaci, v níž se nacházíme. Autorčiny kritické úvahy jsou promítány do oblastí výtvarného umění, odkud zároveň i vycházejí. Steyerl poukazováním na podmínky současného uměleckého provozu – množství neplacené „dobrovolné“ práce, daňové úniky, praní peněz a deregulované finanční trhy – odkrývá pohled na autonomní svět umění.\u003C\u002Fp>",{"__typename":250,"html":1280},"\u003Cp>Kniha je dostupnou pomůckou studujícím a pracujícím napříč různými generacemi a obory, může být inspirující, zároveň však svým důrazem na problematické roviny nejen kultury, ale i celé společnosti, vyvolává značné znepokojení, nebo dokonce skepsi. Jednotlivé kapitoly tvoří texty psané při různých příležitostech – jako přednášky zazněly na konferencích např. v Tate Modern v Londýně, Van Abbemuseum v Eindhovenu, Whitney Museum of American Art v New Yorku, Haus der Kulturen der Welt v Berlíně, Akademie der Künste der Welt v Kolíně, Artists Space v New Yorku nebo ve Stedelijk Museum v Amsterdamu. Byly též publikovány například v časopise October nebo e-flux.\u003C\u002Fp>",{"__typename":250,"html":1282},"\u003Cp>Autorčino zázemí ve světě umění je patrné také ve stylu jejího psaní, které je mezioborové, plné asociací, novotvarů, metafor, nadhledu i detailních analýz.\u003C\u002Fp>",[1284,1286,1288,1290],{"__typename":250,"html":1285},"\u003Cp>A collection of texts \u003Cem>Art without Tax. Art in the Era of Planetary Civil War\u003C\u002Fem> presents for the first time in a more comprehensive collection the thought of the important German artist, documentary filmmaker and intellectual Hito Steyerl.\u003C\u002Fp>",{"__typename":250,"html":1287},"\u003Cp>As Zbyněk Baladrán, the editor of the book, writes, it is an introduction to our lived reality, helping us to better orient ourselves in it, to understand and name the situation in which we find ourselves. The author's critical reflections are projected into the field of visual art, from which they also originate. By pointing to the conditions of contemporary art operations – the abundance of unpaid \"voluntary\" work, tax evasion, money laundering and deregulated financial markets - Steyerl reveals a view of the autonomous world of art.\u003C\u002Fp>",{"__typename":250,"html":1289},"\u003Cp>An accessible tool for students and workers across generations and disciplines, the book can be inspiring, but at the same time, with its emphasis on problematic levels not only of culture, but of society as a whole, it provokes considerable concern, if not skepticism. The individual chapters consist of texts written on various occasions – as lectures given at conferences such as the Tate Modern in London, the Van Abbemuseum in Eindhoven, the Whitney Museum of American Art in New York, the Haus der Kulturen der Welt in Berlin, the Akademie der Künste der Welt in Cologne, Artists Space in New York, and the Stedelijk Museum in Amsterdam. They have also been published, for example, in October magazine or e-flux.\u003C\u002Fp>",{"__typename":250,"html":1291},"\u003Cp>The author's background in the art world is also evident in her writing style, which is interdisciplinary, full of associations, new shapes, metaphors, insight and detailed analyses.The book is available only in Czech.