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Džadoň uses architecture and its elements as a contrasting material for exploring historical memory and its real heritage.\u003C\u002Fp>",{"person_id":4423,"function":4424,"person":4425},"24872","vyučující předmětu Studio",{"id":4423,"first_name":4426,"last_name":4427,"title":4428,"slug":4429,"title_before":19,"title_after":19,"role":19,"email":4,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4431,"featuredImage":4432,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4433,"menu_url":4439,"breadcrumbs":4440,"is_published":23,"status":76,"departments":4447,"created_at":4450,"updated_at":4451,"parentNodePage":4,"content_blocks":4452},"Luiza","Prado","Luiza Prado",{"cs":4430,"en":4430},"prado",[],[],{"title":4434,"description":4435,"canonical_url":4436,"og_title":4437,"og_description":4438,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fprado",{"cs":4441,"en":4444},[4442,4443],{"label":59,"menu_url":60},{"label":4428,"menu_url":4439},[4445,4446],{"label":66,"menu_url":60},{"label":4428,"menu_url":4439},[4448],{"id":3903,"title":3904,"slug":4449,"menu_url":3900},{"cs":3898,"en":3898},"2026-09-02 10:59:01","2026-09-02 10:59:04",[4453],{"__typename":4412,"background":4413,"heading":4454,"content":4455,"content_nodes":4456},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4457,"en":4460},[4458],{"__typename":4420,"html":4459},"\u003Cp>Luiza Prado je umělkyně, spisovatelka a teoretička. Ve své tvorbě pracuje napříč instalací, sochařstvím, textem a obrazem. Performance a rituál využívá jako prostředky k pozvání publika a jeho aktivaci. Její praxe zkoumá vztahy a způsoby poznání mezi rostlinami, politickými infrastrukturami a technologiemi. Zároveň se ptá, jaké procesy jsou potřebné pro kolektivní péči o životní prostředí a reprodukční spravedlnost. Doktorát získala na Universität der Künste Berlin a magisterský titul na Hochschule für Künste Bremen. Její probíhající umělecký výzkumný projekt „Un\u002FEarthings and Moon Landings“ vychází z mytologie kolem silfia, dnes vyhynulé rostliny používané jako afrodiziakum a koření, a zabývá se otázkami těla a území jako míst extrakce v rámci výpočetních, politických a ekonomických infrastruktur.\u003C\u002Fp>",[4461,4463],{"__typename":4420,"html":4462},"\u003Cp>Luiza Prado is an artist, writer and theorist. She works between installation, sculpture, text, and image, using performance and ritual as a way of invitation and activation for audiences. Her practice explores relations and knowledge between plants, political infrastructures, and technology, and questions what processes are needed for collective concerns of environmental care and reproductive justice. She holds a PhD from the University of the Arts Berlin, and an MA from the University of the Arts Bremen.\u003C\u002Fp>",{"__typename":4420,"html":4464},"\u003Cp>Her ongoing artistic research project, “Un\u002FEarthings and Moon Landings” starts from the mythology around silphium, an extinct plant used as an aphrodisiac and a spice, to engage with questions around body and territory as sites of extraction within computational, political, and economic infrastructures.\u003C\u002Fp>",{"person_id":4466,"function":4467,"person":4468},"6408","vyučující v programu Reading Writting Practise",{"id":4466,"first_name":4469,"last_name":4470,"title":4471,"slug":4472,"title_before":19,"title_after":4474,"role":4475,"email":4476,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":4477,"featured_image":4478,"featuredImage":4479,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4480,"menu_url":4486,"breadcrumbs":4487,"is_published":23,"status":76,"departments":4494,"created_at":4504,"updated_at":4505,"parentNodePage":4,"content_blocks":4506},"John","Hill","John Hill Ph.D.",{"cs":4473,"en":4473},"hill","Ph.D.","pedagog předmětu Art Writing","john.hill@avu.cz","John Hill je spisovatel a výzkumník, který žije v Praze od roku 2017. Na AVU vyučuje Art Writing v mezinárodním magisterském programu Art in Context a vede zde také výzkumnou skupinu Emergentní technologie.",[],[],{"title":4481,"description":4482,"canonical_url":4483,"og_title":4484,"og_description":4485,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fhill",{"cs":4488,"en":4491},[4489,4490],{"label":59,"menu_url":60},{"label":4471,"menu_url":4486},[4492,4493],{"label":66,"menu_url":60},{"label":4471,"menu_url":4486},[4495,4502],{"id":4496,"title":4497,"slug":4498,"menu_url":4501},"26931","Výzkumné skupiny",{"cs":4499,"en":4500},"vyzkumne-skupiny","research-groups","\u002Fvyzkumne-skupiny",{"id":3903,"title":3904,"slug":4503,"menu_url":3900},{"cs":3898,"en":3898},"2026-09-02 10:59:02","2026-09-02 10:59:06",[4507],{"__typename":4412,"background":4413,"heading":4508,"content":4509,"content_nodes":4510},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4511,"en":4514},[4512],{"__typename":4420,"html":4513},"\u003Cp>Jeho texty byly publikovány v časopisech Frieze Magazine, PARSE Journal, Spike, Artalk, Blok Magazine, Camera Austria International a MOST. Svou prakticky zaměřenou dizertaci, která zkoumala uměleckou spolupráci inspirovanou síťovými technologiemi, realizoval v rámci skupiny Uses of Art na LJMU, jež je partnerskou institucí muzeální sítě L’Internationale. Jako člen uměleckého kolektivu LuckyPDF vystavoval na mezinárodní úrovni a byl také komisionován významnými britskými institucemi, včetně Hayward Gallery a Frieze Foundation.