Meeting Studio
Memory Studio
Studio of Movement
Studio of Softness and Hardness
Studio of Ephemerality and Permanence
Studio of Focus and Timing
Studio of Next Sensitivity
Studio of Detonation
Drawing Studio 2
Printmaking Studio 1
Sketch Studio 0

The sketch as a safe space.
The sketch as a first survey of place.
The sketch as a springboard.
The sketch as a an attempt to articulate something without words.
The sketch as a precursor to a sign and a font.
The sketch as creation without guarantee or ambition.
The sketch as well spent time, even if it’s just one second.
The sketch as confirmation of one’s own existence.

Drawing as the basic (mother) tongue.
Drawing as a projected structure of consciousness.
Drawing as movement of the body, the externalisation of internal movement.
Drawing as miracle.
Drawing as fear of the void and death.
Drawing as an excuse to gaze harder.
Drawing as a connection between point A and point B.
Drawing as a means of transport connecting two layers of reality.
Drawing as a record, as preserved time or a sequence thereof.
Drawing as a prayer, a means by which to achieve silence and contemplation, a visual mantra, the embodiment of what it represents.

Printmaking as the necessity to think three steps ahead.
Printmaking as a magic trick.
Printmaking as an imprint, as a problem with the matrix.
Printmaking as multiplication, as amplifier, as speaker.
Printmaking as an opportunity to ask what it means to reproduce today.
Printmaking as inevitability.

Printmaking 1

Every student is endemic.

Inward direction

Outward direction

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