\u003C\u002Fp>",{"__typename":237,"background":4,"title":1293,"items":1294},{"cs":4,"en":4},[1295],{"title":1296,"content":1297,"content_nodes":1300},{"cs":1076,"en":1077},{"cs":1298,"en":1299},"\u003Cp>Hito Steyerl (*1966, Mnichov) je německá umělkyně, filmařka, teoretička a pedagožka. Ve své tvorbě se zaměřuje na vztah umění, technologií, politiky a globální ekonomiky. Prostřednictvím videí, instalací a esejů kriticky zkoumá fungování obrazů v digitální době, otázky moci, kapitalismu, umělé inteligence a současných konfliktů. Patří k nejvýraznějším osobnostem současného mediálního umění.\u003C\u002Fp>","\u003Cp>Hito Steyerl (born 1966 in Munich) is a German artist, filmmaker, theorist, and educator. Her work explores the relationships between art, technology, politics, and the global economy. Through videos, installations, and essays, she critically examines the role of images in the digital age, addressing issues of power, capitalism, artificial intelligence, and contemporary conflicts. She is one of the most influential figures in contemporary media art.\u003C\u002Fp>",{"cs":1301,"en":1303},[1302],{"__typename":250},[1304],{"__typename":250},{"title":1306,"description":1307,"canonical_url":1308,"og_title":1309,"og_description":1310,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fumeni-bez-dane-umeni-v-ere-planetarni-obcanske-valky",{"cs":1313,"en":1316},[1314,1315],{"label":157,"menu_url":158},{"label":1247,"menu_url":1311},[1317,1318],{"label":168,"menu_url":158},{"label":1319,"menu_url":1320},"Art without Tax. Art in the Era of Planetary Civil War","\u002Fart-without-tax-art-in-the-era-of-planetary-civil-war",[1322],{"id":189,"name":881,"slug":1323},{"cs":887,"en":888},[],"2026-10-09 14:09:28",{"title":1327,"type":136,"link":1328,"url":1329,"target":139,"linkable":1330,"content_type":1352,"limit":1353,"categories":1354,"items":1355},"Oznámení","announcement_category:1","\u002Fakademie\u002Foznameni",{"__typename":1331,"id":189,"name":1327,"slug":1332,"seo":1335,"menu_url":1329,"breadcrumbs":1341,"is_published":178,"status":179,"created_at":215,"updated_at":215},"AnnouncementCategory",{"cs":1333,"en":1334},"oznameni","announcements",{"title":1336,"description":1337,"canonical_url":1338,"og_title":1339,"og_description":1340,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":1342,"en":1346},[1343,1344,1345],{"label":157,"menu_url":158},{"label":160,"menu_url":161},{"label":1327,"menu_url":1329},[1347,1348,1349],{"label":168,"menu_url":158},{"label":170,"menu_url":171},{"label":1350,"menu_url":1351},"Announcements","\u002Facademy\u002Fannouncements","Announcement",4,[],[1356,1405,1452,1489],{"__typename":1352,"id":1357,"announcement_category_id":189,"announcementCategory":1358,"announcementTags":1360,"title":1366,"slug":1367,"perex":1369,"content_blocks":1370,"featured_image":4,"featuredImage":1386,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":1387,"video_trailer":4,"background":494,"starts_at":4,"ends_at":4,"year":1388,"location":496,"schedule_status":4,"is_featured":296,"is_archived":296,"is_published":178,"status":179,"departments":1389,"seo":1390,"menu_url":1396,"breadcrumbs":1397,"parentNodePage":4,"created_at":1404,"updated_at":1404},"31205",{"id":189,"name":1327,"slug":1359},{"cs":1333,"en":1334},[1361],{"id":189,"name":1362,"slug":1363},"Pro studující",{"cs":1364,"en":1365},"pro-studujici","study-info","Vyhlášení umělecké soutěže na návrh pamětní desky v Bartolomějské ulici",{"cs":1368,"en":1368},"vyhlaseni-umelecke-souteze-na-navrh-pametni-desky-v-bartolomejske-ulici","Živá paměť, o.p.s., ve spolupráci s Akademií výtvarných umění v Praze vyhlašuje uměleckou soutěž na návrh pamětní desky v Bartolomějské ulici 10. Deska připomene Romy a Sinty pronásledované během druhé světové války a roli budovy při organizaci jejich transportů do koncentračních a vyhlazovacích táborů.