\u003C\u002Fp>",[4515],{"__typename":4420,"html":4516},"\u003Cp>His writing has appeared in Frieze Magazine, PARSE Journal, Spike, Artalk, Blok Magazine, Camera Austria International and MOST. His practice-based PhD, which explored artistic collaboration inspired by network technology, was undertaken with LJMU's Uses of Art group, a partner of the L’Internationale museum network. As a member of the artists’ collective LuckyPDF, he has had work exhibited internationally and been commissioned by major UK institutions, including Hayward Gallery and Frieze Foundation.\u003C\u002Fp>",{"person_id":4518,"function":4519,"person":4520},"480","přednášející předmětu Central and Eastern European Art 1945–1989",{"id":4518,"first_name":4521,"last_name":4522,"title":4523,"slug":4524,"title_before":4526,"title_after":4474,"role":4527,"email":4528,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4529,"featuredImage":4531,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4541,"menu_url":4547,"breadcrumbs":4548,"is_published":23,"status":76,"departments":4555,"created_at":4408,"updated_at":4576,"parentNodePage":4,"content_blocks":4577},"Pavlína","Morganová","doc. PhDr. Pavlína Morganová Ph.D.",{"cs":4525,"en":4525},"morganova","doc. PhDr.","vedoucí VVP AVU","pavlina.morganova@avu.cz",[4530],"2100",[4532],{"id":4530,"caption":4533,"alt_text":4,"url":4534,"srcset":4,"media":4535,"conversions":4540,"created_at":4408,"updated_at":4408},"20210420-116a2075_5","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1587\u002F20210420-116a2075-5.jpg",{"id":4536,"name":4533,"file_name":4537,"mime_type":4538,"size":4539,"url":4534},"1587","20210420-116a2075-5.jpg","image\u002Fjpeg",45464,[],{"title":4542,"description":4543,"canonical_url":4544,"og_title":4545,"og_description":4546,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fmorganova",{"cs":4549,"en":4552},[4550,4551],{"label":59,"menu_url":60},{"label":4523,"menu_url":4547},[4553,4554],{"label":66,"menu_url":60},{"label":4523,"menu_url":4547},[4556,4558,4560,4562,4564,4566,4568,4570,4572,4574],{"id":841,"title":4110,"slug":4557,"menu_url":4107},{"cs":4104,"en":4105},{"id":886,"title":887,"slug":4559,"menu_url":882},{"cs":879,"en":880},{"id":412,"title":404,"slug":4561,"menu_url":409},{"cs":406,"en":407},{"id":922,"title":913,"slug":4563,"menu_url":918},{"cs":915,"en":916},{"id":1827,"title":1819,"slug":4565,"menu_url":1824},{"cs":1821,"en":1822},{"id":602,"title":603,"slug":4567,"menu_url":599},{"cs":596,"en":597},{"id":3903,"title":3904,"slug":4569,"menu_url":3900},{"cs":3898,"en":3898},{"id":4496,"title":4497,"slug":4571,"menu_url":4501},{"cs":4499,"en":4500},{"id":374,"title":366,"slug":4573,"menu_url":371},{"cs":368,"en":369},{"id":1323,"title":1315,"slug":4575,"menu_url":1331},{"cs":1317,"en":1318},"2026-09-02 10:59:07",[4578],{"__typename":4412,"background":4413,"heading":4579,"content":4580,"content_nodes":4581},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4582,"en":4585},[4583],{"__typename":4420,"html":4584},"\u003Cp>Doc. PhDr. Pavlína Morganová, Ph. D., na Akademii výtvarných umění v Praze pracuje od roku 1997, od roku 2013 jako vedoucí Vědecko-výzkumného pracoviště VVP AVU. V letech 2014−2016 zastávala pozici prorektorky pro studijní záležitosti a 2017−2022 pozici prorektorky pro umění, vědu a rozvoj. Na Akademii přednáší dějiny českého umění 20. století. V posledních letech se věnovala rozsáhlému výzkumu dějin vystavování, jehož výsledkem je kniha Pavlína Morganová – Terezie Nekvindová – Dagmar Svatošová, \u003Cem>Výstava jako médium. České umění 1957−1999\u003C\u002Fem> (VVP AVU, 2020). Je autorkou knih \u003Cem>Procházka akční Prahou \u002F Akce, performance, happeningy 1939–1989\u003C\u002Fem> (VVP AVU, 2014), \u003Cem>Czech Action Art \u002F Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain\u003C\u002Fem> (Karolinum Press, 2014), \u003Cem>Akční umění\u003C\u002Fem> (Votobia, 1999, 2. vydání Nakladatelství J. Vacl, 2010), spolueditorkou antologie \u003Cem>České umění 1939–1989 \u002F Programy, kritické texty, dokumenty\u003C\u002Fem> (Academia, 2001) a \u003Cem>České umění 1980–2010 \u002F Texty a dokumenty\u003C\u002Fem> (VVP AVU, 2012). Publikovala řadu odborných textů v časopisech a katalozích, např. \u003Cem>Jiří Kovanda \u002F I Haven’t Been Here Yet\u003C\u002Fem> (Wrocław Contemporary Museum, The Brno House of Arts, 2013), \u003Cem>Ostrovy odporu. Mezi první a druhou moderností 1985–2012\u003C\u002Fem> (Národní galerie v Praze, 2011), \u003Cem>Fluxus East\u003C\u002Fem> (Künstler-haus Bethanien, Berlín 2007), \u003Cem>Akce, slovo, pohyb, prostor\u003C\u002Fem> (GHMP, 1999). Je autorkou výstav, např.: \u003Cem>Někdy v sukni \u002F Umění 90. let\u003C\u002Fem> (Moravská galerie v Brně a GHMP, 2014), \u003Cem>Začátek století\u003C\u002Fem> (Západočeská galerie v Plzni, 2012, Galerie výtvarného umění Ostrava 2013), \u003Cem>Insiders \u002F Nenápadná generace 2. pol. 90. let\u003C\u002Fem> (Dům umění města Brna, 2004, Futura, 2005). Vedle rozsáhlé publikační činnosti je řešitelkou řady odborných grantů, pravidelně se účastní mezinárodních konferencí a sympózií. Působí v redakci \u003Cem>Sešitu pro umění, teorii a příbuzné zóny\u003C\u002Fem>, od roku 2018 je členkou redakční rady časopisu \u003Cem>ArteActa\u003C\u002Fem>. V letech 2014−2017 byla členkou redakčního okruhu \u003Cem>Artlist\u003C\u002Fem>, v letech 2015−2017 byla členkou poroty Ceny Jindřicha Chalupeckého.