[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"pqfetch:HomepageNotice:en:{}":3,"pqfetch:Homepage:en:{}":-1,"pqfetch:Footer:en:{}":5,"pqfetch:GetPageBySlug:en:{\"slug\":\"\u002Fstudy\u002Fbachelors-programmes\u002Ffine-art\u002Fprintmaking-1\",\"preview\":false}":10,"pqfetch:MenuItems:en:en:{}":1508},{"homepageNotice":4},null,{"footer":6},{"content":7},{"cs":8,"en":9},"\u003Cp>U Akademie 4, 170 00, Praha 7\u003C\u002Fp>\u003Cp>Kontaktujte nás \u003Ca href=\"mailto:info@avu.cz\" target=\"_blank\">emailem\u003C\u002Fa>, \u003Ca href=\"tel:+420233090270\" target=\"_blank\">telefonicky\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Sledujte nás na \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagramu\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebooku\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do e-mailového účtu \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do \u003Ca href=\"https:\u002F\u002Fis.avu.cz\u002F\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Frezervace.avu.cz\u002F\" target=\"_blank\">Systém pro rezervaci techniky\u003C\u002Fa>\u003C\u002Fp>\u003Cp><p><a href=\"#\" class=\"cky-banner-element\">Ochrana osobních údajů<\u002Fa><\u002Fp>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fakademie\u002Fstruktura\u002Fpodpurna-pracoviste\u002Foddeleni-komunikace\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>U Akademie 4, 170 00, Prague 7\u003C\u002Fp>\u003Cp>Contact us by \u003Ca href=\"mailto:info@avu.cz\" target=\"_blank\">email\u003C\u002Fa>, \u003Ca href=\"tel:+420233090270\" target=\"_blank\">phone\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Follow us on \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagram\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebook\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Sign in to your \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa> email account\u003C\u002Fp>\u003Cp>Sign in to \u003Ca href=\"https:\u002F\u002Fis.avu.cz\u002F\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Frezervace.avu.cz\u002F\" target=\"_blank\">Equipment reservation system\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fen\u002Facademy\u002Fstructure\u002Fsupport-departments\u002Fcommunications-department\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>",{"getPageBySlug":11},{"__typename":12,"id":13,"title":14,"slug":15,"perex":18,"contact":19,"employees":20,"content_blocks":170,"intro_video":4,"featured_image":4,"featuredImage":274,"featured_mobile_image":4,"featuredMobileImage":4,"seo":275,"menu_url":65,"breadcrumbs":281,"is_published":60,"status":61,"parentNodePage":308,"departmentCategory":1113,"show_category_departments":60,"category_departments":1119,"category_links":1191,"address":4,"events":1192,"archive_events":1439,"announcements":1505,"archive_announcements":1506,"created_at":355,"updated_at":1507},"Department","38","Printmaking 1",{"cs":16,"en":17},"grafika-1","printmaking-1","Drawing as a starting point (or, rather, a line) for reflecting on other disciplines (paragone). We see the studio’s focus precisely in understanding and mastering the medium of drawing. This should be, as it were, the studio’s genetic code. Not that all students should merely draw, or exhaust every possible drawing strategy. Rather, it should be about understanding a specific way of thinking – ‘thinking through drawing’.","[]",[21],{"title":22,"people":25},{"cs":23,"en":24},"Lidé","Employees",[26,104],{"person_id":27,"function":28,"person":29},"5934","vedoucí pedagog",{"id":27,"first_name":30,"last_name":31,"title":32,"slug":33,"title_before":35,"title_after":36,"role":37,"email":38,"phone":4,"mobile":4,"web":4,"is_external":39,"video_embed":4,"perex":40,"featured_image":41,"featuredImage":42,"featured_mobile_image":4,"featuredMobileImage":4,"seo":43,"menu_url":49,"breadcrumbs":50,"is_published":60,"status":61,"departments":62,"created_at":80,"updated_at":81,"parentNodePage":4,"content_blocks":82},"David","Böhm","MgA. David Böhm Ph.D.",{"cs":34,"en":34},"bohm","MgA.","Ph.D.","Head of the Studio","david.bohm@avu.cz",false,"",[],[],{"title":44,"description":45,"canonical_url":46,"og_title":47,"og_description":48,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fbohm",{"cs":51,"en":56},[52,55],{"label":53,"menu_url":54},"Domů","\u002F",{"label":32,"menu_url":49},[57,59],{"label":58,"menu_url":54},"Homepage",{"label":32,"menu_url":49},true,"Published",[63,66,73],{"id":13,"title":14,"slug":64,"menu_url":65},{"cs":16,"en":17},"\u002Fstudy\u002Fbachelors-programmes\u002Ffine-art\u002Fprintmaking-1",{"id":67,"title":68,"slug":69,"menu_url":72},"25563","Social Fund Board",{"cs":70,"en":71},"rada-socialniho-fondu","social-fund-board","\u002Facademy\u002Fstructure\u002Fadvisory-bodies-and-working-groups\u002Fsocial-fund-board",{"id":74,"title":75,"slug":76,"menu_url":79},"250","Academic Senate",{"cs":77,"en":78},"akademicky-senat","academic-senate","\u002Facademy\u002Fstructure\u002Fbodies\u002Facademic-senate","2026-09-02 10:59:02","2026-09-02 10:59:06",[83],{"__typename":84,"background":85,"heading":86,"content":87,"content_nodes":88},"TextBlock","white",{"cs":4,"en":4},{"cs":4,"en":4},{"cs":89,"en":97},[90,93,95],{"__typename":91,"html":92},"RichContentHtml","\u003Cp>David Böhm absolvoval  Akademii výtvarných umění v Praze (2009, V. Skrepl), na AVU posléze vystudoval i doktorské studium (2021, V. Kokolia).  