\n",[1371],{"__typename":937,"background":4,"heading":1372,"content":1373,"content_nodes":1375},{"cs":4,"en":4},{"cs":1374,"en":641},"\u003Cp>Soutěž je určena studujícím a absolventům uměleckých škol a dalším výtvarným umělcům a umělkyním do 35 let. Cílem je nalézt současné a důstojné výtvarné řešení, které zohlední historický význam místa a charakter památkově chráněného prostředí.\u003C\u002Fp>\u003Cp>Předložené návrhy posoudí šestičlenná odborná komise a tři nejlepší budou finančně oceněny. V průběhu soutěže bude možné konzultovat technické a výtvarné zadání se zástupci AVU a obsahové otázky se Živou pamětí.\u003C\u002Fp>\u003Cp>Soutěžní návrhy je možné odevzdat do 21. listopadu 2026.\u003C\u002Fp>\u003Cp>Úplné podmínky soutěže, technické zadání a informace pro soutěžící jsou zveřejněny \u003Ca href=\"https:\u002F\u002Fwww.zivapamet.cz\u002Fwp-content\u002Fuploads\u002F2026\u002F09\u002FVyhlaseni-umelecke-souteze_FINAL.pdf\">zde.\u003C\u002Fa>\u003C\u002Fp>",{"cs":1376,"en":1385},[1377,1379,1381,1383],{"__typename":250,"html":1378},"\u003Cp>Soutěž je určena studujícím a absolventům uměleckých škol a dalším výtvarným umělcům a umělkyním do 35 let. Cílem je nalézt současné a důstojné výtvarné řešení, které zohlední historický význam místa a charakter památkově chráněného prostředí.\u003C\u002Fp>",{"__typename":250,"html":1380},"\u003Cp>Předložené návrhy posoudí šestičlenná odborná komise a tři nejlepší budou finančně oceněny. V průběhu soutěže bude možné konzultovat technické a výtvarné zadání se zástupci AVU a obsahové otázky se Živou pamětí.\u003C\u002Fp>",{"__typename":250,"html":1382},"\u003Cp>Soutěžní návrhy je možné odevzdat do 21. listopadu 2026.\u003C\u002Fp>",{"__typename":250,"html":1384},"\u003Cp>Úplné podmínky soutěže, technické zadání a informace pro soutěžící jsou zveřejněny \u003Ca href=\"https:\u002F\u002Fwww.zivapamet.cz\u002Fwp-content\u002Fuploads\u002F2026\u002F09\u002FVyhlaseni-umelecke-souteze_FINAL.pdf\">zde.\u003C\u002Fa>\u003C\u002Fp>",[],[],[],2026,[],{"title":1391,"description":1392,"canonical_url":1393,"og_title":1394,"og_description":1395,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fvyhlaseni-umelecke-souteze-na-navrh-pametni-desky-v-bartolomejske-ulici",{"cs":1398,"en":1401},[1399,1400],{"label":157,"menu_url":158},{"label":1366,"menu_url":1396},[1402,1403],{"label":168,"menu_url":158},{"label":1366,"menu_url":1396},"2026-09-28 20:16:15",{"__typename":1352,"id":1406,"announcement_category_id":189,"announcementCategory":1407,"announcementTags":1409,"title":1415,"slug":1416,"perex":1419,"content_blocks":1420,"featured_image":4,"featuredImage":1432,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":1433,"video_trailer":4,"background":494,"starts_at":4,"ends_at":4,"year":1388,"location":496,"schedule_status":4,"is_featured":296,"is_archived":296,"is_published":178,"status":179,"departments":1434,"seo":1435,"menu_url":1441,"breadcrumbs":1442,"parentNodePage":4,"created_at":1451,"updated_at":1451},"31204",{"id":189,"name":1327,"slug":1408},{"cs":1333,"en":1334},[1410],{"id":226,"name":1411,"slug":1412},"Přijímací řízení",{"cs":1413,"en":1414},"prijimaci-rizeni","admissions","Výsledky přijímacího řízení pro Restaurování sochy 2026\u002F2027",{"cs":1417,"en":1418},"vysledky-prijimaciho-rizeni-pro-restaurovani-sochy-20262027","results-of-the-admissions-process-for-the-sculpture-restoration-programme-20262027","Vážené uchazečstvo, níže naleznete výsledky přijímacího řízení do ateliéru Restaurování sochy pro akademický rok 2026\u002F2027.",[1421],{"__typename":937,"background":4,"heading":1422,"content":1423,"content_nodes":1425},{"cs":4,"en":4},{"cs":1424,"en":641},"\u003Cp>Všem přijatým gratulujeme. Informace k zápisu, který se koná 15. 