\u003C\u002Fp>",[4586],{"__typename":4420,"html":4587},"\u003Cp>Doc. PhDr. Pavlína Morganová, Ph. D., has been working at the Academy of Fine Arts in Prague since 1997, since 2013 as the Head of the Scientific Research Department of the Academy of Fine Arts in Prague. In 2014–2016 she held the position of Vice-Rector for Student Affairs and in 2017–2022 the position of Vice-Rector for Arts, Science and Development. At the Academy she lectures on the history of Czech art of the 20th century. In recent years, she has conducted extensive research on the history of exhibition, resulting in the book Pavlína Morganová – Terezie Nekvindová – Dagmar Svatošová, Exhibition as a Medium. Czech Art 1957–1999 (VVP AVU, 2020). She is the author of \u003Cem>Procházka akční Prahou \u002F Action, Performance, Happenings 1939–1989\u003C\u002Fem> (VVP AVU, 2014), \u003Cem>Czech Action Art \u002F Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain\u003C\u002Fem> (Karolinum Press, 2014), \u003Cem>Action Art\u003C\u002Fem> (Votobia, 1999, 2. J. Vacl Publishers, 2010), co-editor of the anthologies \u003Cem>Czech Art 1939–1989 \u002F Programmes, Critical Texts, Documents\u003C\u002Fem> (Academia, 2001) and \u003Cem>Czech Art 1980–2010 \u002F Texts and Documents\u003C\u002Fem> (VVP AVU, 2012). She has published numerous texts in journals and catalogues, e.g. \u003Cem>Jiří Kovanda \u002F I Haven’t Been Here Yet\u003C\u002Fem> (Wrocław Contemporary Museum, The Brno House of Arts, 2013), \u003Cem>Islands of Resistance. Between First and Second Modernity 1985–2012\u003C\u002Fem> (National Gallery in Prague, 2011), \u003Cem>Fluxus East\u003C\u002Fem> (Künstler-haus Bethanien, Berlin 2007), \u003Cem>Action, Word, Movement, Space\u003C\u002Fem> (GHMP, 1999). She is the author of exhibitions such as \u003Cem>Sometimes in a Skirt \u002F Art of the 90s\u003C\u002Fem> (Moravian Gallery in Brno and GHMP, 2014), \u003Cem>The Beginning of the Century\u003C\u002Fem> (West Bohemian Gallery in Pilsen, 2012, Gallery of Fine Arts Ostrava, 2013), \u003Cem>Insiders \u002F Inconspicuous generation 2nd half 90s\u003C\u002Fem> (Brno House of Arts, 2004, Futura, 2005). In addition to her extensive publishing activities, she is the principal investigator of a number of professional grants and regularly participates in international conferences and symposia. She is a member of the editorial board of the Journal for \u003Cem>Art, Theory and Related Zones\u003C\u002Fem>, and since 2018 she has been a member of the editorial board of the journal ArteActa. In 2014–2017 she was a member of the editorial circle of Artlist, in 2015–2017 she was a member of the jury of the Jindřich Chalupecký Award.\u003C\u002Fp>",{"person_id":4589,"function":4590,"person":4591},"470","vyučující předmětu Contemporary Art",{"id":4589,"first_name":4592,"last_name":4593,"title":4594,"slug":4595,"title_before":4597,"title_after":19,"role":4386,"email":4598,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4599,"featuredImage":4600,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4601,"menu_url":4607,"breadcrumbs":4608,"is_published":23,"status":76,"departments":4615,"created_at":4504,"updated_at":4576,"parentNodePage":4,"content_blocks":4620},"Václav","Magid","doc. Mgr. Václav Magid",{"cs":4596,"en":4596},"magid","doc. Mgr.","vaclav.magid@avu.cz",[],[],{"title":4602,"description":4603,"canonical_url":4604,"og_title":4605,"og_description":4606,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fmagid",{"cs":4609,"en":4612},[4610,4611],{"label":59,"menu_url":60},{"label":4594,"menu_url":4607},[4613,4614],{"label":66,"menu_url":60},{"label":4594,"menu_url":4607},[4616,4618],{"id":3903,"title":3904,"slug":4617,"menu_url":3900},{"cs":3898,"en":3898},{"id":1323,"title":1315,"slug":4619,"menu_url":1331},{"cs":1317,"en":1318},[4621],{"__typename":4412,"background":4413,"heading":4622,"content":4623,"content_nodes":4624},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4625,"en":4628},[4626],{"__typename":4420,"html":4627},"\u003Cp>Václav Magid je výtvarník a estetik. Po nedokončených studiích AVU a UMPRUM získal magisterský titul z filozofie na Filozofické fakultě UK v Praze, kde dále pokračuje v doktorském studiu estetiky. Ve své tvorbě zkoumá estetické projevy vztahu každodennosti a ideologie (např. samostatná výstava \u003Cem>Autonomie\u003C\u002Fem>, PLATO, 2015). Vystavoval na skupinových přehlídkách v ČR a zahraničí (Lyonské bienále, 2013), dvakrát byl finalistou Ceny Jindřicha Chalupeckého (2010, 2013). Vedle recenzí a kratších textů o současném umění publikoval odborné studie na témata romantismu, avantgardy, konceptualismu či politické angažovanosti v umění. Jako kurátor připravil řadu skupinových výstav (\u003Cem>Věcné stavy\u003C\u002Fem>, Karlín Studios, 2006; \u003Cem>Punctum\u003C\u002Fem>, Futura, 2008), jeho posledním kurátorským i teoretickým projektem byl cyklus sedmi výstav a publikací \u003Cem>Podmínky nemožnosti\u003C\u002Fem> (Galerie Kurzor, 2017–2018). V letech 2006–2018 působil na vědecko-výzkumném pracovišti AVU, kde vedl (společně s Jakubem Stejskalem) odborný časopis \u003Cem>Sešit pro umění, teorii a příbuzné zóny\u003C\u002Fem> a zároveň se věnoval redakci původních i překladových publikací z teorie (Peter Bürger, Boris Groys, Jan Zálešák, Slavoj Žižek). V roce 2019 mu v nakladatelství ArtMap vyšla literární prvotina \u003Cem>Malá encyklopedie nepatřičností\u003C\u002Fem>. V současnosti přednáší teorii a dějiny umění na Fakultě výtvarných umění VUT v Brně a na Akademii výtvarných umění v Praze.