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06:06:30","Event",3,[],[220,457,575],{"__typename":216,"id":221,"event_category_id":189,"eventCategory":222,"eventTags":224,"title":231,"slug":232,"perex":235,"content_blocks":236,"featured_image":292,"featuredImage":299,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":426,"video_trailer":4,"background":427,"starts_at":428,"ends_at":4,"location":429,"schedule_status":430,"is_featured":431,"is_published":178,"status":179,"departments":432,"seo":439,"menu_url":445,"breadcrumbs":446,"parentNodePage":4,"created_at":455,"updated_at":456},"31135",{"id":189,"name":190,"slug":223},{"cs":192,"en":193},[225],{"id":226,"name":227,"slug":228},"8","Událost",{"cs":229,"en":230},"udalost","event","Benefiční aukce RE-CONNECTION na podporu umělců a umělkyň v situaci exilu, války nebo ohrožení",{"cs":233,"en":234},"beneficni-aukce-re-connection","re-connection-benefit-auction","Akademie výtvarných umění v Praze připravuje na podzim 2026 benefiční aukci RE-CONNECTION na podporu umělců a umělkyň v situaci exilu, války nebo ohrožení. Zatímco aukce v roce 2022 byla reaktivním gestem pomoci Ukrajině, rok 2026 přináší širší, humanitárně-etický rámec. Aukce bude probíhat fyzicky v Černém sále AVU Veletržní a souběžně online na platformě LiveBid.",[237],{"__typename":238,"background":4,"title":239,"items":240},"AccordionBlock",{"cs":4,"en":4},[241,257,269,281],{"title":242,"content":245,"content_nodes":248},{"cs":243,"en":244},"O aukci","About the Auction",{"cs":246,"en":247},"\u003Cp>Akademie výtvarných umění v Praze připravuje na podzim 2026 benefiční aukci RE-CONNECTION na podporu umělců a umělkyň v situaci exilu, války nebo ohrožení.\u003C\u002Fp>\u003Cp>Zatímco aukce v roce 2022 byla reaktivním gestem pomoci Ukrajině, rok 2026 přináší širší, humanitárně-etický rámec. Skupina AVU PRO tvořená dobrovolníky z komunity AVU, se transformovala v platformu, která vnímá umělce a umělkyně v situaci exilu, války nebo ohrožení jako integrální součást našeho sdíleného světa. Název RE-CONNECTION symbolizuje akt znovunapojení – propojení těch, jejichž tvorba byla násilně přerušena, s prostředím, které jim umožňuje pokračovat.\u003C\u002Fp>\u003Cp> Aukční sbírka, kterou tvoří díla pedagožstva, studujících a alumni AVU je vyjádřením profesní a lidské sounáležitosti. Věříme, že akademická půda má být výsostným územím svobody a ochrany. Touto aukcí nenabízíme pouze umělecká díla, ale stáváme se aktivním bodem v síti podpory, která pomáhá zachovat integritu tvůrčí osobnosti tam, kde je bytostně ohrožena.\u003C\u002Fp>\u003Cp>Výtěžek z prodeje je určen na přímou pomoc umělcům a umělkyním v krizových situacích prostřednictvím transparentního účtu. Spojení fyzické výstavy v prostorách AVU s online aukční platformou LiveBid nám umožňuje komunikovat téma solidarity profesionálně a efektivně. Každé darované dílo je důkazem, že umělecká obec AVU nevnímá svět jen skrze zdi ateliérů, ale přijímá svou roli aktivního účastníka\u002Fčky humanitární pomoci.\u003C\u002Fp>\u003Cp>Výtěžek aukce půjde na transparentní účet určený k přímé podpoře – zejména na pokrytí nákladů na bydlení a dalších nezbytných životních výdajů během studia nebo stážování na AVU. Organizaci aukce zaštiťuje Oddělení mezinárodní spolupráce (OMS) spolu s dobrovolnictvem ze Skupiny AVU PRO a dalšími ze zaměstnanectva AVU.\u003C\u002Fp>","\u003Cp>\u003C\u002Fp>",{"cs":249,"en":256},[250,252,253,254,255],{"__typename":251},"RichContentHtml",{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":251},[],{"title":258,"content":261,"content_nodes":264},{"cs":259,"en":260},"Aukční katalog","Auction Catalogue",{"cs":262,"en":263},"\u003Cp>Kompletní katalog dražených děl si nyní můžete prohlédnout prostřednictvím aukční platformy \u003Ca href=\"https:\u002F\u002Flivebid.cz\u002Fauction\u002FAVU_listopad2026\" target=\"_blank\">Livebid\u003C\u002Fa>.\u003C\u002Fp>","\u003Cp>You can now view the full catalogue of works up for auction via the \u003Ca href=\"https:\u002F\u002Flivebid.cz\u002Fen\u002Fauction\u002FAVU_listopad2026\">Livebid\u003C\u002Fa> auction platform.\u003C\u002Fp>",{"cs":265,"en":267},[266],{"__typename":251},[268],{"__typename":251},{"title":270,"content":273,"content_nodes":276},{"cs":271,"en":272},"Předaukční výstava","Pre-auction Exhibition",{"cs":274,"en":275},"\u003Cp>Předaukční výstava se bude konat od 13. do 15. listopadu 2026 v prostoru AVU Veletržní. Otevírací doba: 13–18.00.\u003C\u002Fp>","\u003Cp>The pre-auction exhibition will take place from 13 to 15 November 2026 at the AVU Veletržní venue. Opening hours: 1–6 pm.\u003C\u002Fp>",{"cs":277,"en":279},[278],{"__typename":251},[280],{"__typename":251},{"title":282,"content":285,"content_nodes":287},{"cs":283,"en":284},"Umělci a umělkyně","Participating Artists",{"cs":286,"en":286},"\u003Cp>David Adamec, Darina Alster, Daniel Altera, Zbyněk Baladrán, Anna Banytiuk, David Böhm\u002FJiří Franta, Josef Bolf, Lucie Crocro, Lenka Černota, Radek Dětinský, Milena Dopitová, Liliia Dorovska, Josef Duchan, Epos 257, Dominic Hafner, Jiří Havlíček, Yana Heraymovych, Veronika Holcová, Jakub Hošek, Martina Hozová, Yuliia Chuienko, Cyril Jakubička, Kateřina Janíková, Kateřina Klíčová, Vladimír Kokolia, Sonya Kolopeniuk, Jan Kostohryz, Jiří Kovanda, Klára Kusá, Barbora Lou, Anastasiia Lisnycha, Dominik Málek, Anetta Mona Chişa, Tamara Moyzes, Alice Nikitinová, Pavel Novák, Olena Nurmamedova, Kača Olivová, Adéla Ondrová, Michal Pechouček\u002FRudi Koval, Magdaléna Rajchlová, Heorhii Rublik, Pavla Sceranková, Mykhailo Shostak, Pavla Soukupová, Viktorie Suchánková, Roman Štětina, Nik Timková, Anastasiia Tovstokor, Tomáš Vaněk, Jiří Vaněk, Zuzana Vepřeková, Magdalena Vovsová, Ruslan Vysokikh, Dušan Zahoranský\u003C\u002Fp>",{"cs":288,"en":290},[289],{"__typename":251},[291],{"__typename":251},[293,294,295,296,297,298],"31455","31456","31453","31454","31452","31451",[300,323,344,364,385,406],{"id":293,"caption":301,"alt_text":4,"url":302,"srcset":303,"media":304,"conversions":310,"created_at":321,"updated_at":322},"Vladimír Kokolia, Kresba 1, 2026, kresba akrylem, 73 x 55 cm","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002F38a-Kokolia.png","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_mobile_lg.webp 1080w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_fhd.webp 1920w, 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Kokolia.png","38a-Kokolia.png","image\u002Fpng",9304698,[311,313,315,317,319],{"name":25,"url":312,"width":27},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_mobile.webp",{"name":29,"url":314,"width":31},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_mobile_lg.webp",{"name":33,"url":316,"width":35},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_fhd.webp",{"name":37,"url":318,"width":39},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_1440.webp",{"name":41,"url":320,"width":43},"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3887\u002Fconversions\u002F38a-Kokolia-webp_4k.webp","2026-10-30 12:44:38","2026-10-30 12:45:32",{"id":294,"caption":324,"alt_text":4,"url":325,"srcset":326,"media":327,"conversions":332,"created_at":321,"updated_at":343},"Josef Bolf, bez názvu, 2026, tuš a akvarel na ručním papíře, 42 x 29 cm","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3888\u002F9-Bolf.jpg","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3888\u002Fconversions\u002F9-Bolf-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3888\u002Fconversions\u002F9-Bolf-webp_mobile_lg.webp 1080w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3888\u002Fconversions\u002F9-Bolf-webp_fhd.webp 1920w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3888\u002Fconversions\u002F9-Bolf-webp_1440.webp 2560w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3888\u002Fconversions\u002F9-Bolf-webp_4k.webp 3840w",{"id":328,"name":329,"file_name":330,"mime_type":21,"size":331,"url":325},"3888","9 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12:45:14",{"id":297,"caption":386,"alt_text":4,"url":387,"srcset":388,"media":389,"conversions":393,"created_at":404,"updated_at":405},"Milena Dopitová, Duše růže, 2011, kombinovaná technika, 75 x 75 cm","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3884\u002F13.jpg","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3884\u002Fconversions\u002F13-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3884\u002Fconversions\u002F13-webp_mobile_lg.webp 1080w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3884\u002Fconversions\u002F13-webp_fhd.webp 1920w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3884\u002Fconversions\u002F13-webp_1440.webp 2560w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3884\u002Fconversions\u002F13-webp_4k.webp 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a vnímání reality. Její tvorba zkoumá napětí mezi realitou a jejím zobrazením a posouvá hranice mezi různými médii. 