Od roku 2022 byl pověřen dočasným vedením ateliéru Grafika 1 AVU, mezi jeho pedagogické zkušenosti patří i výuka kresby a ilustrace na Scholastice (2018–2022).\u003C\u002Fp>",{"__typename":91,"html":94},"\u003Cp>Má za sebou rezidenční pobyty ve Vídni, Berlíně, Budapešti nebo New Yorku. Vystavoval na velké řadě samostatných i skupinových výstav v České republice i zahraničí (Velká Británie, Nizozemí, Slovensko, Německo a další). Kromě kresby se věnuje i autorským knihám, za které dostal řadu ocenění.\u003C\u002Fp>",{"__typename":91,"html":96},"\u003Cp>Od roku 2006 David Böhm úzce spolupracuje s Jiřím Frantou, s nímž společně kreslí, pořádá performance, natáčí videa, vytváří prostorové instalace, zasahuje do veřejného prostoru a maluje nástěnné malby. Společně se zajímají o proces samotné tvorby, časosběrný princip, experimentování, dodržování i překračování pravidel, princip hry či náhody a tvůrčí dialog.\u003C\u002Fp>",[98,100,102],{"__typename":91,"html":99},"\u003Cp>David Böhm graduated from the Academy of Fine Arts in Prague (2009, V. Skrepl), and subsequently completed his doctoral studies at the Academy of Fine Arts (2021, V. Kokolia). Since 2022, he has been in charge of the temporary management of the Graphics 1 studio at the Academy of Fine Arts, and his teaching experience includes teaching drawing and illustration at Scholastica (2018–2022).\u003C\u002Fp>",{"__typename":91,"html":101},"\u003Cp>He has held residencies in Vienna, Berlin, Budapest and New York. He has exhibited in a large number of solo and group exhibitions in the Czech Republic and abroad (UK, Netherlands, Slovakia, Germany, etc.). In addition to drawing, he has also written books for which he has received numerous awards.\u003C\u002Fp>",{"__typename":91,"html":103},"\u003Cp>Since 2006, David Böhm has been working closely with Jiří Franta, with whom he draws, organises performances, makes videos, creates spatial installations, intervenes in public space and paints murals. Together they are interested in the process of creation itself, the time-lapse principle, experimentation, respecting and transgressing rules, the principle of play or chance and creative dialogue.\u003C\u002Fp>",{"person_id":105,"function":106,"person":107},"5938","vedoucí pedagožka",{"id":105,"first_name":108,"last_name":109,"title":110,"slug":111,"title_before":113,"title_after":114,"role":40,"email":115,"phone":4,"mobile":4,"web":4,"is_external":39,"video_embed":4,"perex":40,"featured_image":116,"featuredImage":117,"featured_mobile_image":4,"featuredMobileImage":4,"seo":118,"menu_url":124,"breadcrumbs":125,"is_published":60,"status":61,"departments":132,"created_at":149,"updated_at":150,"parentNodePage":4,"content_blocks":151},"Slavomíra","Ondrušová","Mgr. art. Slavomíra Ondrušová ArtD.",{"cs":112,"en":112},"ondrusova","Mgr. art.","ArtD.","slavomira.ondrusova@avu.cz",[],[],{"title":119,"description":120,"canonical_url":121,"og_title":122,"og_description":123,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fondrusova",{"cs":126,"en":129},[127,128],{"label":53,"menu_url":54},{"label":110,"menu_url":124},[130,131],{"label":58,"menu_url":54},{"label":110,"menu_url":124},[133,140,142],{"id":134,"title":135,"slug":136,"menu_url":139},"27983","Antidiscrimination Platform",{"cs":137,"en":138},"antidiskriminacni-platforma","antidiscrimination-platform","\u002Facademy\u002Fstructure\u002Fadvisory-bodies-and-working-groups\u002Fantidiscrimination-platform",{"id":13,"title":14,"slug":141,"menu_url":65},{"cs":16,"en":17},{"id":143,"title":144,"slug":145,"menu_url":148},"261","Artyčok Board",{"cs":146,"en":147},"odborna-rada-artycok","artycok-board","\u002Facademy\u002Fstructure\u002Fadvisory-bodies-and-working-groups\u002Fartycok-board","2026-09-02 10:59:01","2026-09-02 10:59:04",[152],{"__typename":84,"background":85,"heading":153,"content":154,"content_nodes":155},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":156,"en":163},[157,159,161],{"__typename":91,"html":158},"\u003Cp>Slavomíra Ondrušová je absolventkou ateliéru s_m_l_XL KOV a ŠPERK na VŠVU v Bratislavě v magisterském (2012) a doktorském (2019) programu. Na Estonian Academy of Arts v Talinu působila v letech 2013–2014 v doktorském studiu, během studií VŠVU absolvovala i výměnný pobyt na Hochschule Pforzheim – Fakultät für Gestaltung v Německu.