\u003C\u002Fp>",[4629],{"__typename":4420,"html":4630},"\u003Cp>Václav Magid is an artist and aesthetician. After unfinished studies at the Academy of Fine Arts and UMPRUM, he received a Master's degree in Philosophy at the Faculty of Arts of Charles University in Prague, where he continues his doctoral studies in aesthetics. His work explores the aesthetic manifestations of the relationship between everyday life and ideology (e.g. the solo exhibition Autonomy, PLATO, 2015). He has exhibited in group shows in the Czech Republic and abroad (Lyon Biennial, 2013), and has twice been a finalist for the Jindřich Chalupecký Award (2010, 2013). In addition to reviews and shorter texts on contemporary art, he has published scholarly studies on Romanticism, the avant-garde, conceptualism and political engagement in art. As a curator, he has prepared a number of group exhibitions (\u003Cem>Material States\u003C\u002Fem>, Karlín Studios, 2006; \u003Cem>Punctum, Futura\u003C\u002Fem>, 2008); his most recent curatorial and theoretical project was a series of seven exhibitions and publications, \u003Cem>Conditions of Impossibility\u003C\u002Fem> (Kurzor Gallery, 2017–2018). From 2006–2018, he worked at the AVU’s research department, where he directed (together with Jakub Stejskal) the professional journal A\u003Cem> Notebook for Art, Theory and Related Zones\u003C\u002Fem>, and also edited original and translated publications in theory (Peter Bürger, Boris Groys, Jan Zálešák, Slavoj Žižek). His literary debut, \u003Cem>The Little Encyclopedia of Improprieties\u003C\u002Fem>, was published by ArtMap in 2019. Currently, he lectures on theory and history of art at the Faculty of Fine Arts of the Brno University of Technology and the Academy of Fine Arts in Prague.\u003C\u002Fp>",[4632,4650,4798,4808,4818],{"__typename":4412,"background":4413,"heading":4633,"content":4634,"content_nodes":4637},{"cs":4,"en":4},{"cs":4635,"en":4636},"\u003Cp>Studijní program Art in Context kombinuje základní ateliérový program se semináři, projekty a individuálními konzultacemi vedenými mezinárodně uznávaným týmem umělců, performerů, teoretiků a myslitelů. Program je koncipován na základě vzájemné výměny mezi studenty a pedagogy. Dva roky intenzivního studia vyvrcholí závěrečným třetím rokem, který se zaměřuje na tvorbu a výstavu diplomové práce. Program od roku 2026 sídlí v Ateliéru Jana Zajíce na pražské Letné.\u003C\u002Fp>\u003Cp>Studium v programu Art in Context je zpoplatněno. Kompletní informace naleznete na anglické verzi stránky.\u003C\u002Fp>","\u003Cp>Art in Context is AVU’s English-language studio MFA that focuses on practice-based research, experimentation and collaboration through diverse fine art practices.\u003C\u002Fp>\u003Cp>The Art in Context curriculum combines a core studio programme with seminars, projects and individual consultation from an internationally renowned team of artists, performers, theorists and thinkers. The programme is designed around mutual exchange between students and instructors. Two years of intense learning culminate with a final third year focused on the creation and exhibition of a diploma project. Art in Context is based at Jan Zajíc Studio, close to AVU's main campus.\u003C\u002Fp>\u003Cp>Studio work is complemented by a programme of workshops, contextual studies and lectures in art history and critical theory. Students have access to all of AVU’s facilities and workshops at the oldest art academy in the Czech Republic, and benefit from the rich history and dynamic community of students, alumni, artists, curators and art professionals at the Academy of Fine Arts in Prague. Students who complete this programme are awarded the degree of MgA. (Magistr umění), the recognised Czech equivalent of an MFA (Master of Fine Arts).\u003C\u002Fp>",{"cs":4638,"en":4643},[4639,4641],{"__typename":4420,"html":4640},"\u003Cp>Studijní program Art in Context kombinuje základní ateliérový program se semináři, projekty a individuálními konzultacemi vedenými mezinárodně uznávaným týmem umělců, performerů, teoretiků a myslitelů. Program je koncipován na základě vzájemné výměny mezi studenty a pedagogy. Dva roky intenzivního studia vyvrcholí závěrečným třetím rokem, který se zaměřuje na tvorbu a výstavu diplomové práce. Program od roku 2026 sídlí v Ateliéru Jana Zajíce na pražské Letné.\u003C\u002Fp>",{"__typename":4420,"html":4642},"\u003Cp>Studium v programu Art in Context je zpoplatněno. Kompletní informace naleznete na anglické verzi stránky.\u003C\u002Fp>",[4644,4646,4648],{"__typename":4420,"html":4645},"\u003Cp>Art in Context is AVU’s English-language studio MFA that focuses on practice-based research, experimentation and collaboration through diverse fine art practices.\u003C\u002Fp>",{"__typename":4420,"html":4647},"\u003Cp>The Art in Context curriculum combines a core studio programme with seminars, projects and individual consultation from an internationally renowned team of artists, performers, theorists and thinkers. The programme is designed around mutual exchange between students and instructors. Two years of intense learning culminate with a final third year focused on the creation and exhibition of a diploma project. Art in Context is based at Jan Zajíc Studio, close to AVU's main campus.\u003C\u002Fp>",{"__typename":4420,"html":4649},"\u003Cp>Studio work is complemented by a programme of workshops, contextual studies and lectures in art history and critical theory. Students have access to all of AVU’s facilities and workshops at the oldest art academy in the Czech Republic, and benefit from the rich history and dynamic community of students, alumni, artists, curators and art professionals at the Academy of Fine Arts in Prague. Students who complete this programme are awarded the degree of MgA. (Magistr umění), the recognised Czech equivalent of an MFA (Master of Fine Arts).