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12:28:27",{"__typename":216,"id":576,"event_category_id":189,"eventCategory":577,"eventTags":579,"title":586,"slug":587,"perex":590,"content_blocks":591,"featured_image":646,"featuredImage":656,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":821,"video_trailer":4,"background":427,"starts_at":822,"ends_at":4,"location":429,"schedule_status":430,"is_featured":431,"is_published":178,"status":179,"departments":823,"seo":836,"menu_url":842,"breadcrumbs":843,"parentNodePage":4,"created_at":852,"updated_at":853},"31144",{"id":189,"name":190,"slug":578},{"cs":192,"en":193},[580],{"id":581,"name":582,"slug":583},"4","Konference",{"cs":584,"en":585},"konference","conference","The Body in the Library, 12hodinová (performativní) reflexe o uměleckém výzkumu",{"cs":588,"en":589},"the-body-in-the-library-cz","the-body-in-the-library","Pátý ročník 12hodinové (performativní) reflexe uměleckého výzkumu se zabývá možnými prohřešky oboru uměleckého výzkumu a snaží se prozkoumat, kde se umění nachází v krajině utvářené akademickými tradicemi. Ptá se, jaký druh umění snese přenos z galerie na univerzitu a jaký druh výzkumu je už obsažen v umění, které to nesnese.",[592],{"__typename":238,"background":4,"title":593,"items":594},{"cs":4,"en":4},[595,614],{"title":596,"content":599,"content_nodes":601},{"cs":597,"en":598},"O konferenci","About the conference",{"cs":600,"en":600},"\u003Cp>In the fictional small village of Agatha Christie’s 1942 mystery novel \u003Cem>The Body in the Library\u003C\u002Fem>, a library is troubled by the appearance of an improbable and sensational body. In the libraries of artistic research, a field shaped in the last three decades by multiple, sometimes conflicting definitions, there are many physical presences that disturb the regular dustjacket life of books on the shelf. The materiality of the artwork, expansive in space and time, is not easily reconciled with a two-dimensional page of text. The embodied presence of the artist, often more prominent in the process than that of researchers in other disciplines, is sometimes at odds with traditional ideas of objectivity. Ultimately, the corpus of art itself does not sit comfortably in the formats of academic research contexts.\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">It might be that a spectacular crime in the artistic research library is yet to be uncovered. In 2026, the LARGE 12h conference starts from the premise that just because the body has not yet presented itself, it doesn't mean there are no misdeeds to be investigated. It puts forward a provocative presupposition: what if the striking body that might show up behind the shelves where artistic research is being carried out is that of art itself? And not because it is central to the process of inquiry, but on the contrary, because it has been rendered so marginal to it that it can be easily removed. Acknowledging this as a distinctive possibility in the field, it aims to explore ways in which artistic practice can be placed at the centre of research, opening grounds for new ways of investigation.\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">In the process of peer-reviewing contributions for artistic research journals, the question of the quality of the art is rarely—if ever—asked. In the evaluation of an artistic doctoral project, what is more often assessed is an artist's ability to “reflect” on their practice and “reference” relevant theoretical literature, rather than a project’s contribution to the field of contemporary art. By contrast, artists whose work indisputably contributes to contemporary art—whether or not accompanied by a text explaining how—are rarely present in the field unless they are employed by universities. Rather than diminishing with time, the rift between artistic research carried out in universities and research carried out in the professional world of contemporary art gradually increases—with some of the definitions of artistic research even presenting the word “artistic”\u003Cem> \u003C\u002Fem>as a mere adjective that does not need to include artistic practice if it incorporates artistic methods, manners, or experiences.\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Over the course of twelve hours, the event will explore the concerns brought about by this separation between art and academia in a series of artistic investigations: not only interrogations of the current state of affairs or discussions on how art incorporates research, but also explorations in which the art itself is the research.\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Curated by Irina Gheorghe, Anetta Mona Chișa and Lamija Čehajić\u003C\u002Fp>",{"cs":602,"en":608},[603,604,605,606,607],{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":251},[609,610,611,612,613],{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":251},{"title":615,"content":618,"content_nodes":621},{"cs":616,"en":617},"Účastníci a účastnice","Participants",{"cs":619,"en":620},"\u003Cp>Zbyněk Baladrán\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Hana Chmelíková\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Declan Clarke and Pádraig Timoney\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Jeremiah Day\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Elia Moretti\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Katarina Ranković\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Ștefan Tiron\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Lenka Tyrpeklová\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Miya Yoshida\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Jiří Žák\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">a další brzy\u003C\u002Fp>","\u003Cp>Zbyněk Baladrán\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Hana Chmelíková\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Declan Clarke and Pádraig Timoney\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Jeremiah Day\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Elia Moretti\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Katarina Ranković\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Ștefan Tiron\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Lenka Tyrpeklová\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Miya Yoshida\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">Jiří Žák\u003C\u002Fp>\u003Cp style=\"text-align: justify;\">and more 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Během léta studentstvo sdílí fragmenty svých současných zájmů, vizuální reference, otázky a pracovní intuice a postupně vytváří menší mezinárodní skupiny. V říjnu se vzdálená spolupráce přesune do Prahy, která se stane místem osobního setkání a společné realizace vznikajících projektů. To, co se do té doby rozvíjí mezi několika evropskými městy, se zde setkává v jednom fyzickém prostoru.\u003C\u002Fp>\u003Cp>Projekt zároveň pracuje s omezeními, která přináší mezinárodní spolupráce a samotná produkce výstavy. Absence možností přepravy rozsáhlých uměleckých děl vede k hledání jiných forem tvorby: práce mohou být koncipovány jako lehké a snadno přenosné objekty, jako plány či scénáře realizované až v Praze nebo jako projekty vznikající za pomoci místního týmu. Praktická omezení se tak proměňují v součást tvůrčího procesu a ovlivňují samotnou podobu vznikajících děl.\u003C\u002Fp>","\u003Cp>Bazaar’che is an international art project bringing together students and educators from the Academy of Fine Arts in Prague, Beaux-Arts de Paris, the University of Applied Arts Vienna, and the Faculty of Arts at the Technical university in Košice. Developed within the Erasmus+ BIP programme, it creates a space for collaboration, the exchange of experience, and collective artistic practice across different geographical, cultural, and artistic contexts.\u003C\u002Fp>\u003Cp>The project begins several months before the participants meet in person in Prague. Over the summer, students share fragments of their current interests, visual references, questions, and working intuitions, gradually forming smaller international groups. In October, the remote collaboration moves to Prague, which becomes the site of an in-person encounter and the collective realization of the emerging projects. What has until then been developing across several European cities comes together here in a single physical space.\u003C\u002Fp>\u003Cp>The project also works with the limitations inherent in international collaboration and exhibition production. The lack of capacity to transport large-scale artworks encourages the exploration of other forms of artistic production: works may be conceived as lightweight and easily transportable objects, as plans or scores to be realized only in Prague, or as projects developed with the assistance of the local team. Practical constraints thus become part of the creative process and influence the very form of the works that emerge.