\u003C\u002Fp>",{"__typename":91,"html":160},"\u003Cp>Tvorba Slavomíry Ondrušové se pohybuje mezi kresbou, textem, objektem, s přesahem do jiných médií.  Zajímá se o proces materializace a zhmotňování kresby do prostoru, i o samotný proces kreslení.\u003C\u002Fp>",{"__typename":91,"html":162},"\u003Cp>Vystavuje samostatně v Česku, Slovensku a Estonsku, účastní se skupinových výstav. Působí jako občasná lektorka na Estonian Academy of Arts v Talinu, Slovenské technické univerzitě v Bratislavě. Věnuje se také ilustraci a vzdělávací činnosti v oblasti vizuálního umění, je spoluzakladatelkou Časopisu X.\u003C\u002Fp>",[164,166,168],{"__typename":91,"html":165},"\u003Cp>Slavomíra Ondrušová is a graduate of the s_m_l_XL KOV and ŠPERK studios at the Academy of Fine Arts in Bratislava in the MA (2012) and PhD (2019) programmes. During her studies at the Estonian Academy of Arts in Tallinn, she worked at the Estonian Academy of Arts in 2013–2014 as a doctoral student, and during her studies at VŠVU she also completed an exchange stay at Hochschule Pforzheim – Fakultät für Gestaltung in Germany.\u003C\u002Fp>",{"__typename":91,"html":167},"\u003Cp>Slavomíra Ondrušová’s work ranges between drawing, text, object, with overlapping into other media. She is interested in the process of materialization and materialization of drawing into space, as well as the process of drawing itself.\u003C\u002Fp>",{"__typename":91,"html":169},"\u003Cp>She exhibits individually in the Czech Republic, Slovakia and Estonia, and participates in group exhibitions. She works as an occasional lecturer at the Estonian Academy of Arts in Tallinn, Slovak Technical University in Bratislava. She is also engaged in illustration and educational activities in the field of visual arts, she is a co-founder of X Magazine.\u003C\u002Fp>",[171,195,198],{"__typename":84,"background":85,"heading":172,"content":173,"content_nodes":176},{"cs":4,"en":4},{"cs":174,"en":175},"\u003Cp>Ateliér setkávání\u003Cbr>Ateliér paměti\u003Cbr>Ateliér pohybu\u003Cbr>Ateliér měkkosti a tvrdosti\u003Cbr>Ateliér dočasnosti a trvalosti\u003Cbr>Ateliér těžiště a načasování\u003Cbr>Ateliér příští citlivosti\u003Cbr>Ateliér detonace\u003Cbr>Ateliér kresba 2\u003Cbr>Atelier grafika 1\u003Cbr>Atelier skica 0\u003C\u002Fp>\u003Cp>Skica jako bezpečný prostor.\u003Cbr>Skica jako první ohledávání místa.\u003Cbr>Skica jako odrazový můstek.\u003Cbr>Skica jako pokus něco artikulovat beze slov.\u003Cbr>Skica jako předstupeň znaku a písma.\u003Cbr>Skica jako tvorba bez záruky a ambice.\u003Cbr>Skica jako kvalitně ztrávený čas, i když jde o jednu vteřinu.\u003Cbr>Skica jako potvrzení vlastní existence.\u003C\u002Fp>\u003Cp>Kresba jako základní (mateřský) jazyk.\u003Cbr>Kresba jako promítnutá struktura vědomí.\u003Cbr>Kresba jako pohyb těla, zviditelnění vnitřního pohybu.\u003Cbr>Kresba jako zázrak.\u003Cbr>Kresba jako strach z prázdna a ze smrti.\u003Cbr>Kresba jako záminka pro lepší dívání se.\u003Cbr>Kresba jako spojení bodu A s bodem B.\u003Cbr>Kresba jako dopravní prostředek spojující dvě oddělené vrstvy reality.\u003Cbr>Kresba jako záznam, jako zakonzervovaný čas, či jeho sekvence.\u003Cbr>Kresba jako modlitba, prostředek ke ztišení a kontemplaci, jako vizuální mantra, jako zpřítomnění toho, co znázorňuje.\u003C\u002Fp>\u003Cp>Grafika jako nutnost myslet tři kroky dopředu.\u003Cbr>Grafika jako kouzelnické číslo.\u003Cbr>Grafika jako otisk, jako problém s matricí.\u003Cbr>Grafika jako zmnožení, jako zesilovač, jako reproduktor.\u003Cbr>Grafika jako příležitost ptát se, co dnes znamená reprodukovat.\u003Cbr>Grafika jako nevyhnutelnost.\u003C\u002Fp>","\u003Cp>Meeting Studio\u003Cbr>Memory Studio\u003Cbr>Studio of Movement\u003Cbr>Studio of Softness and Hardness\u003Cbr>Studio of Ephemerality and Permanence\u003Cbr>Studio of Focus and Timing\u003Cbr>Studio of Next Sensitivity\u003Cbr>Studio of Detonation\u003Cbr>Drawing Studio 2\u003Cbr>Printmaking Studio 1\u003Cbr>Sketch Studio 0\u003C\u002Fp>\u003Cp>The sketch as a safe space.\u003Cbr>The sketch as a first survey of place.\u003Cbr>The sketch as a springboard.\u003Cbr>The sketch as a an attempt to articulate something without words.\u003Cbr>The sketch as a precursor to a sign and a font.\u003Cbr>The sketch as creation without guarantee or ambition.\u003Cbr>The sketch as well spent time, even if it’s just one second.\u003Cbr>The sketch as confirmation of one’s own existence.\u003C\u002Fp>\u003Cp>Drawing as the basic (mother) tongue.\u003Cbr>Drawing as a projected structure of consciousness.\u003Cbr>Drawing as movement of the body, the externalisation of internal movement.\u003Cbr>Drawing as miracle.\u003Cbr>Drawing as fear of the void and death.\u003Cbr>Drawing as an excuse to gaze harder.\u003Cbr>Drawing as a connection between point A and point B.\u003Cbr>Drawing as a means of transport connecting two layers of reality.\u003Cbr>Drawing as a record, as preserved time or a sequence thereof.