\u003C\u002Fp>",{"__typename":4651,"background":4,"title":4652,"items":4653},"AccordionBlock",{"cs":4,"en":4},[4654,4666,4688,4706,4718,4732,4746,4758,4770,4782],{"title":4655,"content":4658,"content_nodes":4661},{"cs":4656,"en":4657},"Co nabízíme","What we offer",{"cs":4659,"en":4660},"\u003Cul>\u003Cli>\u003Cp>tříletý studijní program, který poskytuje dostatek času na rozvoj individuální i kolektivní umělecké praxe\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>malé ročníky (maximálně 7 studentů), což umožňuje individuální výuku zaměřenou na studenta\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>rozmanité studentské složení\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>bezpečné a podpůrné kritické prostředí pro prezentaci a diskusi o nápadech\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>místní i mezinárodní lektoři a přednášející čerpající z různých oborů a tradic\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>mimoškolní aktivity a exkurze po střední Evropě a možnost účasti na studijním výměnném programu AVU\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>spolupráce s místními i mezinárodními partnery\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>kontextuální studia v rámci ateliérové praxe, reagující na studentské práce prostřednictvím kolektivně zvolených témat\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>možnost zorganizovat závěrečný ročník podle individuálního studijního plánu, včetně distančního studia\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>","\u003Cul>\u003Cli>\u003Cp>three-year study programme allowing time to develop an individual and collective artistic practice\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>small year-groups (up to 7 students), allowing for individual, student-focused tutoring\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>diverse student body\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>safe and supportive critical environment for presenting and discussing ideas\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>local and international instructors and lecturers drawing on varied disciplines and traditions\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>off-site activities and excursions within Central Europe, and eligibility for AVU’s study exchange programme\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>collaborative activities with local and international partners\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>contextual studies taught within studio practice, responding to students’ work through collectively chosen topics\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>option of organizing the final year according to an individual study plan, including distance learning\u003C\u002Fp>\u003C\u002Fli>\u003Cli>\u003Cp>commitment to AVU’s \u003Ca href=\"\u002Fen\u002Facademy\u002Fstructure\u002Fadvisory-bodies-and-working-groups\u002Fantidiscrimination-platform\">Antidiscrimination Platform\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fli>\u003C\u002Ful>",{"cs":4662,"en":4664},[4663],{"__typename":4420},[4665],{"__typename":4420},{"title":4667,"content":4670,"content_nodes":4673},{"cs":4668,"en":4669},"Vyučující volného umění","Lecturers in Fine Art",{"cs":4671,"en":4672},"\u003Cp>\u003Cstrong>Luiza Prado\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>Jako umělkyně, spisovatelka a teoretička se Lui\u003Ca href=\"\u002Fprado\">za Prado\u003C\u002Fa> pohybuje na pomezí instalace, sochařství, textu a obrazu, přičemž využívá performance a rituály jako prostředek k oslovení a zapojení publika. Ve své tvorbě zkoumá vztahy a poznatky mezi rostlinami, politickými infrastrukturami a technologií a klade si otázku, jaké procesy jsou nezbytné pro kolektivní zájmy v oblasti péče o životní prostředí a reprodukční spravedlnosti. Je držitelkou titulu Ph.D. z Univerzity umění v Berlíně a titulu MA z Univerzity umění v Brémách. Luiza vede ateliérový program a poskytuje konzultace k jednotlivým projektům ve všech semestrech.\u003C\u002Fp>\u003Cp>\u003Cstrong>John Hill\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>John Hill je spisovatel, výzkumník a kurátor. Jako člen kolektivu LuckyPDF vystavoval svá díla po celém světě, mimo jiné v UCCA v Pekingu a v Museo Jumex v Mexico City, a přijímal zakázky od významných institucí, jako jsou Hayward Gallery a Frieze Foundation. Ve své praxí podložené disertační práci se zabýval interakcí mezi uměleckými institucemi, algoritmy, samoorganizací a uměleckou spoluprací. Vede výzkumnou skupinu Emergent Technologies na AVU. John vyučuje předmět Čtení \u002F Psaní \u002F Praxe, který se zaměřuje na kreativní, profesionální a akademické využití jazyka v rámci ateliérové praxe.\u003C\u002Fp>\u003Cp>\u003Cstrong>Tomáš Džadoň\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>Tomáš Džadoň využívá architekturu a její prvky jako materiál k prozkoumávání historické paměti a jejího skutečného dědictví a pracuje s širokou škálou forem, od objektů a instalací až po site-specific intervence ve veřejném prostoru. Zabývá se vlivem architektury na lidi a společnost a konfrontuje tradiční lidovou architekturu, která je úzce spjata s jedinečným kontextem, s universalistickým pohledem na architekturu a urbanismus. V roce 2013 v rámci projektu \u003Cem>Folk Architecture Monument\u003C\u002Fem> přemístil dvě tradiční slovenské sruby na střechu dvanáctipodlažního socialistického panelového domu v Košicích na východním Slovensku. Tomáš je vedoucím programu Art in Context a propojuje studenty s místním kontextem.