\u003C\u002Fp>",{"cs":907,"en":911},[908,909,910],{"__typename":251},{"__typename":251},{"__typename":251},[912,913,914],{"__typename":251},{"__typename":251},{"__typename":251},{"title":916,"content":918,"content_nodes":921},{"cs":855,"en":917},"Exhibition",{"cs":919,"en":920},"\u003Cp>Název Bazaar’che vychází z perského výrazu bāzārče, který znamená „malý bazar“ nebo „malé tržiště“. V kontextu projektu označuje dočasný prostor setkávání a výměny, v němž však necirkulují pouze objekty, ale také myšlenky, zkušenosti, pracovní postupy, obrazy a různé perspektivy. Bazar zde funguje jako metafora situace, do níž každý přináší něco vlastního, zároveň ale reaguje na to, co přinášejí ostatní. Výměna tak není pouze pohybem věcí, ale také procesem vzájemného ovlivňování, vyjednávání a proměny.\u003C\u002Fp>\u003Cp>Vyústěním několikaměsíční mezinárodní spolupráce bude výstava Bazaar’che v Galerii AVU, Veletržní 63 v Praze. Vernisáž proběhne 15. října 2026 od 18 hodin a výstava potrvá do 14. listopadu 2026. Galerie se na čas promění v malé tržiště uměleckých přístupů – místo, kde se vzdálený kontakt mění ve fyzické setkání a kde mezi účastnictvem i publikem vstupují do oběhu objekty, gesta, zkušenosti, myšlenky a různé způsoby vnímání.\u003C\u002Fp>","\u003Cp>The title Bazaar’che derives from the Persian word bāzārče, meaning “small bazaar” or “small marketplace.” In the context of the project, it refers to a temporary space of encounter and exchange in which not only objects circulate, but also ideas, experiences, working methods, images, and different perspectives. The bazaar functions here as a metaphor for a situation in which everyone brings something of their own while at the same time responding to what others bring. Exchange thus becomes not only the movement of things, but also a process of mutual influence, negotiation, and transformation.\u003C\u002Fp>\u003Cp>Several months of international collaboration will culminate in the Bazaar’che exhibition at Galerie AVU, Veletržní 63, Prague. The opening will take place on 15 October 2026 at 6 PM, and the exhibition will run until 14 November 2026. For a time, the gallery will become a small marketplace of artistic approaches—a place where remote contact turns into physical encounter and where objects, gestures, experiences, ideas, and different ways of seeing circulate between participants and audiences.\u003C\u002Fp>",{"cs":922,"en":925},[923,924],{"__typename":251},{"__typename":251},[926,927],{"__typename":251},{"__typename":251},{"title":929,"content":932,"content_nodes":935},{"cs":930,"en":931},"Termín a otevírací doba","Dates and opening hours",{"cs":933,"en":934},"\u003Cp>Trvání výstavy: 16. 10. – 14. 11. 2026\u003Cbr>Vernisáž: 15. 10. 2026, 18.00\u003C\u002Fp>\u003Cp>Galerie AVU, Veletržní 63, 170 00 Praha 7\u003Cbr>Otevírací doba: út–so 13.00–18.00\u003C\u002Fp>","\u003Cp>Exhibition: 16 October – 14 November 2026\u003Cbr>Opening: 15 October 2026, 6 pm\u003C\u002Fp>\u003Cp>Galerie AVU, Veletržní 63, 170 00 Prague 7\u003Cbr>Opening hours: Tue–Sat 1–6 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12:05:45","Publication",5,[],[1218,1350,1418,1491,1556],{"__typename":1214,"id":1219,"title":1220,"slug":1221,"description":247,"file":1224,"image":1225,"year":1234,"authors":1235,"publisher":125,"place_of_publication":1236,"isbn":1237,"edition":1238,"extent":1239,"language":1240,"publication_type":4,"price":1241,"eshop_link":1242,"info":1243,"content_blocks":1244,"seo":1328,"menu_url":1334,"breadcrumbs":1335,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1344,"publicationTags":1347,"created_at":1348,"updated_at":1349},"27523","Bratři s kufry. Osm kapitol o rakousko-uherské civilizační misi v Bosně a Hercegovině (1878–1918)",{"cs":1222,"en":1223},"bratri-s-kufry-osm-kapitol-o-rakousko-uherske-civilizacni-misi-v-bosne-a-hercegovine-1878-1918","brothers-with-suitcases-eight-chapters-on-the-austro-hungarian-civilizing-mission-in-bosnia-and-herzegovina-1878-1918","27524",{"id":1224,"caption":1226,"alt_text":4,"url":1227,"srcset":4,"media":1228,"conversions":1232,"created_at":1233,"updated_at":1233},"Borozan_Remesova_obalka_","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1894\u002Fborozan-remesova-obalka.jpg",{"id":1229,"name":1226,"file_name":1230,"mime_type":21,"size":1231,"url":1227},"1894","borozan-remesova-obalka.jpg",263011,[],"2026-09-02 11:03:28",2025,"Vjera Borozan a Anna Remešová (eds.)","Praha","978-80-88366-62-1","Edice 32","250 stran","česky",390,"https:\u002F\u002Fknihy.artmap.cz\u002Fbratri-s-kufry\u002F",[],[1245,1262,1282],{"__typename":1246,"background":554,"heading":1247,"content":1248,"content_nodes":1251},"TextBlock",{"cs":4,"en":4},{"cs":1249,"en":1250},"\u003Cp>Kniha \u003Cem>Bratři s kufry\u003C\u002Fem> je souborem studií zaměřených na rakousko-uherskou civilizační misi v Bosně a Hercegovině v období její okupace a anexy mezi lety 1878 a 1918. Publikace z perspektivy několika vědních oborů a metodologických přístupů sleduje pohyb lidí, zboží, idejí, vědeckého poznání a kapitálu mezi Prahou, Vídní a Sarajevem. Část příspěvků zkoumá roli aktérů a aktérek pocházejících z českých zemí a jejich účast na okupační správě, na sociální disciplinaci bosenského obyvatelstva (prostřednictvím školství, lékařství či práva) a propagaci koloniálních „úspěchů“.\u003C\u002Fp>\u003Cp>Druhá část textů tyto aktivity reflektuje v širším časovém a geopolitickém rámci a sleduje otázku (dis)kontinuit imperiálních politik. Jak pohled zblízka na konkrétní činnosti těchto jednotlivců, tak pohled z odstupu na principy koloniální správy ukazují ambivalentní roli, kterou díky jazykové a kulturní příbuznosti sehrávali ti, kdo do Bosny a Hercegoviny přicházeli z českých zemí (nejen) s vidinou výdělku a profesního úspěchu – odtud název knihy \u003Cem>Bratři s kufry\u003C\u002Fem>.\u003C\u002Fp>","\u003Cp>The book Bratři s kufry (Brothers with Suitcases) is a collection of studies focusing on the Austro-Hungarian civilizing mission in Bosnia and Herzegovina during its occupation and annexation between 1878 and 1918. From the perspective of several scientific disciplines and methodological approaches, the publication traces the movement of people, goods, ideas, scientific knowledge, and capital between Prague, Vienna, and Sarajevo. Some of the contributions examine the role of actors from the Czech lands and their participation in the occupation administration, in the social discipline of the Bosnian population (through education, medicine, and law), and in the promotion of colonial "successes."\u003C\u002Fp>\u003Cp>The second part of the texts reflects on these activities in a broader temporal and geopolitical framework and examines the question of the (dis)continuity of imperial policies. Both a close-up view of the specific activities of these individuals and a distanced view of the principles of colonial administration reveal the ambivalent role played by those who came to Bosnia and Herzegovina from the Czech lands (not only) with the prospect of financial gain and professional success, thanks to their linguistic and cultural affinity – hence the title of the book, Brothers with Suitcases.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"cs":1252,"en":1257},[1253,1255],{"__typename":251,"html":1254},"\u003Cp>Kniha \u003Cem>Bratři s kufry\u003C\u002Fem> je souborem studií zaměřených na rakousko-uherskou civilizační misi v Bosně a Hercegovině v období její okupace a anexy mezi lety 1878 a 1918. Publikace z perspektivy několika vědních oborů a metodologických přístupů sleduje pohyb lidí, zboží, idejí, vědeckého poznání a kapitálu mezi Prahou, Vídní a Sarajevem. Část příspěvků zkoumá roli aktérů a aktérek pocházejících z českých zemí a jejich účast na okupační správě, na sociální disciplinaci bosenského obyvatelstva (prostřednictvím školství, lékařství či práva) a propagaci koloniálních „úspěchů“.\u003C\u002Fp>",{"__typename":251,"html":1256},"\u003Cp>Druhá část textů tyto aktivity reflektuje v širším časovém a geopolitickém rámci a sleduje otázku (dis)kontinuit imperiálních politik. Jak pohled zblízka na konkrétní činnosti těchto jednotlivců, tak pohled z odstupu na principy koloniální správy ukazují ambivalentní roli, kterou díky jazykové a kulturní příbuznosti sehrávali ti, kdo do Bosny a Hercegoviny přicházeli z českých zemí (nejen) s vidinou výdělku a profesního úspěchu – odtud název knihy \u003Cem>Bratři s kufry\u003C\u002Fem>.\u003C\u002Fp>",[1258,1260],{"__typename":251,"html":1259},"\u003Cp>The book Bratři s kufry (Brothers with Suitcases) is a collection of studies focusing on the Austro-Hungarian civilizing mission in Bosnia and Herzegovina during its occupation and annexation between 1878 and 1918. From the perspective of several scientific disciplines and methodological approaches, the publication traces the movement of people, goods, ideas, scientific knowledge, and capital between Prague, Vienna, and Sarajevo. Some of the contributions examine the role of actors from the Czech lands and their participation in the occupation administration, in the social discipline of the Bosnian population (through education, medicine, and law), and in the promotion of colonial \"successes.