\u003Cbr>Drawing as a prayer, a means by which to achieve silence and contemplation, a visual mantra, the embodiment of what it represents.\u003C\u002Fp>\u003Cp>Printmaking as the necessity to think three steps ahead.\u003Cbr>Printmaking as  a magic trick.\u003Cbr>Printmaking as an imprint, as a problem with the matrix.\u003Cbr>Printmaking as multiplication, as amplifier, as speaker.\u003Cbr>Printmaking as an opportunity to ask what it means to reproduce today.\u003Cbr>Printmaking as inevitability.\u003C\u002Fp>",{"cs":177,"en":186},[178,180,182,184],{"__typename":91,"html":179},"\u003Cp>Ateliér setkávání\u003Cbr>Ateliér paměti\u003Cbr>Ateliér pohybu\u003Cbr>Ateliér měkkosti a tvrdosti\u003Cbr>Ateliér dočasnosti a trvalosti\u003Cbr>Ateliér těžiště a načasování\u003Cbr>Ateliér příští citlivosti\u003Cbr>Ateliér detonace\u003Cbr>Ateliér kresba 2\u003Cbr>Atelier grafika 1\u003Cbr>Atelier skica 0\u003C\u002Fp>",{"__typename":91,"html":181},"\u003Cp>Skica jako bezpečný prostor.\u003Cbr>Skica jako první ohledávání místa.\u003Cbr>Skica jako odrazový můstek.\u003Cbr>Skica jako pokus něco artikulovat beze slov.\u003Cbr>Skica jako předstupeň znaku a písma.\u003Cbr>Skica jako tvorba bez záruky a ambice.\u003Cbr>Skica jako kvalitně ztrávený čas, i když jde o jednu vteřinu.\u003Cbr>Skica jako potvrzení vlastní existence.\u003C\u002Fp>",{"__typename":91,"html":183},"\u003Cp>Kresba jako základní (mateřský) jazyk.\u003Cbr>Kresba jako promítnutá struktura vědomí.\u003Cbr>Kresba jako pohyb těla, zviditelnění vnitřního pohybu.\u003Cbr>Kresba jako zázrak.\u003Cbr>Kresba jako strach z prázdna a ze smrti.\u003Cbr>Kresba jako záminka pro lepší dívání se.\u003Cbr>Kresba jako spojení bodu A s bodem B.\u003Cbr>Kresba jako dopravní prostředek spojující dvě oddělené vrstvy reality.\u003Cbr>Kresba jako záznam, jako zakonzervovaný čas, či jeho sekvence.\u003Cbr>Kresba jako modlitba, prostředek ke ztišení a kontemplaci, jako vizuální mantra, jako zpřítomnění toho, co znázorňuje.\u003C\u002Fp>",{"__typename":91,"html":185},"\u003Cp>Grafika jako nutnost myslet tři kroky dopředu.\u003Cbr>Grafika jako kouzelnické číslo.\u003Cbr>Grafika jako otisk, jako problém s matricí.\u003Cbr>Grafika jako zmnožení, jako zesilovač, jako reproduktor.\u003Cbr>Grafika jako příležitost ptát se, co dnes znamená reprodukovat.\u003Cbr>Grafika jako nevyhnutelnost.\u003C\u002Fp>",[187,189,191,193],{"__typename":91,"html":188},"\u003Cp>Meeting Studio\u003Cbr>Memory Studio\u003Cbr>Studio of Movement\u003Cbr>Studio of Softness and Hardness\u003Cbr>Studio of Ephemerality and Permanence\u003Cbr>Studio of Focus and Timing\u003Cbr>Studio of Next Sensitivity\u003Cbr>Studio of Detonation\u003Cbr>Drawing Studio 2\u003Cbr>Printmaking Studio 1\u003Cbr>Sketch Studio 0\u003C\u002Fp>",{"__typename":91,"html":190},"\u003Cp>The sketch as a safe space.\u003Cbr>The sketch as a first survey of place.\u003Cbr>The sketch as a springboard.\u003Cbr>The sketch as a an attempt to articulate something without words.\u003Cbr>The sketch as a precursor to a sign and a font.\u003Cbr>The sketch as creation without guarantee or ambition.\u003Cbr>The sketch as well spent time, even if it’s just one second.\u003Cbr>The sketch as confirmation of one’s own existence.\u003C\u002Fp>",{"__typename":91,"html":192},"\u003Cp>Drawing as the basic (mother) tongue.\u003Cbr>Drawing as a projected structure of consciousness.\u003Cbr>Drawing as movement of the body, the externalisation of internal movement.\u003Cbr>Drawing as miracle.\u003Cbr>Drawing as fear of the void and death.\u003Cbr>Drawing as an excuse to gaze harder.\u003Cbr>Drawing as a connection between point A and point B.\u003Cbr>Drawing as a means of transport connecting two layers of reality.\u003Cbr>Drawing as a record, as preserved time or a sequence thereof.\u003Cbr>Drawing as a prayer, a means by which to achieve silence and contemplation, a visual mantra, the embodiment of what it represents.\u003C\u002Fp>",{"__typename":91,"html":194},"\u003Cp>Printmaking as the necessity to think three steps ahead.\u003Cbr>Printmaking as  a magic trick.\u003Cbr>Printmaking as an imprint, as a problem with the matrix.\u003Cbr>Printmaking as multiplication, as amplifier, as speaker.\u003Cbr>Printmaking as an opportunity to ask what it means to reproduce today.\u003Cbr>Printmaking as inevitability.\u003C\u002Fp>",{"__typename":196,"background":4,"code":197},"EmbedBlock","\u003Ciframe\n width=\"560\"\n  height=\"315\"\n  src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FORrajQHWnRk\"\n  title=\"YouTube video player\"\n  frameborder=\"0\"\n  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\"\n  referrerpolicy=\"strict-origin-when-cross-origin\"\n  allowfullscreen>\n\u003C\u002Fiframe>",{"__typename":199,"background":4,"title":200,"items":201},"AccordionBlock",{"cs":4,"en":4},[202,218,235,247,260],{"title":203,"content":206,"content_nodes":209},{"cs":204,"en":205},"Ateliér","Studio",{"cs":207,"en":208},"\u003Cp>Považujeme za žádoucí vytvořit základní východisko z jedinečné a bezprostřední zkušenosti s médiem kresby. Přes porozumění jeho možnostem a zkušeností s daným médiem pak student*ka může klidně dojít k naprosto jiným než kresebným výstupům (i když je kresba na začátku práce nemusí být na jejím konci) a kresbu pro svou finální realizaci využít, jen pokud to má svůj důvod a opodstatnění.