\u003C\u002Fp>","\u003Cp>\u003Cstrong>Luiza Prado\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>As an artist, writer and theorist, \u003Ca href=\"\u002Fen\u002Fprado\">Luiza Prado\u003C\u002Fa> works between installation, sculpture, text, and image, using performance and ritual as a way of invitation and activation for audiences. Her practice explores relations and knowledge between plants, political infrastructures, and technology, and questions what processes are needed for collective concerns of environmental care and reproductive justice. She holds a Ph.D. from the University of the Arts Berlin, and an MA from the University of the Arts Bremen. Luiza leads the studio programme and consults individual projects for all semesters.\u003C\u002Fp>\u003Cp>\u003Cstrong>John Hill\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fen\u002Fhill\">John Hill\u003C\u002Fa> is a writer, researcher and curator. As a member of the collective LuckyPDF, he has had work exhibited internationally, including at UCCA, Beijing and Museo Jumex, Mexico City, and has been commissioned by major institutions, including Hayward Gallery and Frieze Foundation. His practice-based Ph.D. looked at the interaction between art institutions, algorithms, self-organisation and artistic collaboration. He leads AVU’s Emergent Technologies Research Group. John teaches Reading \u002F Writing \u002F Practice, which is focused on the creative, professional and academic use of language as part of studio practice.\u003C\u002Fp>\u003Cp>\u003Cstrong>Tomáš Džadoň\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>Using architecture and its elements as a material for exploring historical memory and its real heritage, \u003Ca href=\"\u002Fen\u002Fdzadon\">Tomáš Džadoň\u003C\u002Fa> employs a wide range of forms, from objects and installations to site-specific interventions in public spaces. He explores the influence of architecture on people and society, confronting traditional folk architecture, which is closely linked to a unique context, with a universalistic view of architecture and urbanism. In 2013, for \u003Cem>Folk Architecture Monument\u003C\u002Fem>, he transported two traditional Slovak log cabins onto the roof of a 12-storey socialist apartment block in Košice, eastern Slovakia. Tomáš is the Art in Context programme leader and connects students to the local context.\u003C\u002Fp>",{"cs":4674,"en":4681},[4675,4676,4677,4678,4679,4680],{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},[4682,4683,4684,4685,4686,4687],{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},{"title":4689,"content":4692,"content_nodes":4695},{"cs":4690,"en":4691},"Vyučující teorie a dějin umění","Lecturers in Art History and Theory",{"cs":4693,"en":4694},"\u003Cp>\u003Cstrong>Pavlína Morganová, Ph.D.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>Pavlína Morganová je historička umění a kurátorka působící v Praze. Působí jako ředitelka Akademického výzkumného centra AVU a je autorkou oceňované publikace „A Walk Through Prague: Actions, Performances, Happenings 1949–1989“. Vyučuje povinný předmět „Umění střední a východní Evropy 1945–1989“.\u003C\u002Fp>\u003Cp>\u003Cstrong>Václav Magid\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>Václav Magid je umělec, kurátor a spisovatel. Působí jako výzkumný pracovník a přednášející v Akademickém výzkumném centru, kde je šéfredaktorem časopisu Notebook of Art, Theory and Related Zones. V rámci programu Art in Context vyučuje předmět Současné umění po roce 1989.\u003C\u002Fp>","\u003Cp>\u003Cstrong>Pavlína Morganová, Ph.D.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fen\u002Fmorganova\">Pavlína Morganová\u003C\u002Fa> is an art historian and curator, based in Prague. She works as a director of AVU’s \u003Ca href=\"\u002Fen\u002Fresearch\u002Fart-history-academic-research-centre\">Academic Research Centre\u003C\u002Fa> and is the author of the acclaimed ‘A Walk Through Prague: Actions, Performances, Happenings 1949-1989’.She teaches the core subject Central and Eastern European Art 1945–1989.\u003C\u002Fp>\u003Cp>\u003Cstrong>Václav Magid\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fen\u002Fmagid\">Václav Magid\u003C\u002Fa> is an artist, curator and writer. He works as a researcher and lecturer at the Academic Research Centre where he is editor-in-chief of the journal Notebook of Art, Theory and Related Zones. For Art in Context he teaches Contemporary Art after 1989.\u003C\u002Fp>",{"cs":4696,"en":4701},[4697,4698,4699,4700],{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},[4702,4703,4704,4705],{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4420},{"title":4707,"content":4710,"content_nodes":4713},{"cs":4708,"en":4709},"Hosti a hostky","Guest tutors",{"cs":4711,"en":4712},"\u003Cp>Kromě stálého pedagogického sboru zve program Art in Context mezinárodní hostující lektory z nejrůznějších oborů. V minulých letech mezi nimi byli například \u003Ca href=\"https:\u002F\u002Fwww.kw-berlin.de\u002Fen\u002Fexhibitions\u002Fanna-daucikova\">Anna Daučíková\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fjencalleja.com\u002F\">Jen Calleja\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002F2022.berlinartprize.com\u002Fen\u002Fnominees\u002Fnominierter-2022---alicja-rogalska\">Alicja Rogalska\u003C\u002Fa> a \u003Ca href=\"http:\u002F\u002Ftuanmami.com\u002F\">Tuan Mami\u003C\u002Fa>. Součástí hodnotícího procesu jsou vždy i externí hostující umělci, kurátoři a galeristé. AVU také po celý rok pořádá širokou škálu hostujících přednášek, prezentací a promítání v angličtině.