\"\u003C\u002Fp>",{"__typename":251,"html":1261},"\u003Cp>The second part of the texts reflects on these activities in a broader temporal and geopolitical framework and examines the question of the (dis)continuity of imperial policies. Both a close-up view of the specific activities of these individuals and a distanced view of the principles of colonial administration reveal the ambivalent role played by those who came to Bosnia and Herzegovina from the Czech lands (not only) with the prospect of financial gain and professional success, thanks to their linguistic and cultural affinity – hence the title of the book, Brothers with Suitcases.\u003C\u002Fp>",{"__typename":238,"background":4,"title":1263,"items":1264},{"cs":4,"en":4},[1265],{"title":1266,"content":1269,"content_nodes":1272},{"cs":1267,"en":1268},"Autoři a autorky","Authors",{"cs":1270,"en":1271},"\u003Cp>Anna Remešová studuje doktorský program v oboru teorie a dějiny současného umění na AVU, kde se věnuje historii Náprstkova muzea a semiperifernímu postavení českých zemí v rámci Rakouska-Uherska. V minulosti pracovala jako redaktorka časopisu Artalk a společně s Alžbětou Bačíkovou vedla etc. galerii, kde se zabývala výzkumem dokumentárních strategií v současném uměleckém videu. Externě spolupracuje s Galerií Hraničář v Ústí nad Labem.\u003C\u002Fp>\u003Cp>Vjera Borozan vyučuje teorii současného umění a umění 19. století na AVU. Vystudovala dějiny a teorii umění na FF UK. V letech 2011–2019 byla ředitelkou internetové platformy pro současné umění Artyčok TV. V minulosti působila na FaVU v Brně a UMPRUM v Praze. Byla ředitelkou Národního muzea v Černé Hoře (2017–2018) a dlouhodobou spolupracovnicí iniciativy pro současné umění tranzit.cz.\u003C\u002Fp>\u003Cp>Autorstvo: Vjera Borozan, Anna Remešová, Edin Hajdarpašić, Markéta Křížová, Iva Lučić, Piro Rexhepi, Jakub Rákosník, Diana Reynolds Cordileone, Walter Sauer\u003C\u002Fp>\u003Cp>Text: Walter Sauer, Rakousko(-Uhersko) a evropský kolonialismus, překlad Veronika Korjagina.\u003C\u002Fp>","\u003Cp>Anna Remešová is pursuing a doctoral degree in the theory and history of contemporary art at the Academy of Fine Arts in Prague, where she focuses on the history of the Náprstek Museum and the semi-peripheral position of the Czech lands within the Austro-Hungarian Empire. In the past, she worked as an editor for the magazine Artalk and, together with Alžběta Bačíková, ran the etc. gallery, where she researched documentary strategies in contemporary art video. She collaborates externally with the Hraničář Gallery in Ústí nad Labem.\u003C\u002Fp>\u003Cp>Vjera Borozan teaches the theory of contemporary art and 19th-century art at the Academy of Fine Arts (AVU). She studied art history and theory at the Faculty of Arts, Charles University. From 2011 to 2019, she was the director of the online platform for contemporary art Artyčok TV. In the past, she worked at the Faculty of Fine Arts in Brno and the Academy of Arts, Architecture and Design in Prague. She was the director of the National Museum in Montenegro (2017–2018) and a long-term collaborator with the contemporary art initiative tranzit.cz.\u003C\u002Fp>\u003Cp>Authors: Vjera Borozan, Anna Remešová, Edin Hajdarpašić, Markéta Křížová, Iva Lučić, Piro Rexhepi, Jakub Rákosník, Diana Reynolds Cordileone, Walter Sauer, Text - Walter Sauer: Austria-Hungary and European Colonialism, translated by Veronika Korjagina.\u003C\u002Fp>",{"cs":1273,"en":1278},[1274,1275,1276,1277],{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":251},[1279,1280,1281],{"__typename":251},{"__typename":251},{"__typename":251},{"__typename":1283,"background":554,"heading":1284,"images":1285},"GalleryBlock",{"cs":4,"en":4},[1286,1296,1304,1312,1320],{"id":1287,"caption":1288,"alt_text":4,"url":1289,"srcset":4,"media":1290,"conversions":1294,"created_at":1295,"updated_at":1295},"29338","Bratři s kufry","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1889\u002Fbratri-s-kufry-22.jpg",{"id":1291,"name":1288,"file_name":1292,"mime_type":21,"size":1293,"url":1289},"1889","bratri-s-kufry-22.jpg",378801,[],"2026-09-02 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with Suitcases: Eight Chapters on the Austro-Hungarian Civilizing Mission in Bosnia and Herzegovina (1878–1918)","\u002Fbrothers-with-suitcases-eight-chapters-on-the-austro-hungarian-civilizing-mission-in-bosnia-and-herzegovina-1878-1918",[1345],{"id":189,"name":1190,"slug":1346},{"cs":1196,"en":1197},[],"2026-09-02 11:03:29","2026-10-14 11:35:38",{"__typename":1214,"id":1351,"title":1352,"slug":1353,"description":247,"file":1356,"image":1357,"year":1234,"authors":1365,"publisher":125,"place_of_publication":1366,"isbn":1367,"edition":1366,"extent":1366,"language":1240,"publication_type":4,"price":1368,"eshop_link":1369,"info":1370,"content_blocks":1371,"seo":1397,"menu_url":1403,"breadcrumbs":1404,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1413,"publicationTags":1416,"created_at":1348,"updated_at":1417},"25307","Jimena Mendoza, Voda nemá ruce",{"cs":1354,"en":1355},"jimena-mendoza-voda-nema-ruce","jimena-mendoza-water-has-no-hands","25308",{"id":1356,"caption":1358,"alt_text":4,"url":1359,"srcset":4,"media":1360,"conversions":1364,"created_at":1348,"updated_at":1348},"Jimena_křest_Praha_ig2","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1896\u002Fjimena-krest-praha-ig2-scaled.jpg",{"id":1361,"name":1358,"file_name":1362,"mime_type":21,"size":1363,"url":1359},"1896","jimena-krest-praha-ig2-scaled.jpg",984469,[],"Jimena Mendoza","","978-80-88366-58-4",400,"https:\u002F\u002Fknihy.artmap.cz\u002Fen\u002Fjimena-mendoza-water-has-no-hands\u002F?srsltid=AU7gw4Wxf9mAPWGNtP9UDuQFVO_oYlsTRFN7dkSJ9JBDD-CXtz46Frgv",[],[1372,1382],{"__typename":1246,"background":554,"heading":1373,"content":1374,"content_nodes":1377},{"cs":4,"en":4},{"cs":1375,"en":1376},"\u003Cp>Kniha \u003Cem>Water has no hands\u003C\u002Fem> shromažďuje, uchovává a sdílí obrazy a příběhy spojené s místy, procesy znečištění, ohněm, vzdálenými setkáními, vůlemi, původností, budoucností, pásy, chladem, barvou a přátelstvím – v určitých okamžicích a čase – ve formě sochy, mapující nedávnou tvorbu Jimeny Mendoza. Obsahuje několik esejí o všudypřítomné simultánnosti, maskování a vynořování, kosmu a slunečním čase. Roztrhané obrazy, stlačené formy, třesený materiál, rozdrcené, hladící, zadržující.\u003C\u002Fp>","\u003Cp>The book \u003Cem>Water has no hands\u003C\u002Fem> collects, preserves, and shares images and stories connected with places, processes of pollution, fire, distant encounters, wills, originality, the future, belts, cold, color, and friendship—at certain moments and times—in the form of a sculpture, mapping the recent work of Jimena Mendoza. It contains several essays on omnipresent simultaneity, masking and emergence, the cosmos and solar time. Torn images, compressed forms, shaken material, crushed, caressing, restraining.\u003C\u002Fp>",{"cs":1378,"en":1380},[1379],{"__typename":251,"html":1375},[1381],{"__typename":251,"html":1376},{"__typename":238,"background":4,"title":1383,"items":1384},{"cs":4,"en":4},[1385],{"title":1386,"content":1389,"content_nodes":1392},{"cs":1387,"en":1388},"Autorka","Author",{"cs":1390,"en":1391},"\u003Cp>Jimena Mendoza (*1979, Mexiko) jako umělkyně sbírá kulturní stopy, adaptované postupy, rozpory a nesourodé synkretismy a přistupuje k nim z vlastní mestické zkušenosti. Má zálibu ve všem, co je mimoběžné, vzdálené a cizorodé. Ve svém díle filtruje, rozkládá, konfrontuje a syntetizuje nejrůznější látky prostřednictvím svérázné výtvarné vize. Od roku 2019 vyučuje v Ateliéru Socha 2 na Akademii výtvarných umění v Praze.\u003C\u002Fp>","\u003Cp>Jimena Mendoza (*1979, Mexico) collects cultural traces, adapted practices, contradictions, and disparate syncretisms, approaching them from her own mestizo experience. She has a penchant for everything that is divergent, distant, and foreign. In her work, she filters, decomposes, confronts, and synthesizes a wide variety of materials through her unique artistic vision. Since 2019, she has been teaching at the Sculpture 2 Studio at the Academy of Fine Arts in Prague.