\u003C\u002Fp>\u003Cp>Těžištěm práce v ateliéru je společné setkávání, společná konzultace a diskuze, která má sloužit k zpochybňování a kritickému zkoumání možných postupů. Otevřenost sebou nese i zranitelnost a zpochybňování sebe sama, diskuze je tedy důležitým, ale křehkým nástrojem.\u003C\u002Fp>\u003Cp>Nepředjímáme možné cesty, nevěříme v jeden možný směr. Chyba je důležitým nástrojem. Cílem studia je zcitlivování a zpřesňování.\u003C\u002Fp>","\u003Cp>We consider it desirable to establish a fundamental starting point based on a unique and direct experience of the medium of drawing. Through an understanding of its possibilities and experience with the medium, students may well arrive at outcomes that are entirely different from drawing (even if drawing at the beginning of a piece need not necessarily be present at its conclusion) and may use drawing for their final realisation only if there is a reason and justification for doing so.\u003C\u002Fp>\u003Cp>The focus of work in the studio is on coming together, joint consultations and discussions, which are intended to challenge and critically examine possible approaches. Openness also entails vulnerability and self-questioning; discussion is therefore an important but fragile tool.\u003C\u002Fp>\u003Cp>We do not prejudge possible paths; we do not believe in a single possible direction. Mistakes are an important tool. The aim of the course is to foster sensitivity and precision.\u003C\u002Fp>",{"cs":210,"en":214},[211,212,213],{"__typename":91},{"__typename":91},{"__typename":91},[215,216,217],{"__typename":91},{"__typename":91},{"__typename":91},{"title":219,"content":222,"content_nodes":225},{"cs":220,"en":221},"Každý student je endemit.","Every student is endemic.",{"cs":223,"en":224},"\u003Cp>Hlavním úkolem je pochopit vlastní motivace, směřování a individuální potenciál a ty pak dále rozvíjet.\u003C\u002Fp>\u003Cp>Předpokladem je vlastní iniciativa, vedení ateliéru nechápeme jako aktivizační ale jako koordinační a moderující. Zadávání úkolů je jen výjimečným nástrojem, každý si svůj problém vymýšlí sám.Základní předpokladem pro studium je zájem až zápal pro věc, \u003Cstrong>neodbytné puzení\u003C\u002Fstrong>, které se může stát posedlostí a \u003Cstrong>poctivost v tvorbě\u003C\u002Fstrong>.\u003C\u002Fp>\u003Cp>Jako analogický model ateliéru si lze představit skleník, který vytváří umělé prostředí, s lepšími podmínkami pro rozvoj, které urychlují růst (směr dovnitř). Pár tabulek skla je ale rozbitých, a tak skleník není zcela (hermeticky) uzavřen před okolím. Je tak částečně kontaminován vnějším světem (směr ven) a po přesazení mimo skleník je pravděpodobnost dalšího růstu vyšší.\u003C\u002Fp>","\u003Cp>The main task is to understand one’s own motivations, direction and individual potential, and then to develop these further.\u003C\u002Fp>\u003Cp>Self-initiative is a prerequisite. We understand studio management not as activating but as coordinating and moderating. Assigning tasks is merely an exceptional tool: everyone invents their own problem.\u003C\u002Fp>\u003Cp>The basic prerequisite for study is an interest verging on passion in the subject, an \u003Cstrong>insistent compulsion\u003C\u002Fstrong>, which can become an \u003Cstrong>obsession, and honesty in creation\u003C\u002Fstrong>.\u003C\u002Fp>\u003Cp>As an analogous model of the studio, one might imagine a greenhouse that creates an artificial environment with better conditions for development that accelerate growth (inward direction). However, a few panes of glass are broken, and so the greenhouse is not completely (hermetically) sealed from its surroundings. It is thus partially contaminated by the outside world (outward direction) and once transplanted outside the greenhouse, the probability of further growth is higher.\u003C\u002Fp>",{"cs":226,"en":230},[227,228,229],{"__typename":91},{"__typename":91},{"__typename":91},[231,232,233,234],{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"title":236,"content":239,"content_nodes":242},{"cs":237,"en":238},"Směr dovnitř","Inward direction",{"cs":240,"en":241},"\u003Cul>\u003Cli>\u003Cp>Osvojení a prohloubení si základního výtvarného rejstříku (přípravka)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Hájený prostor pro chyby a pokusy, podpora zkoumání nových a nejistých cest oproti konvenčním “jistým” a nepřekvapivým. Prostor mezi laboratoří, zkušebnou a dílnou\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Celoateliérové konzultace (interní klauzury)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Technologické zázemí, grafické dílny, odborné pracoviště, archiv školy, knihovna atd.