\u003C\u002Fp>","\u003Cp>In addition to the core teaching staff, Art in Context invites international guest tutors from a wide range of fields. In previous years this has included \u003Ca href=\"https:\u002F\u002Fwww.kw-berlin.de\u002Fen\u002Fexhibitions\u002Fanna-daucikova\">Anna Daučíková\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fjencalleja.com\u002F\">Jen Calleja\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002F2022.berlinartprize.com\u002Fen\u002Fnominees\u002Fnominierter-2022---alicja-rogalska\">Alicja Rogalska\u003C\u002Fa> and \u003Ca href=\"http:\u002F\u002Ftuanmami.com\u002F\">Tuan Mami\u003C\u002Fa>. External guest artists, curators and gallerists are always part of the assessment process.AVU also hosts a wide range of guest lectures, presentations and screenings in English throughout the year.\u003C\u002Fp>",{"cs":4714,"en":4716},[4715],{"__typename":4420},[4717],{"__typename":4420},{"title":4719,"content":4722,"content_nodes":4725},{"cs":4720,"en":4721},"Zázemí","Facilities",{"cs":4723,"en":4724},"\u003Cp>AVU disponuje rozsáhlým zázemím pro práci s tradičními i současnými médii. 3D centrum nabízí kompletní škálu 3D technologií, jako je skenování objektů, virtuální modelování, pokročilý 3D tisk a CNC řezání měkkých materiálů. Řemeslné dílny (dřevo, kov a odlévání) poskytují prostory, vybavení a odborné vedení pro praktickou tvorbu. Dílny pro tiskové techniky poskytují studentům prostory k osvojení technologií a technik tisku, včetně sítotisku, litografie, risografie a knihařství. Digilab nabízí kurzy v oblasti softwaru pro video, audio a 2D a 3D grafiku. Knihovna AVU disponuje rozsáhlým fondem knih a časopisů a poskytuje přístup k online databázím.\u003C\u002Fp>\u003Cp>Studenti programu „Art in Context“ mohou tyto prostory využívat v rámci úvodních školení, workshopů a volitelných předmětů, stejně jako během jejich otevřených provozních hodin.\u003C\u002Fp>","\u003Cp>AVU has extensive facilities for working across traditional and contemporary media. The 3D centre offers a complete range of 3D technologies such as object scanning, virtual modelling, advanced 3D printing, and soft material CNC cutting. The Craft Workshops (wood, metal and casting) offer facilities, equipment and instruction for practical making. The Printmaking Workshops provide facilities for students to learn the technology and techniques of printmaking, including silkscreen, lithograph, risograph and book-binding. The Digilab offers courses in software for video, audio, and 2D and 3D graphics. AVU’s library has an extensive physical collection of books and journals as well as access to online databases.\u003C\u002Fp>\u003Cp>Art in Context students can access these facilities through inductions, workshops and elective courses, as well as during their open operating house.\u003C\u002Fp>",{"cs":4726,"en":4729},[4727,4728],{"__typename":4420},{"__typename":4420},[4730,4731],{"__typename":4420},{"__typename":4420},{"title":4733,"content":4736,"content_nodes":4739},{"cs":4734,"en":4735},"Předměty","Subjects",{"cs":4737,"en":4738},"\u003Cp>Akademický rok se dělí na zimní a letní semestr, přičemž na konci každého semestru se koná veřejná prezentace prací a hodnocení. Týdenní individuální setkání v ateliérech, konzultace a kritické rozbory doplňují přednášky z teorie a dějin umění. Součástí studijního plánu jsou pravidelné studijní exkurze a návštěvy ateliérů.\u003C\u002Fp>\u003Cp>Kromě základních ateliérových a teoretických předmětů získávají studenti 1. a 2. ročníku kredity za volitelné předměty, které absolvují společně se studenty z jiných studijních programů. Patří mezi ně praktická výuka dřevařství, kovářství a odlévání, grafika, kresba a úprava fotografií a videa nebo kurzy architektonické teorie a poezie. Výuka probíhá vždy v angličtině.\u003C\u002Fp>\u003Cp>\u003C\u002Fp>","\u003Cp>The academic year is divided into a winter and a summer semester, with public presentation of works and assessments at the end of each semester. Weekly individual studio meetings, tutorials and critiques are accompanied by lectures in theory and art history. Regular study excursions and studio visits are a part of the curriculum.\u003C\u002Fp>\u003Cp>Alongside core studio and theoretical subjects, students in years 1 and 2 gain credits from elective subjects with students from other programmes. These include practical instruction in woodwork, metalwork and casting, printmaking, drawing and photo\u002Fvideo editing or courses in architectural theory and poetry. The language of instruction is always English.\u003C\u002Fp>",{"cs":4740,"en":4743},[4741,4742],{"__typename":4420},{"__typename":4420},[4744,4745],{"__typename":4420},{"__typename":4420},{"title":4747,"content":4750,"content_nodes":4753},{"cs":4748,"en":4749},"Výměnné pobyty","International Exchanges",{"cs":4751,"en":4752},"\u003Cp>Všichni studenti absolvují jeden semestr výměnného pobytu, a to buď v jiném ateliéru na AVU, nebo v zahraničí v rámci programu Erasmus+ Evropské unie, v jehož rámci AVU spolupracuje s více než 70 institucemi po celém světě.\u003C\u002Fp>","\u003Cp>All students undertake one semester of exchange, either to another studio in AVU, or internationally supported by the EU Erasmus+ programme, through which AVU is partnered with over 70 institutions across the world.