\u003C\u002Fp>",{"cs":1393,"en":1395},[1394],{"__typename":251},[1396],{"__typename":251},{"title":1398,"description":1399,"canonical_url":1400,"og_title":1401,"og_description":1402,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fjimena-mendoza-voda-nema-ruce",{"cs":1405,"en":1408},[1406,1407],{"label":157,"menu_url":158},{"label":1352,"menu_url":1403},[1409,1410],{"label":168,"menu_url":158},{"label":1411,"menu_url":1412},"Jimena Mendoza, Water has no hands","\u002Fjimena-mendoza-water-has-no-hands",[1414],{"id":189,"name":1190,"slug":1415},{"cs":1196,"en":1197},[],"2026-10-08 07:03:52",{"__typename":1214,"id":1419,"title":1420,"slug":1421,"description":247,"file":1424,"image":1425,"year":1434,"authors":1435,"publisher":125,"place_of_publication":1366,"isbn":1436,"edition":1366,"extent":1366,"language":1437,"publication_type":4,"price":1438,"eshop_link":1439,"info":1440,"content_blocks":1441,"seo":1470,"menu_url":1476,"breadcrumbs":1477,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1486,"publicationTags":1489,"created_at":1433,"updated_at":1490},"12941","Pavla Sceranková, Vesmír v hlavě ",{"cs":1422,"en":1423},"pavla-scerankova-vesmir-v-hlave","pavla-scerankova-universe-in-the-head","12942",{"id":1424,"caption":1426,"alt_text":4,"url":1427,"srcset":4,"media":1428,"conversions":1432,"created_at":1433,"updated_at":1433},"Pavla_Scerankova_obalka","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1913\u002Fpavla-scerankova-obalka.jpg",{"id":1429,"name":1426,"file_name":1430,"mime_type":21,"size":1431,"url":1427},"1913","pavla-scerankova-obalka.jpg",144646,[],"2026-09-02 11:03:33",2023,"Pavla Sceranková","978-80-88366-32-4","česky, anglicky",450,"https:\u002F\u002Fknihy.artmap.cz\u002Fvesmir-v-hlave\u002F?srsltid=AU7gw4UeafcgASQ4CwlgdVDRtLc1x14iXDvdRek2BDWf7QdDPXMkl2Xg",[],[1442,1453],{"__typename":1246,"background":554,"heading":1443,"content":1444,"content_nodes":1447},{"cs":4,"en":4},{"cs":1445,"en":1446},"\u003Cp>Publikace \u003Cem>Vesmír v hlavě\u003C\u002Fem> předkládá obraz umělecké tvorby slovenské sochařky Pavly Scerankové v posledním desetiletí. Prostřednictvím textů britské kritičky Chloe Stead a českého kurátora Jana Zálešáka je rozvrstvena do tematických kapitol, které přináší vhled do autorčina bohatého sochařského a vizuálního jazyka.\u003C\u002Fp>","\u003Cp>The publication \u003Cem>Vesmír v hlavě\u003C\u002Fem> presents a picture of the artistic work of Slovak sculptor Pavla Sceranková in the last decade. Through texts by British critic Chloe Stead and Czech curator Jan Zálešák, it is divided into thematic chapters that provide insight into the artist’s rich sculptural and visual language.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"cs":1448,"en":1450},[1449],{"__typename":251,"html":1445},[1451],{"__typename":251,"html":1452},"\u003Cp>The publication \u003Cem>Vesmír v hlavě\u003C\u002Fem> presents a picture of the artistic work of Slovak sculptor Pavla Sceranková in the last decade. Through texts by British critic Chloe Stead and Czech curator Jan Zálešák, it is divided into thematic chapters that provide insight into the artist’s rich sculptural and visual language.\u003C\u002Fp>",{"__typename":238,"background":4,"title":1454,"items":1455},{"cs":4,"en":4},[1456],{"title":1457,"content":1458,"content_nodes":1461},{"cs":1387,"en":1388},{"cs":1459,"en":1460},"\u003Cp>Pavla Sceranková (*1980) přináší do oblasti sochařské a objektové tvorby nový autorský jazyk a výraz; novou koncepci, navazující na silný odkaz postmoderního, ale zároveň i neokonceptuálního prostorového umění. Vytváří sochařské objekty a instalace vyznačující se minimalistickou čistotou a citlivým vztahem k danému místu. Jinou polohou její tvorby je vytváření objektů, v nichž je zakomponován prvek akce, které vyzývají diváka k interakci. Někdy nabývají podoby videa, či spíše videosochy, která stojí na pomezí performance, animované sochy a autonomního videa. Vyjadřují existenciální vztah člověka k prostředí, ve kterém žije a se kterým se konfrontuje.\u003C\u002Fp>\u003Cp>V obsahové rovině se Pavla Sceranková intenzivně zabývá reflexí lidského vnímání, pamětí a individuálním prožíváním okolního světa. Vychází z osobního prožitku a zkoumá způsob, jak se tento prožitek uchoval v paměti, respektive jaký tvar nabyl. Autorka tematizuje fenomén vnímání, prožívání aktu vnímání, vztah vnímání ke vnímanému světu a vědomí aktu vnímání.\u003C\u002Fp>\u003Cp>Studovala v letech 2000–2006 na Akademii výtvarných umění v Praze, kde v roce 2011 úspěšně ukončila doktorské studium. V rámci stipendijních pobytů absolvovala roční stáž u prof. Tony Gragga v Berlíně. V letech 2010–2015 působila jako akademický pracovník na Katedře výtvarné výchovy a textilní tvorby Univerzity Hradec Králové. V současné době vede s Dušanem Zahoranským vlastní Ateliér intermediální tvorby na pražské Akademii výtvarných umění.Autorkou grafického designu je Adéla Svobodová.\u003C\u002Fp>","\u003Cp>Pavla Sceranková (*1980) brings a new authorial language and expression to the field of sculpture and object making; a new conception building on the strong legacy of postmodern but also neo-conceptual spatial art. She creates sculptural objects and installations characterized by minimalist purity and a sensitive relationship to a given place. Another aspect of her work is the creation of objects that incorporate an element of action, inviting the viewer to interact. Sometimes they take the form of video, or rather video sculpture, which stands between performance, animated sculpture, and autonomous video. They express the existential relationship of a person to the environment in which they live and with which they are confronted.\u003C\u002Fp>\u003Cp>In terms of content, Pavla Sceranková is intensively concerned with the reflection of human perception, memory and individual experience of the surrounding world. She draws on personal experience and examines the way this experience is preserved in memory, or what form it takes. The author thematizes the phenomenon of perception, the experience of the act of perception, the relation of perception to the perceived world, and the consciousness of the act of perception.\u003C\u002Fp>\u003Cp>She studied from 2000 to 2006 at the Academy of Fine Arts in Prague, where she earned her doctorate in 2011. As part of a scholarship, she completed a one-year internship with Prof. Tony Gragg in Berlin. From 2010 to 2015, she worked as an academic at the Department of Art Education and Textile Design at the University of Hradec Králové. She currently runs her own Studio of Intermedia Art at the Academy of Fine Arts in Prague with Dušan Zahoranský.Graphic Design: Adéla Svobodová.\u003C\u002Fp>",{"cs":1462,"en":1466},[1463,1464,1465],{"__typename":251},{"__typename":251},{"__typename":251},[1467,1468,1469],{"__typename":251},{"__typename":251},{"__typename":251},{"title":1471,"description":1472,"canonical_url":1473,"og_title":1474,"og_description":1475,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fpavla-scerankova-vesmir-v-hlave",{"cs":1478,"en":1481},[1479,1480],{"label":157,"menu_url":158},{"label":1420,"menu_url":1476},[1482,1483],{"label":168,"menu_url":158},{"label":1484,"menu_url":1485},"Pavla Sceranková, Universe in the Head","\u002Fpavla-scerankova-universe-in-the-head",[1487],{"id":189,"name":1190,"slug":1488},{"cs":1196,"en":1197},[],"2026-10-09 06:54:53",{"__typename":1214,"id":1492,"title":1493,"slug":1494,"description":247,"file":1496,"image":1497,"year":1506,"authors":1507,"publisher":125,"place_of_publication":1366,"isbn":1508,"edition":1366,"extent":1366,"language":1437,"publication_type":4,"price":1368,"eshop_link":1509,"info":1510,"content_blocks":1511,"seo":1537,"menu_url":1543,"breadcrumbs":1544,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1551,"publicationTags":1554,"created_at":1505,"updated_at":1555},"19499","Tomáš Svoboda, Práce \u002F Works 2008–2024",{"cs":1495,"en":1495},"tomas-svoboda-prace-works-2008-2024","19505",{"id":1496,"caption":1498,"alt_text":4,"url":1499,"srcset":4,"media":1500,"conversions":1504,"created_at":1505,"updated_at":1505},"Svoboda_obalka","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1901\u002Fsvoboda-obalka.jpg",{"id":1501,"name":1498,"file_name":1502,"mime_type":21,"size":1503,"url":1499},"1901","svoboda-obalka.jpg",928141,[],"2026-09-02 11:03:30",2024,"Tomáš Svoboda","978-80-88366-49-2","https:\u002F\u002Fknihy.artmap.cz\u002Fprace-works-2008-2024\u002F",[],[1512,1523],{"__typename":1246,"background":554,"heading":1513,"content":1514,"content_nodes":1517},{"cs":4,"en":4},{"cs":1515,"en":1516},"\u003Cp>Lze jedním médiem, médiem tištěné publikace, sestávajícím se z textů a obrazových reprodukcí, zprostředkovat uměleckou tvorbu vznikající v médiích zcela jiných? Jak lze katalogem uchopit dílo Tomáše Svobody, jež se v posledních letech téměř výhradně zabývá uměním pohyblivého obrazu? Jestliže je ve světě filmu zvykem vytvářet dokumentární film o filmu, je pro něj vhodně analogickým postupem vytvořit knihu o katalogu? Inventuru jeho umělecké práce z let 2008–2024 pohybující se na rozhraní výtvarného umění a filmu v knize předznamenává esej \u003Cem>Scénář jako „struktura, která chce být jinou strukturou“\u003C\u002Fem> Piera Paola Pasoliniho.\u003C\u002Fp>","\u003Cp>Is it possible to use a single medium, a printed publication consisting of texts and image reproductions, to convey artistic work created in completely different media? How can a catalogue capture the work of Tomáš Svoboda, who in recent years has focused almost exclusively on the art of the moving image? If it is customary in the world of film to make a documentary film about a film, is it appropriate to create a book about a catalogue as an analogous procedure? The inventory of his artistic work from 2008 to 2024, which straddles the boundary between visual art and film, is prefaced by Pier Paolo Pasolini’s essay “The Screenplay as a Structure that Wants to Be Another Structure.”