9. 2026 Vám přijdou e-mailem.\u003C\u002Fp>\u003Cp>\u003Ca href=\"http:\u002F\u002Fbe.avu.cz\u002Fapp\u002Fuploads\u002F2026\u002F09\u002FVysledky-prijimaciho-rizeni-pro-Restaurovani-sochy-2026_2027.pdf.pdf\">Výsledky přijímacího řízení pro Restaurování sochy 2026\u002F2027\u003C\u002Fa>\u003C\u002Fp>",{"cs":1426,"en":1431},[1427,1429],{"__typename":250,"html":1428},"\u003Cp>Všem přijatým gratulujeme. Informace k zápisu, který se koná 15. 9. 2026 Vám přijdou e-mailem.\u003C\u002Fp>",{"__typename":250,"html":1430},"\u003Cp>\u003Ca href=\"http:\u002F\u002Fbe.avu.cz\u002Fapp\u002Fuploads\u002F2026\u002F09\u002FVysledky-prijimaciho-rizeni-pro-Restaurovani-sochy-2026_2027.pdf.pdf\">Výsledky přijímacího řízení pro Restaurování sochy 2026\u002F2027\u003C\u002Fa>\u003C\u002Fp>",[],[],[],[],{"title":1436,"description":1437,"canonical_url":1438,"og_title":1439,"og_description":1440,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fvysledky-prijimaciho-rizeni-pro-restaurovani-sochy-20262027",{"cs":1443,"en":1446},[1444,1445],{"label":157,"menu_url":158},{"label":1415,"menu_url":1441},[1447,1448],{"label":168,"menu_url":158},{"label":1449,"menu_url":1450},"Results of the admissions process for the Sculpture Restoration programme 2026\u002F2027","\u002Fresults-of-the-admissions-process-for-the-sculpture-restoration-programme-20262027","2026-09-26 21:56:02",{"__typename":1352,"id":1453,"announcement_category_id":189,"announcementCategory":1454,"announcementTags":1456,"title":1457,"slug":1458,"perex":496,"content_blocks":1460,"featured_image":1469,"featuredImage":1470,"featured_mobile_image":4,"featuredMobileImage":4,"files":1471,"fileItems":1472,"video_trailer":4,"background":494,"starts_at":4,"ends_at":4,"year":1388,"location":496,"schedule_status":4,"is_featured":296,"is_archived":296,"is_published":178,"status":179,"departments":1473,"seo":1474,"menu_url":1480,"breadcrumbs":1481,"parentNodePage":4,"created_at":1488,"updated_at":1488},"23832",{"id":189,"name":1327,"slug":1455},{"cs":1333,"en":1334},[],"Stanovení poplatku za tzv. interní nostrifikaci v rámci přijímacího řízení na 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href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagramu\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebooku\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do e-mailového účtu \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do \u003Ca href=\"https:\u002F\u002Fstag-avu.zcu.cz\u002Fportal\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Frezervace.avu.cz\u002F\" target=\"_blank\">Systém pro rezervaci techniky\u003C\u002Fa>\u003C\u002Fp>\u003Cp><p><a href=\"#\" class=\"cky-banner-element\">Ochrana osobních údajů<\u002Fa><\u002Fp>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fakademie\u002Fstruktura\u002Fpodpurna-pracoviste\u002Foddeleni-komunikace\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>U 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