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Společné diskuze na konkrétní témata\u003Cbr>– formulovaní otázek\u003Cbr>– vytvoření vlastní pracovní metody\u003Cbr>– osvojení práce s kritikou (oba směry - dávat a přijímat)\u003Cbr>– hledání a pojmenování pravé motivace\u003Cbr>– rozpoznání momentu, kdy přestat\u003Cbr>– poznání rozdílu mezi citlivostí a přecitlivělostí a mezi jemností a rozbředlostí\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>","\u003Cul>\u003Cli>\u003Cp>The acquisition and deepening of the basic artistic register (the foundation course)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>A safe space for error and experimentation, the encouragement of an exploration of new and uncertain paths rather than conventional, “secure” and unsurprising ones. The space between the laboratory, rehearsal room and the workshop\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Whole-studio consultation (internal seclusion)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Technological facilities, printmaking workshops, specialist workplaces, school archive, library, etc.\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Joint discussions on specific topics\u003Cbr>– the formulation of questions\u003Cbr>– the development of one’s own working methods\u003Cbr>– learning to work with criticism (both ways, giving and receiving)\u003Cbr>– finding and naming true motivation\u003Cbr>– recognising when to stop\u003Cbr>– recognising the difference between sensitivity and hypersensitivity and between subtlety and sentimentality\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>",{"cs":243,"en":245},[244],{"__typename":91},[246],{"__typename":91},{"title":248,"content":251,"content_nodes":254},{"cs":249,"en":250},"Směr ven","Outward direction",{"cs":252,"en":253},"\u003Cul>\u003Cli>\u003Cp>Externí konzultanti (v případě, požadavků, které jsou mimo náš záběr, považujeme za přirozené najít vhodného konzultanta či technologa)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Zvaní hostů z jiných oborů a setkání s umělci (nevyjímaje žádnou generaci, od těch nejstarších až po relativně čerstvé absolventy)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Výlety, plenéry, ateliérová soustředění\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Workshopy\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Profesionalizace (orientace v provozu současného umění, reflexe uměleckého provozu, seznámení se s jednotlivými možnostmi a modely fungování na umělecké scéně, privátní i veřejné galerie a sbírky, umělecké veletrhy, možnosti sebeprezentace atd.)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Podporovat u studentů samostatnou výstavní činnost, osvojování si specifických dovedností a zkušeností k tomu potřebných\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>","\u003Cul>\u003Cli>\u003Cp>External consultants (for requirements outside our scope, we feel it natural to find a suitable consultant or technologist)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Inviting guests from other disciplines and meeting with artists (not excluding any generation, from the oldest to relatively recent graduates)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Field trips, plein air workshops, studio camps\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Workshops\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Professionalisation (orientation in and around the contemporary art world, reflections upon artistic operations, familiarisation with different possibilities and models of functioning on the art scene, private and public galleries and collections, art fairs, possibilities of self-presentation, etc.)\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>Promoting students’ independent exhibition activities, the acquisition of the specific skills and experience necessary for this\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>\u003Cp>We believe it is necessary to defend a space for the exploration of possible paths regardless of how easy they are to describe and defend in advance. Nevertheless, we regard studying at AVU as the irrevocable entry into the structure of institutionalised art. And we expect students to be able and willing to reflect on their own work and to have an awareness of context, both local and global.The goal is not to lose hope and yet never to stop doubting oneself.