\u003C\u002Fp>\u003Cp>\u003C\u002Fp>",{"cs":1518,"en":1520},[1519],{"__typename":251,"html":1515},[1521],{"__typename":251,"html":1522},"\u003Cp>Is it possible to use a single medium, a printed publication consisting of texts and image reproductions, to convey artistic work created in completely different media? How can a catalogue capture the work of Tomáš Svoboda, who in recent years has focused almost exclusively on the art of the moving image? If it is customary in the world of film to make a documentary film about a film, is it appropriate to create a book about a catalogue as an analogous procedure? The inventory of his artistic work from 2008 to 2024, which straddles the boundary between visual art and film, is prefaced by Pier Paolo Pasolini’s essay “The Screenplay as a Structure that Wants to Be Another Structure.”\u003C\u002Fp>",{"__typename":238,"background":4,"title":1524,"items":1525},{"cs":4,"en":4},[1526],{"title":1527,"content":1529,"content_nodes":1532},{"cs":1528,"en":1388},"Autor",{"cs":1530,"en":1531},"\u003Cp>Tomáš Svoboda se své volné tvorbě dlouhodobě zabývá pohyblivým obrazem a jeho sociokulturními vazbami. Kromě vlastní umělecké praxe současně působí jako architekt výstav, filmový scénograf, vedoucí pedagog ateliéru Nová média 1 na AVU. Je jedním ze zakladatelů pražské galerie Display.\u003C\u002Fp>","\u003Cp>Tomáš Svoboda has long been interested in moving images and their socio-cultural connections in his free work. In addition to his own artistic practice, he also works as an exhibition architect, film set designer, and head teacher of the New Media 1 studio at the Academy of Fine Arts in Prague. He is one of the founders of the Display gallery in Prague.\u003C\u002Fp>",{"cs":1533,"en":1535},[1534],{"__typename":251},[1536],{"__typename":251},{"title":1538,"description":1539,"canonical_url":1540,"og_title":1541,"og_description":1542,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Ftomas-svoboda-prace-works-2008-2024",{"cs":1545,"en":1548},[1546,1547],{"label":157,"menu_url":158},{"label":1493,"menu_url":1543},[1549,1550],{"label":168,"menu_url":158},{"label":1493,"menu_url":1543},[1552],{"id":189,"name":1190,"slug":1553},{"cs":1196,"en":1197},[],"2026-10-09 06:55:49",{"__typename":1214,"id":1557,"title":1558,"slug":1559,"description":247,"file":1562,"image":1563,"year":1434,"authors":1572,"publisher":125,"place_of_publication":1366,"isbn":1573,"edition":1366,"extent":1366,"language":1574,"publication_type":4,"price":1575,"eshop_link":1576,"info":1577,"content_blocks":1578,"seo":1616,"menu_url":1622,"breadcrumbs":1623,"is_published":178,"status":179,"parentNodePage":4,"publicationCategories":1632,"publicationTags":1635,"created_at":1571,"updated_at":1636},"18610","Umění bez daně. Umění v éře planetární občanské války",{"cs":1560,"en":1561},"umeni-bez-dane-umeni-v-ere-planetarni-obcanske-valky","art-without-tax-art-in-the-era-of-planetary-civil-war","18625",{"id":1562,"caption":1564,"alt_text":4,"url":1565,"srcset":4,"media":1566,"conversions":1570,"created_at":1571,"updated_at":1571},"Hito_obalka","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1922\u002Fhito-obalka.png",{"id":1567,"name":1564,"file_name":1568,"mime_type":308,"size":1569,"url":1565},"1922","hito-obalka.png",292468,[],"2026-09-02 11:03:35","Hito Steyerl","978-80-88366-54-6","Česky",350,"https:\u002F\u002Fknihy.artmap.cz\u002Fen\u002Fumeni-bez-dane\u002F?gad_source=1&gad_campaignid=22103231739&gbraid=0AAAAABxbSlc8vVNRfLlQMrLYRbe7X1jif&gclid=Cj0KCQjwuJLWBhD_ARIsAIBcRUzcpC5Zn6D8L6peQr1w_Yx3qmpEk5iyY4qc9pjlACw1wTKpJHFuTe8aAmGpEALw_wcB",[],[1579,1603],{"__typename":1246,"background":554,"heading":1580,"content":1581,"content_nodes":1584},{"cs":4,"en":4},{"cs":1582,"en":1583},"\u003Cp>Soubor textů \u003Cem>Umění bez daně. Umění v éře planetární občanské války\u003C\u002Fem> českým čtenářkám a čtenářům poprvé v ucelenějším souboru představuje myšlení významné německé umělkyně, dokumentaristky a intelektuálky Hito Steyerl.\u003C\u002Fp>\u003Cp>Jak píše editor knihy Zbyněk Baladrán, je úvodníkem do naší prožívané reality, pomáhá nám se v ní lépe zorientovat, pochopit a pojmenovat situaci, v níž se nacházíme. Autorčiny kritické úvahy jsou promítány do oblastí výtvarného umění, odkud zároveň i vycházejí. Steyerl poukazováním na podmínky současného uměleckého provozu – množství neplacené „dobrovolné“ práce, daňové úniky, praní peněz a deregulované finanční trhy – odkrývá pohled na autonomní svět umění.\u003C\u002Fp>\u003Cp>Kniha je dostupnou pomůckou studujícím a pracujícím napříč různými generacemi a obory, může být inspirující, zároveň však svým důrazem na problematické roviny nejen kultury, ale i celé společnosti, vyvolává značné znepokojení, nebo dokonce skepsi. Jednotlivé kapitoly tvoří texty psané při různých příležitostech – jako přednášky zazněly na konferencích např. v Tate Modern v Londýně, Van Abbemuseum v Eindhovenu, Whitney Museum of American Art v New Yorku, Haus der Kulturen der Welt v Berlíně, Akademie der Künste der Welt v Kolíně, Artists Space v New Yorku nebo ve Stedelijk Museum v Amsterdamu. Byly též publikovány například v časopise October nebo e-flux.\u003C\u002Fp>\u003Cp>Autorčino zázemí ve světě umění je patrné také ve stylu jejího psaní, které je mezioborové, plné asociací, novotvarů, metafor, nadhledu i detailních analýz.\u003C\u002Fp>","\u003Cp>A collection of texts \u003Cem>Art without Tax. Art in the Era of Planetary Civil War\u003C\u002Fem> presents for the first time in a more comprehensive collection the thought of the important German artist, documentary filmmaker and intellectual Hito Steyerl.\u003C\u002Fp>\u003Cp>As Zbyněk Baladrán, the editor of the book, writes, it is an introduction to our lived reality, helping us to better orient ourselves in it, to understand and name the situation in which we find ourselves. The author's critical reflections are projected into the field of visual art, from which they also originate. By pointing to the conditions of contemporary art operations – the abundance of unpaid "voluntary" work, tax evasion, money laundering and deregulated financial markets - Steyerl reveals a view of the autonomous world of art.\u003C\u002Fp>\u003Cp>An accessible tool for students and workers across generations and disciplines, the book can be inspiring, but at the same time, with its emphasis on problematic levels not only of culture, but of society as a whole, it provokes considerable concern, if not skepticism. The individual chapters consist of texts written on various occasions – as lectures given at conferences such as the Tate Modern in London, the Van Abbemuseum in Eindhoven, the Whitney Museum of American Art in New York, the Haus der Kulturen der Welt in Berlin, the Akademie der Künste der Welt in Cologne, Artists Space in New York, and the Stedelijk Museum in Amsterdam. They have also been published, for example, in October magazine or e-flux.\u003C\u002Fp>\u003Cp>The author's background in the art world is also evident in her writing style, which is interdisciplinary, full of associations, new shapes, metaphors, insight and detailed analyses.The book is available only in Czech.\u003C\u002Fp>",{"cs":1585,"en":1594},[1586,1588,1590,1592],{"__typename":251,"html":1587},"\u003Cp>Soubor textů \u003Cem>Umění bez daně. Umění v éře planetární občanské války\u003C\u002Fem> českým čtenářkám a čtenářům poprvé v ucelenějším souboru představuje myšlení významné německé umělkyně, dokumentaristky a intelektuálky Hito Steyerl.\u003C\u002Fp>",{"__typename":251,"html":1589},"\u003Cp>Jak píše editor knihy Zbyněk Baladrán, je úvodníkem do naší prožívané reality, pomáhá nám se v ní lépe zorientovat, pochopit a pojmenovat situaci, v níž se nacházíme. Autorčiny kritické úvahy jsou promítány do oblastí výtvarného umění, odkud zároveň i vycházejí. Steyerl poukazováním na podmínky současného uměleckého provozu – množství neplacené „dobrovolné“ práce, daňové úniky, praní peněz a deregulované finanční trhy – odkrývá pohled na autonomní svět umění.\u003C\u002Fp>",{"__typename":251,"html":1591},"\u003Cp>Kniha je dostupnou pomůckou studujícím a pracujícím napříč různými generacemi a obory, může být inspirující, zároveň však svým důrazem na problematické roviny nejen kultury, ale i celé společnosti, vyvolává značné znepokojení, nebo dokonce skepsi. Jednotlivé kapitoly tvoří texty psané při různých příležitostech – jako přednášky zazněly na konferencích např. v Tate Modern v Londýně, Van Abbemuseum v Eindhovenu, Whitney Museum of American Art v New Yorku, Haus der Kulturen der Welt v Berlíně, Akademie der Künste der Welt v Kolíně, Artists Space v New Yorku nebo ve Stedelijk Museum v Amsterdamu. Byly též publikovány například v časopise October nebo e-flux.\u003C\u002Fp>",{"__typename":251,"html":1593},"\u003Cp>Autorčino zázemí ve světě umění je patrné také ve stylu jejího psaní, které je mezioborové, plné asociací, novotvarů, metafor, nadhledu i detailních analýz.