\u003C\u002Fp>",{"cs":4754,"en":4756},[4755],{"__typename":4420},[4757],{"__typename":4420},{"title":4759,"content":4762,"content_nodes":4765},{"cs":4760,"en":4761},"Závěr studia","Diploma year",{"cs":4763,"en":4764},"\u003Cp>Studenti postupují do 3. ročníku na základě státní zkoušky, která se skládá z písemné diplomové práce a ústní obhajoby. Diplomová práce z 3. ročníku je vystavena v rámci každoroční výstavy diplomových prací AVU a obhajována před komisí složenou z interních a externích zkoušejících.\u003C\u002Fp>","\u003Cp>Students enter their 3rd year through a state exam comprised of a written thesis and oral defence. The 3rd year diploma project is exhibited as part of AVU’s annual \u003Ca href=\"https:\u002F\u002Fdiplomkyavu.cz\u002Fen\">diploma exhibition\u003C\u002Fa> and defended in front of a jury of internal and external examiners.\u003C\u002Fp>",{"cs":4766,"en":4768},[4767],{"__typename":4420},[4769],{"__typename":4420},{"title":4771,"content":4774,"content_nodes":4777},{"cs":4772,"en":4773},"Kdo se může přihlásit?","Who can apply?",{"cs":4775,"en":4776},"\u003Cp>Program „Art in Context“ vítá studenty z nejrůznějších prostředí, kteří úspěšně absolvovali bakalářské studium (BA nebo ekvivalent) v oboru umění nebo v příbuzném oboru. Program „Art in Context“ přijímá studenty ze zemí EU i ze zemí mimo EU na rovnocenném základě a v případě potřeby poskytuje podporu při získávání studijních víz.\u003C\u002Fp>","\u003Cp>Art in Context welcomes students from a diverse range of backgrounds who have completed an undergraduate degree (BA or equivalent) in art or a related field of study. Art in Context accepts students from EU and non-EU countries on an equal basis, and provides support for obtaining study visas where necessary.\u003C\u002Fp>",{"cs":4778,"en":4780},[4779],{"__typename":4420},[4781],{"__typename":4420},{"title":4783,"content":4786,"content_nodes":4789},{"cs":4784,"en":4785},"Jak se přihlásit?","How to apply?",{"cs":4787,"en":4788},"\u003Cp>Přihlášky ke studiu s nástupem v říjnu 2027 budou přijímány od března 2027. Přihláška se podává elektronicky a pohovory probíhají online.\u003C\u002Fp>\u003Cp>Poplatek za podání přihlášky činí 40 €.\u003C\u002Fp>\u003Cp>Další informace o přijímacím řízení vám poskytne Tomáš Džadoň \u003Ca href=\"mailto:tomas.dzadon@avu.cz\">tomas.dzadon@avu.cz\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>Applications for study beginning in October 2027 will open in March 2027. The application is digital and interviews are conducted online.\u003C\u002Fp>\u003Cp>The application fee is €40.\u003C\u002Fp>\u003Cp>For more information about the application process contact Tomáš Džadoň \u003Ca href=\"mailto:tomas.dzadon@avu.cz\">tomas.dzadon@avu.cz\u003C\u002Fa>\u003C\u002Fp>",{"cs":4790,"en":4794},[4791,4792,4793],{"__typename":4420},{"__typename":4420},{"__typename":4420},[4795,4796,4797],{"__typename":4420},{"__typename":4420},{"__typename":4420},{"__typename":4799,"background":4413,"title":4800,"type":4,"display":4801,"links":4802},"LinksBlock",{"cs":4,"en":4},"buttons",[4803],{"type":2758,"color":4413,"target":21,"link":4804,"url":4804,"page_id":4,"page":4,"file":4,"label":4805},"https:\u002F\u002Fstag-avu.zcu.cz\u002Fportal\u002Fstudium\u002Fuchazec\u002Feprihlaska.html?pc_lang=en",{"cs":4806,"en":4807},"E-přihláška","E-application",{"__typename":4412,"background":4413,"heading":4809,"content":4810,"content_nodes":4813},{"cs":4,"en":4},{"cs":4811,"en":4812},"\u003Cp>Máte-li jakékoli další dotazy, obraťte se prosím na Studijní oddělení e-mailem na adrese \u003Ca href=\"mailto:prijimacky@avu.cz\">prijimacky@avu.cz\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>If you have any further questions, please contact the Study Department by email at \u003Ca href=\"mailto:prijimacky@avu.cz\">prijimacky@avu.cz\u003C\u002Fa>\u003C\u002Fp>",{"cs":4814,"en":4816},[4815],{"__typename":4420,"html":4811},[4817],{"__typename":4420,"html":4812},{"__typename":4651,"background":4,"title":4819,"items":4820},{"cs":4,"en":4},[4821,4833],{"title":4822,"content":4825,"content_nodes":4828},{"cs":4823,"en":4824},"Poplatky za studium","Fees and financial assistance",{"cs":4826,"en":4827},"\u003Cp>Školné činí 6 000 € ročně v 1. a 2. ročníku. Školné za závěrečný ročník činí 3 000 €. Akademie výtvarných umění v Praze neposkytuje žádnou přímou finanční podporu, může však pomoci s podáním žádosti o financování z externích zdrojů.\u003C\u002Fp>","\u003Cp>Fees are €6000 per year for years 1 and 2. The fee for the final diploma year is €3000. The Academy of Fine Arts, Prague does not offer any direct financial aid, but can support your application to external sources of funding.\u003C\u002Fp>",{"cs":4829,"en":4831},[4830],{"__typename":4420},[4832],{"__typename":4420},{"title":4834,"content":4837,"content_nodes":4840},{"cs":4835,"en":4836},"Výměnní studenti","Exchange students",{"cs":4838,"en":4839},"\u003Cp>Každý semestr studio také hostí výměnné studenty z partnerských institucí AVU v rámci programu Erasmus+, mimo jiné z Poznaně, Tallinnu, Helsinek a Mnichova. Pokud v současné době studujete magisterský program na jiné univerzitě a rádi byste se v rámci výměnného semestru zapojili do programu Art in Context, podívejte se prosím na \u003Ca href=\"\u002Fi-am-a-international-student-and-want-to-study-at-avu-a-semestral-non-degree-mobility\">pokyny zde\u003C\u002Fa>.\u003C\u002Fp>","\u003Cp>Each semester, the studio also hosts exchange students from AVU’s partner institutions through the Erasmus+ programme, including from Poznan, Tallinn, Helsinki and Munich. 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