\u003C\u002Fp>",{"cs":255,"en":257},[256],{"__typename":91},[258,259],{"__typename":91},{"__typename":91},{"title":261,"content":264,"content_nodes":267},{"cs":262,"en":263},"Cíl","Goal",{"cs":265,"en":266},"\u003Cp>Vnímáme jako nezbytné hájit prostor pro zkoumání možných cest, bez ohledu na to, jak jsou dopředu snadno popsatelné a obhajitelné. Přesto ale považujeme studium na AVU za závazný vstup do struktury institucionalizovaného umění. A u studentů předpokládáme schopnost a ochotu k reflexi vlastní tvorby a znalost kontextu jak lokálního tak globálního.\u003C\u002Fp>\u003Cp>Cílem je neztratit naději a zároveň o sobě nikdy nepřestat pochybovat.\u003C\u002Fp>","\u003Cp>We consider it essential to safeguard the space for exploring possible paths, regardless of how easily they can be described and justified in advance. Nevertheless, we regard study at the Academy of Fine Arts as a binding entry point into the structure of institutionalised art. And we expect students to have the ability and willingness to reflect on their own work, as well as an understanding of both local and global contexts.\u003C\u002Fp>\u003Cp>The aim is not to lose hope, whilst at the same time never ceasing to question oneself.\u003C\u002Fp>",{"cs":268,"en":271},[269,270],{"__typename":91},{"__typename":91},[272,273],{"__typename":91},{"__typename":91},[],{"title":276,"description":277,"canonical_url":278,"og_title":279,"og_description":280,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":282,"en":296},[283,284,287,290,293],{"label":53,"menu_url":54},{"label":285,"menu_url":286},"Studium","\u002Fstudium",{"label":288,"menu_url":289},"Bakalářské studium","\u002Fstudium\u002Fbakalarske-studium",{"label":291,"menu_url":292},"Volné umění","\u002Fstudium\u002Fbakalarske-studium\u002Fvolne-umeni",{"label":294,"menu_url":295},"Grafika 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12:24:48",[],[1193],{"id":1194,"event_category_id":1195,"eventCategory":1196,"eventTags":1201,"title":1208,"slug":1209,"perex":1212,"content_blocks":1213,"featured_image":1360,"featuredImage":1362,"featured_mobile_image":4,"featuredMobileImage":4,"files":4,"fileItems":1383,"video_trailer":4,"background":85,"starts_at":1384,"ends_at":1384,"location":40,"schedule_status":1385,"is_featured":39,"is_published":60,"status":61,"departments":1386,"seo":1421,"menu_url":1427,"breadcrumbs":1428,"parentNodePage":4,"created_at":1437,"updated_at":1438},"31138","1",{"id":1195,"name":1197,"slug":1198},"Events",{"cs":1199,"en":1200},"akce-event_category-1","events-event_category-1",[1202],{"id":1203,"name":1204,"slug":1205},"6","Open Day",{"cs":1206,"en":1207},"den-otevrenych-dveri","open-day","AVU Open Day 2026",{"cs":1210,"en":1211},"den-otevrenych-dveri-2026","avu-open-day-2026","The Academy of Fine Arts in Prague invites prospective students to its Open Day. The event is aimed primarily at applicants for our Czech-language programmes, but anyone curious to see the school and visit our studios is welcome. From 9 am to 5 pm, the Main Building, the School of Architecture, AVU Veletržní and the Moderní galerie will be open to visitors. You can learn about the Academy, its study programmes and the admissions process, and discuss your portfolio with faculty during individual consultations.",[1214,1313,1325],{"__typename":199,"background":4,"title":1215,"items":1216},{"cs":4,"en":4},[1217,1239,1279,1291],{"title":1218,"content":1221,"content_nodes":1224},{"cs":1219,"en":1220},"Otevřené budovy","Open Buildings",{"cs":1222,"en":1223},"\u003Cp>9–17.00\u003C\u002Fp>\u003Cp>Hlavní budova – U Akademie 4, Praha 7\u003C\u002Fp>\u003Cp>Škola architektury – U Akademie 2, Praha 7\u003C\u002Fp>\u003Cp>AVU Veletržní – Veletržní 61, Praha 7\u003C\u002Fp>\u003Cp>Moderní galerie – Výstaviště 188, Praha 7\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>Hlavní budova a Moderní galerie jsou bezbariérové. Škola architektury a AVU Veletržní nikoliv.\u003C\u002Fp>","\u003Cp>9 am – 5 pm\u003C\u002Fp>\u003Cp>Main Building – U Akademie 4, Prague 7\u003C\u002Fp>\u003Cp>School of Architecture – U Akademie 2, Prague 7\u003C\u002Fp>\u003Cp>AVU Veletržní – Veletržní 61, Prague 7\u003C\u002Fp>\u003Cp>Modern Gallery – Výstaviště 188, Prague 7\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>The Main Building and the Modern Gallery are wheelchair accessible. The School of Architecture and AVU Veletržní are not.\u003C\u002Fp>",{"cs":1225,"en":1232},[1226,1227,1228,1229,1230,1231],{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},[1233,1234,1235,1236,1237,1238],{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"title":1240,"content":1243,"content_nodes":1246},{"cs":1241,"en":1242},"Program","Programme (in Czech)",{"cs":1244,"en":1245},"\u003Cp>9–10.00\u003C\u002Fp>\u003Cp>Představení Akademie (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Poslechněte si základní informace o škole, studijních programech a průběhu přijímacího řízení\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>10–12.00\u003C\u002Fp>\u003Cp>Individuální konzultace portfolií v ateliérech (otevřené budovy AVU)\u003C\u002Fp>\u003Cp>\u003Cem>Konzultace se týkají výhradně portfolií. Informace k přijímacímu řízení a praktickým aspektům studia na AVU vám rádi poskytneme na Studijním oddělení.