\u003C\u002Fp>",[1595,1597,1599,1601],{"__typename":251,"html":1596},"\u003Cp>A collection of texts \u003Cem>Art without Tax. Art in the Era of Planetary Civil War\u003C\u002Fem> presents for the first time in a more comprehensive collection the thought of the important German artist, documentary filmmaker and intellectual Hito Steyerl.\u003C\u002Fp>",{"__typename":251,"html":1598},"\u003Cp>As Zbyněk Baladrán, the editor of the book, writes, it is an introduction to our lived reality, helping us to better orient ourselves in it, to understand and name the situation in which we find ourselves. The author's critical reflections are projected into the field of visual art, from which they also originate. By pointing to the conditions of contemporary art operations – the abundance of unpaid \"voluntary\" work, tax evasion, money laundering and deregulated financial markets - Steyerl reveals a view of the autonomous world of art.\u003C\u002Fp>",{"__typename":251,"html":1600},"\u003Cp>An accessible tool for students and workers across generations and disciplines, the book can be inspiring, but at the same time, with its emphasis on problematic levels not only of culture, but of society as a whole, it provokes considerable concern, if not skepticism. The individual chapters consist of texts written on various occasions – as lectures given at conferences such as the Tate Modern in London, the Van Abbemuseum in Eindhoven, the Whitney Museum of American Art in New York, the Haus der Kulturen der Welt in Berlin, the Akademie der Künste der Welt in Cologne, Artists Space in New York, and the Stedelijk Museum in Amsterdam. They have also been published, for example, in October magazine or e-flux.\u003C\u002Fp>",{"__typename":251,"html":1602},"\u003Cp>The author's background in the art world is also evident in her writing style, which is interdisciplinary, full of associations, new shapes, metaphors, insight and detailed analyses.The book is available only in Czech.\u003C\u002Fp>",{"__typename":238,"background":4,"title":1604,"items":1605},{"cs":4,"en":4},[1606],{"title":1607,"content":1608,"content_nodes":1611},{"cs":1387,"en":1388},{"cs":1609,"en":1610},"\u003Cp>Hito Steyerl (*1966, Mnichov) je německá umělkyně, filmařka, teoretička a pedagožka. Ve své tvorbě se zaměřuje na vztah umění, technologií, politiky a globální ekonomiky. Prostřednictvím videí, instalací a esejů kriticky zkoumá fungování obrazů v digitální době, otázky moci, kapitalismu, umělé inteligence a současných konfliktů. Patří k nejvýraznějším osobnostem současného mediálního umění.\u003C\u002Fp>","\u003Cp>Hito Steyerl (born 1966 in Munich) is a German artist, filmmaker, theorist, and educator. Her work explores the relationships between art, technology, politics, and the global economy. Through videos, installations, and essays, she critically examines the role of images in the digital age, addressing issues of power, capitalism, artificial intelligence, and contemporary conflicts. She is one of the most influential figures in contemporary media art.\u003C\u002Fp>",{"cs":1612,"en":1614},[1613],{"__typename":251},[1615],{"__typename":251},{"title":1617,"description":1618,"canonical_url":1619,"og_title":1620,"og_description":1621,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fumeni-bez-dane-umeni-v-ere-planetarni-obcanske-valky",{"cs":1624,"en":1627},[1625,1626],{"label":157,"menu_url":158},{"label":1558,"menu_url":1622},[1628,1629],{"label":168,"menu_url":158},{"label":1630,"menu_url":1631},"Art without Tax. Art in the Era of Planetary Civil War","\u002Fart-without-tax-art-in-the-era-of-planetary-civil-war",[1633],{"id":189,"name":1190,"slug":1634},{"cs":1196,"en":1197},[],"2026-10-09 14:09:28",{"title":1638,"type":136,"link":1639,"url":1640,"target":139,"linkable":1641,"content_type":1663,"limit":217,"categories":1664,"items":1665},"Oznámení","announcement_category:1","\u002Fakademie\u002Foznameni",{"__typename":1642,"id":189,"name":1638,"slug":1643,"seo":1646,"menu_url":1640,"breadcrumbs":1652,"is_published":178,"status":179,"created_at":215,"updated_at":215},"AnnouncementCategory",{"cs":1644,"en":1645},"oznameni","announcements",{"title":1647,"description":1648,"canonical_url":1649,"og_title":1650,"og_description":1651,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":1653,"en":1657},[1654,1655,1656],{"label":157,"menu_url":158},{"label":160,"menu_url":161},{"label":1638,"menu_url":1640},[1658,1659,1660],{"label":168,"menu_url":158},{"label":170,"menu_url":171},{"label":1661,"menu_url":1662},"Announcements","\u002Facademy\u002Fannouncements","Announcement",[],[1666,1719,1796],{"__typename":1663,"id":1667,"announcement_category_id":189,"announcementCategory":1668,"announcementTags":1670,"title":1675,"slug":1676,"perex":1366,"content_blocks":1679,"featured_image":4,"featuredImage":1690,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":1691,"video_trailer":4,"background":554,"starts_at":4,"ends_at":4,"year":1692,"location":1693,"schedule_status":4,"is_featured":431,"is_archived":431,"is_published":178,"status":179,"departments":1694,"seo":1701,"menu_url":1707,"breadcrumbs":1708,"parentNodePage":4,"created_at":1717,"updated_at":1718},"31207",{"id":189,"name":1638,"slug":1669},{"cs":1644,"en":1645},[1671],{"id":226,"name":160,"slug":1672},{"cs":1673,"en":1674},"akademie","academy","Kvalifikační zkouška Bc. et Mgr. Denisy Michalinové",{"cs":1677,"en":1678},"kvalifikacni-zkouska-bc-et-mgr-denisy-michalinove","doctoral-qualifying-examination-of-denisa-michalinova",[1680],{"__typename":1246,"background":4,"heading":1681,"content":1682,"content_nodes":1685},{"cs":4,"en":4},{"cs":1683,"en":1684},"\u003Cp>Zveme Vás na obhajobu kvalifikační zkoušky doktorandky Bc. et Mgr. Denisy Michalinové v programu Teorie a dějiny současného umění. Zkouška proběhne dne 2. listopadu 2026 v prostorách AVU Veletržní. Více informací naleznete v \u003Ca href=\"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3851\u002FPozv%C3%A1nka_KZk_Michalinova_harmonogram_2_11_2026_Uprava.pdf\" rel=\"content-link|file|31419\">harmonogramu.\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>We invite you to the defence of the qualifying examination of PhD student Bc. et Mgr. Denisa Michalinová in the Theory and History of Contemporary Art programme. The examination will take place on 2 November 2026 at the AVU Veletržní. Further information can be found in the \u003Ca href=\"https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3851\u002FPozv%C3%A1nka_KZk_Michalinova_harmonogram_2_11_2026_Uprava.pdf\" rel=\"content-link|file|31419\">schedule.\u003C\u002Fa>\u003C\u002Fp>",{"cs":1686,"en":1688},[1687],{"__typename":251,"html":1683},[1689],{"__typename":251,"html":1684},[],[],2026,"AVU Veletržní – PhD Studio, Veletržní 61, Praha 7",[1695],{"id":1696,"title":1697,"slug":1698},"15341","Oddělení doktorského výzkumu",{"cs":1699,"en":1700},"oddeleni-doktorskeho-vyzkumu","doctoral-research-department",{"title":1702,"description":1703,"canonical_url":1704,"og_title":1705,"og_description":1706,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fkvalifikacni-zkouska-bc-et-mgr-denisy-michalinove",{"cs":1709,"en":1712},[1710,1711],{"label":157,"menu_url":158},{"label":1675,"menu_url":1707},[1713,1714],{"label":168,"menu_url":158},{"label":1715,"menu_url":1716},"Doctoral qualifying examination of Denisa Michalinová","\u002Fdoctoral-qualifying-examination-of-denisa-michalinova","2026-10-30 13:32:21","2026-10-30 13:38:40",{"__typename":1663,"id":1720,"announcement_category_id":189,"announcementCategory":1721,"announcementTags":1723,"title":1730,"slug":1731,"perex":1734,"content_blocks":1735,"featured_image":1752,"featuredImage":1754,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":1776,"video_trailer":4,"background":554,"starts_at":4,"ends_at":4,"year":1692,"location":1366,"schedule_status":4,"is_featured":431,"is_archived":431,"is_published":178,"status":179,"departments":1777,"seo":1778,"menu_url":1784,"breadcrumbs":1785,"parentNodePage":4,"created_at":1794,"updated_at":1795},"31206",{"id":189,"name":1638,"slug":1722},{"cs":1644,"en":1645},[1724],{"id":1725,"name":1726,"slug":1727},"9","Prohlášení",{"cs":1728,"en":1729},"prohlaseni","statement","Akademie výtvarných umění v Praze za svobodnou kulturu!",{"cs":1732,"en":1733},"akademie-vytvarnych-umeni-v-praze-za-svobodnou-kulturu","academy-of-fine-arts-in-prague-avu-for-free-culture","\n\n",[1736],{"__typename":1246,"background":4,"heading":1737,"content":1738,"content_nodes":1741},{"cs":4,"en":4},{"cs":1739,"en":1740},"\u003Cp>Vedení AVU, Akademický senát AVU, Odbory AVU a Výbor solidarity studenstva AVU se připojují ke stávce na podporu nezávislosti veřejnoprávních médií dne 3. listopadu 2026.\u003C\u002Fp>\u003Cp>V Praze dne 28. 10. 2026\u003C\u002Fp>","\u003Cp>The AVU leadership, the AVU Academic Senate, the AVU Trade Union and the AVU Student Solidarity Committee are joining the strike in support of the independence of public service media on 3 November 2026.