Workshop printing with chimera

AVU students are cordially invited to an extraordinary art research seminar PRINTING WITH CHIMERA, led by Zurich-based Michael Günzbürger and Florian Dombois. It is a four-day event from 9 - 12 April with morning and afternoon blocks.

Date
9 April – 12 April 2024

The number of participants is limited - only 12 people. If you are interested, please contact marketa.soukupova@avu.cz

Michael Günzburger and Florian Dombois

The workshopseries called “Druckend Denken” (Thinking with Printing) are a direct result of my PhD titled „Printing with Chimeras – from the release of expectations”. With the Figure of the “Chimera” (also: some- thing that slips away when grasped) it proposes a mindset in which we release printing presses from their repetitive functions. Printtechnlog- ogy is defined by control. Here instead we use printing techniques for the unique.

This approach is particularly effective in Material Printing. It involves a setting, for which we collect materials and run them through the presses with ink and paper.

Rather than aiming to produce specific imagery or motifs, our empha- sis lies in understanding printing as a research practice that facilitates communication with our peers and a communities. We focus on proces. It allows to engage in a critical discourse of how and for whom we work as artists.

Also we take into account, that printing is a performative practice where everything, from the artist‘s mood of, to the ink used and even to the weather, has an influence on what will emerge from the concealed spot between the press cylinders. The image forms while printing.

Through “Druckend denken” students aquire a fundamental under- standing of what Material Prinitng can do, how we can let go of control and observe sharply what the output is. Whether it will become an artwortk can be decided later.

While etching presses and lithography presses are well suited for printing with Chimeras, this mindset expands to all other printing tech- niques. In serach for the moment and the place where ink is tranfered and how it can be influenced.

Harmonogram

Tuesday 9.4.

Morning: Arrival FD & MG, Install

Afternoon: Welcome of students; Get going, starting to print

Evening: Input on artistic research in relation to the workshop (Lecture by FD)

Wednesday 10.4.

Early Morning: Excursion to a place with rich materials to print with (food market?)

Late Morning: Continue printing

Afternoon: Printing and cooking and baking cake, own project

Thursday 11.4.

Morning: Printing at own speed

Afternoon: Reflection and Input:  In what sense are we doing research here? In two views. (FD & MG)

Friday 12.4.

Morning: Sharing prints, focus on leftovers and "side orders" (not intended products)

Afternoon: finishing up, editing, cleaning.