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>12–13.00\u003C\u002Fp>\u003Cp>Představení Akademie (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Poslechněte si základní informace o škole, studijních programech a průběhu přijímacího řízení\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>13–17.00\u003C\u002Fp>\u003Cp>Individuální konzultace portfolií v ateliérech (otevřené budovy AVU)\u003C\u002Fp>\u003Cp>\u003Cem>Konzultace se týkají výhradně portfolií. Informace k přijímacímu řízení a praktickým aspektům studia na AVU vám rádi poskytneme na Studijním oddělení.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>9–16.00\u003C\u002Fp>\u003Cp>Studijní oddělení (Hlavní budova)\u003C\u002Fp>\u003Cp>\u003Cem>Ptejte se na veškeré informace o přijímacím řízení a studiu na AVU.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>13–18.00\u003C\u002Fp>\u003Cp>Galerie AVU (Veletržní 63)\u003C\u002Fp>\u003Cp>\u003Cem>Prohlédněte si aktuální výstavu, která propojuje studující a pedagožstvo z AVU, pařížské Beaux-Arts, University of Applied Arts Vienna a Fakulty umění Technické univerzity v Košicích.\u003C\u002Fem>\u003C\u002Fp>","\u003Cp>9.00–10.00\u003C\u002Fp>\u003Cp>Introduction to the Academy (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Find out the basics about the school, study programmes and the admissions process\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>10.00–12.00\u003C\u002Fp>\u003Cp>Individual portfolio consultations in the studios (AVU buildings open to the public)\u003C\u002Fp>\u003Cp>\u003Cem>These consultations relate exclusively to portfolios. We will be happy to provide you with information on the admissions process and the practical aspects of studying at AVU at the Study Department.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>12.00–13.00\u003C\u002Fp>\u003Cp>Introduction to the Academy (AVU Veletržní)\u003C\u002Fp>\u003Cp>\u003Cem>Hear some basic information about the school, study programmes and the admissions process\u003C\u002Fem>.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>13:00–17:00\u003C\u002Fp>\u003Cp>Individual portfolio consultations in the studios (AVU buildings open to the public)\u003C\u002Fp>\u003Cp>\u003Cem>Consultations relate exclusively to portfolios. We will be happy to provide you with information on the admissions process and the practical aspects of studying at AVU at the Study Department.\u003C\u002Fem>\u003C\u002Fp>",{"cs":1247,"en":1266},[1248,1249,1250,1251,1252,1253,1254,1255,1256,1257,1258,1259,1260,1261,1262,1263,1264,1265],{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},[1267,1268,1269,1270,1271,1272,1273,1274,1275,1276,1277,1278],{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"__typename":91},{"title":1280,"content":1283,"content_nodes":1286},{"cs":1281,"en":1282},"Individuální konzultace","Portfolio Consulation",{"cs":1284,"en":1285},"\u003Cp>Pro individuální konzultace portfolií s pedagogy a pedagožkami v ateliérech je nutná registrace na \u003Ca href=\"http:\u002F\u002Fdod.avu.cz\">dod.avu.cz\u003C\u002Fa>. \u003Cstrong>Registrační formulář bude otevřený od 12. 10. 2026 (9.00) do 18. 10. 2026 (23.59)\u003C\u002Fstrong>. Mimo tento termín již registrace nebude možná.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>","\u003Cp>To book individual consultations with lecturers in the studios, you must register at \u003Ca href=\"http:\u002F\u002Fdod.avu.cz\">dod.avu.cz\u003C\u002Fa>. \u003Cstrong>The registration form will be open from 12 October 2026 (9.00) to 18 October (23.59)\u003C\u002Fstrong>. Registration will not be possible outside this period.\u003C\u002Fp>",{"cs":1287,"en":1289},[1288],{"__typename":91},[1290],{"__typename":91},{"title":1292,"content":1295,"content_nodes":1298},{"cs":1293,"en":1294},"Otevřené ateliéry","Open Studios",{"cs":1296,"en":1297},"\u003Cp>\u003Cem>Nahlédněte do ateliérů AVU a seznamte se s koncepcí ateliérové tvorby našich vyučujících. Každý ateliér tento čas pojímá různě – probíhají prezentace, skupinové konzultace nebo speciální program.\u003C\u002Fem>\u003C\u002Fp>\u003Cp>10.00\tMalba 1, Socha 1, Intermédia 3, Architektura\u003C\u002Fp>\u003Cp>11.00\tMalba 2, Socha 2, Nová média 1, Restaurování moderních uměleckých děl z netradičních materiálů\u003C\u002Fp>\u003Cp>13.00\tMalba 3, Figurální socha a medaile, Grafika 1, Umění a současné technologie\u003C\u002Fp>\u003Cp>14.00\tMalba 4, Intermédia 1, Grafika 2, Restaurování sochy\u003C\u002Fp>\u003Cp>15.00\tKresba, Intermédia 2, Nová média 2, Restaurování malby a polychromované plastiky\u003C\u002Fp>","\u003Cp>\u003Cem>Take a look inside the AVU studios and find out about our lecturers’ approach to studio-based work. 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