\u003C\u002Fp>\u003Cp>Prague, 28 October 2026\u003C\u002Fp>",{"cs":1742,"en":1747},[1743,1745],{"__typename":251,"html":1744},"\u003Cp>Vedení AVU, Akademický senát AVU, Odbory AVU a Výbor solidarity studenstva AVU se připojují ke stávce na podporu nezávislosti veřejnoprávních médií dne 3. listopadu 2026.\u003C\u002Fp>",{"__typename":251,"html":1746},"\u003Cp>V Praze dne 28. 10. 2026\u003C\u002Fp>",[1748,1750],{"__typename":251,"html":1749},"\u003Cp>The AVU leadership, the AVU Academic Senate, the AVU Trade Union and the AVU Student Solidarity Committee are joining the strike in support of the independence of public service media on 3 November 2026.\u003C\u002Fp>",{"__typename":251,"html":1751},"\u003Cp>Prague, 28 October 2026\u003C\u002Fp>",[1753],"31422",[1755],{"id":1753,"caption":1756,"alt_text":4,"url":1757,"srcset":1758,"media":1759,"conversions":1763,"created_at":1774,"updated_at":1775},"foto: archiv Radka Pilaře","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3854\u002FIMG_4939.jpeg","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3854\u002Fconversions\u002FIMG_4939-webp_mobile.webp 640w, https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F3854\u002Fconversions\u002FIMG_4939-webp_mobile_lg.webp 1080w, 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06:58:56",[],[],{"title":1779,"description":1780,"canonical_url":1781,"og_title":1782,"og_description":1783,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fakademie-vytvarnych-umeni-v-praze-za-svobodnou-kulturu",{"cs":1786,"en":1789},[1787,1788],{"label":157,"menu_url":158},{"label":1730,"menu_url":1784},[1790,1791],{"label":168,"menu_url":158},{"label":1792,"menu_url":1793},"Academy of Fine Arts in Prague (AVU), for Free Culture!","\u002Facademy-of-fine-arts-in-prague-avu-for-free-culture","2026-10-28 11:39:14","2026-10-28 22:01:03",{"__typename":1663,"id":1797,"announcement_category_id":189,"announcementCategory":1798,"announcementTags":1800,"title":1806,"slug":1807,"perex":1810,"content_blocks":1811,"featured_image":4,"featuredImage":1836,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":1837,"video_trailer":4,"background":554,"starts_at":4,"ends_at":4,"year":1692,"location":1366,"schedule_status":4,"is_featured":431,"is_archived":431,"is_published":178,"status":179,"departments":1838,"seo":1839,"menu_url":1845,"breadcrumbs":1846,"parentNodePage":4,"created_at":1855,"updated_at":1856},"31205",{"id":189,"name":1638,"slug":1799},{"cs":1644,"en":1645},[1801],{"id":581,"name":1802,"slug":1803},"Otevřená výzva",{"cs":1804,"en":1805},"otevrena-vyzva","open-call","Vyhlášení umělecké soutěže na návrh pamětní desky v Bartolomějské 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Deska připomene Romy a Sinty pronásledované během druhé světové války a roli budovy při organizaci jejich transportů do koncentračních a vyhlazovacích táborů.\n",[1812],{"__typename":1246,"background":4,"heading":1813,"content":1814,"content_nodes":1817},{"cs":4,"en":4},{"cs":1815,"en":1816},"\u003Cp>Soutěž je určena studujícím a absolventům uměleckých škol a dalším výtvarným umělcům a umělkyním do 35 let. Cílem je nalézt současné a důstojné výtvarné řešení, které zohlední historický význam místa a charakter památkově chráněného prostředí.\u003C\u002Fp>\u003Cp>Předložené návrhy posoudí šestičlenná odborná komise a tři nejlepší budou finančně oceněny. V průběhu soutěže bude možné konzultovat technické a výtvarné zadání se zástupci AVU a obsahové otázky se Živou pamětí.\u003C\u002Fp>\u003Cp>Soutěžní návrhy je možné odevzdat do 21. listopadu 2026.\u003C\u002Fp>\u003Cp>Úplné podmínky soutěže, technické zadání a informace pro soutěžící jsou zveřejněny \u003Ca href=\"https:\u002F\u002Fwww.zivapamet.cz\u002Fwp-content\u002Fuploads\u002F2026\u002F09\u002FVyhlaseni-umelecke-souteze_FINAL.pdf\">zde.\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>The competition is open to students and graduates of art schools, as well as other visual artists aged 35 or under. The aim is to find a contemporary and dignified artistic solution that takes into account the historical significance of the site and the character of the listed environment.\u003C\u002Fp>\u003Cp>Submitted proposals will be assessed by a six-member expert panel, and the top three will receive financial prizes. 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Cílem je nalézt současné a důstojné výtvarné řešení, které zohlední historický význam místa a charakter památkově chráněného prostředí.\u003C\u002Fp>",{"__typename":251,"html":1822},"\u003Cp>Předložené návrhy posoudí šestičlenná odborná komise a tři nejlepší budou finančně oceněny. V průběhu soutěže bude možné konzultovat technické a výtvarné zadání se zástupci AVU a obsahové otázky se Živou pamětí.\u003C\u002Fp>",{"__typename":251,"html":1824},"\u003Cp>Soutěžní návrhy je možné odevzdat do 21. listopadu 2026.\u003C\u002Fp>",{"__typename":251,"html":1826},"\u003Cp>Úplné podmínky soutěže, technické zadání a informace pro soutěžící jsou zveřejněny \u003Ca href=\"https:\u002F\u002Fwww.zivapamet.cz\u002Fwp-content\u002Fuploads\u002F2026\u002F09\u002FVyhlaseni-umelecke-souteze_FINAL.pdf\">zde.\u003C\u002Fa>\u003C\u002Fp>",[1828,1830,1832,1834],{"__typename":251,"html":1829},"\u003Cp>The competition is open to students and graduates of art schools, as well as other visual artists aged 35 or under. The aim is to find a contemporary and dignified artistic solution that takes into account the historical significance of the site and the character of the listed environment.\u003C\u002Fp>",{"__typename":251,"html":1831},"\u003Cp>Submitted proposals will be assessed by a six-member expert panel, and the top three will receive financial prizes. 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href=\"https:\u002F\u002Fwww.zivapamet.cz\u002Fwp-content\u002Fuploads\u002F2026\u002F09\u002FVyhlaseni-umelecke-souteze_FINAL.pdf\">here.\u003C\u002Fa>\u003C\u002Fp>",[],[],[],{"title":1840,"description":1841,"canonical_url":1842,"og_title":1843,"og_description":1844,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fvyhlaseni-umelecke-souteze-na-navrh-pametni-desky-v-bartolomejske-ulici",{"cs":1847,"en":1850},[1848,1849],{"label":157,"menu_url":158},{"label":1806,"menu_url":1845},[1851,1852],{"label":168,"menu_url":158},{"label":1853,"menu_url":1854},"Competition announced for the design of a commemorative plaque on Bartolomějská Street","\u002Fcompetition-announced-for-the-design-of-a-commemorative-plaque-on-bartolomejska-street","2026-09-28 20:16:15","2026-10-30 12:55:58",{"footer":1858},{"content":1859},{"cs":1860,"en":1861},"\u003Cp>U Akademie 4, 170 00, Praha 7\u003C\u002Fp>\u003Cp>Kontaktujte nás \u003Ca href=\"mailto:info@avu.cz\" target=\"_blank\">emailem\u003C\u002Fa>, \u003Ca href=\"tel:+420220408200\" target=\"_blank\">telefonicky\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Sledujte nás na \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagramu\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebooku\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do e-mailového účtu \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do \u003Ca href=\"https:\u002F\u002Fstag-avu.zcu.cz\u002Fportal\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Ftechnika.avu.cz\u002Flogin\" target=\"_blank\">Systém pro rezervaci techniky\u003C\u002Fa>\u003C\u002Fp>\u003Cp><p><a href=\"#\" class=\"cky-banner-element\">Ochrana osobních údajů<\u002Fa><\u002Fp>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fakademie\u002Fstruktura\u002Fpodpurna-pracoviste\u002Foddeleni-komunikace\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>U Akademie 4, 170 00, Prague 7\u003C\u002Fp>\u003Cp>Contact us by \u003Ca href=\"mailto:info@avu.cz\" target=\"_blank\">email\u003C\u002Fa>, \u003Ca href=\"tel:+420220408200\" target=\"_blank\">phone\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Follow us on \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagram\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebook\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Sign in to your \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa> email account\u003C\u002Fp>\u003Cp>Sign in to \u003Ca href=\"https:\u002F\u002Fstag-avu.zcu.cz\u002Fportal\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Ftechnika.avu.cz\u002Flogin\" target=\"_blank\">Equipment reservation system\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fen\u002Facademy\u002Fstructure\u002Fsupport-departments\u002Fcommunications-department\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>",{"menuItems":1863},[1864,5081,6317,6427],{"id":1865,"label":160,"slug":1866,"type":1867,"link":1366,"url":161,"target":139,"cta":4,"sort_order":1868,"is_published":178,"created_at":1869,"updated_at":1870,"linkable":4,"children":1871},"19",{"cs":1673,"en":1674},"node",0,"2026-08-28 06:56:46","2026-10-18 16:17:15",[1872,1987,4512,5019,5041,5072],{"id":1873,"label":1874,"slug":1875,"type":1867,"link":1366,"url":1878,"target":139,"cta":4,"sort_order":1868,"is_published":178,"created_at":1879,"updated_at":1870,"linkable":4,"children":1880},"21","Historie a 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