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Od roku 2019 pracuje jako prorektor pro spolupráci a zahraniční činnost Akademie výtvarných umění v Praze.\u003C\u002Fp>",{"__typename":4443,"html":4446},"\u003Cp>V letech 2002–2019 působil jako ředitel platformy tranzit.cz, která je součástí sítě organizací působících v pěti zemích střední a východní Evropy. Byl externím editorem nakladatelství JRP Ringier, kurátorem a spolu-kurátorem výstav různých rozměrů na různých světadílech, včetně Ve věci umění, Praha, U3 Trienále Lublaň, Bienále Jakarta 2017, Manifesta 8, ad. Přednášel na vysokých školách v České republice a jako hostující pedagog na univerzitách ve Spojených státech a v Evropě. Byl a je členem řady mezinárodních komisí, jako např. Igor Zabel Award, Furla Art Award, Kunsthalle Wien Prize, Strabag Art Award, Cena Jindřich Chalupeckého. Spoluzakladatel skupiny pas. Jeho články byly publikovány v knihách a katalozích JRP Ringier, Centre Pompidou, MoMA, MIT Press a Sternberg Press a dalších.\u003C\u002Fp>",[4448,4450],{"__typename":4443,"html":4449},"\u003Cp>Vít Havránek is an art historian and curator interested in the history of post-war neo-avant-garde art, contemporary art and critical studies. Since 2019 he has been working as the Vice-Rector for Cooperation and International Activities at the Academy of Fine Arts in Prague.\u003C\u002Fp>",{"__typename":4443,"html":4451},"\u003Cp>From 2002-2019, he served as the director of tranzit.cz, a platform that is part of a network of organizations operating in five Central and Eastern European countries. He was external editor of the publishing house JRP Ringier, curator and co-curator of exhibitions of various sizes on different continents, including In the Matter of Art, Prague, U3 Triennial Ljubljana, Jakarta Biennial 2017, Manifesta 8, etc. He has lectured at universities in the Czech Republic and as a guest lecturer at universities in the United States and Europe. He was and is a member of many international commissions, such as Igor Zabel Award, Furla Art Award, Kunsthalle Wien Prize, Strabag Art Award, Jindřich Chalupecký Award. Co-founder of the group Pas. His articles have been published in books and catalogues by JRP Ringier, Centre Pompidou, MoMA, MIT Press and Sternberg Press, among others.\u003C\u002Fp>",{"person_id":4453,"function":4454,"person":4455},"500","profesor",{"id":4453,"first_name":4456,"last_name":4457,"title":4458,"slug":4459,"title_before":4461,"title_after":4385,"role":4377,"email":4462,"phone":4463,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4464,"featuredImage":4465,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4466,"menu_url":4472,"breadcrumbs":4473,"is_published":23,"status":76,"departments":4480,"created_at":4401,"updated_at":4401,"parentNodePage":4,"content_blocks":4489},"Tomáš","Pospiszyl","prof. Tomáš Pospiszyl Ph.D.",{"cs":4460,"en":4460},"pospiszyl","prof.","rektor@avu.cz","+420 220 408 238",[],[],{"title":4467,"description":4468,"canonical_url":4469,"og_title":4470,"og_description":4471,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fpospiszyl",{"cs":4474,"en":4477},[4475,4476],{"label":59,"menu_url":60},{"label":4458,"menu_url":4472},[4478,4479],{"label":66,"menu_url":60},{"label":4458,"menu_url":4472},[4481,4483,4485,4487],{"id":484,"title":476,"slug":4482,"menu_url":481},{"cs":478,"en":479},{"id":779,"title":770,"slug":4484,"menu_url":775},{"cs":772,"en":773},{"id":180,"title":172,"slug":4486,"menu_url":177},{"cs":174,"en":175},{"id":1323,"title":1315,"slug":4488,"menu_url":1331},{"cs":1317,"en":1318},[],{"person_id":4491,"function":4492,"person":4493},"417","docent",{"id":4491,"first_name":4494,"last_name":4495,"title":4496,"slug":4497,"title_before":4499,"title_after":4385,"role":4500,"email":4501,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":4502,"featured_image":4503,"featuredImage":4504,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4505,"menu_url":4511,"breadcrumbs":4512,"is_published":23,"status":76,"departments":4519,"created_at":4401,"updated_at":4433,"parentNodePage":4,"content_blocks":4522},"Richard","Biegel","doc. PhDr. Richard Biegel Ph.D.",{"cs":4498,"en":4498},"biegel","doc. PhDr.","odborný asistent","richard.biegel@avu.cz","Richard Biegel je historik umění se specializací na novověkou, moderní a současnou architekturu, urbanismus a památkovou péči. Ve výuce na AVU se věnuje zejména dějinám architektury a urbanismu.",[],[],{"title":4506,"description":4507,"canonical_url":4508,"og_title":4509,"og_description":4510,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fbiegel",{"cs":4513,"en":4516},[4514,4515],{"label":59,"menu_url":60},{"label":4496,"menu_url":4511},[4517,4518],{"label":66,"menu_url":60},{"label":4496,"menu_url":4511},[4520],{"id":1323,"title":1315,"slug":4521,"menu_url":1331},{"cs":1317,"en":1318},[4523,4533,4545,4557,4569,4581],{"__typename":4436,"background":4437,"heading":4524,"content":4525,"content_nodes":4526},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4527,"en":4530},[4528],{"__typename":4443,"html":4529},"\u003Cp>Biegelovy knižní publikace se věnují evropské architektuře druhé poloviny 18. století (Mezi barokem a klasicismem. Proměny architektury v Čechách a v Evropě druhé poloviny 18. století, 2012), barokní architektuře (Barokní architektura v Čechách, Praha, 2015) nebo proměnám historického centra Prahy v 19. a 20. století (Město v bouři. Urbanismus a architektura historického centra Prahy 1830–1970, 2022). Kromě výuky na AVU je také pedagogem Ústavu pro dějiny umění FF UK a předsedou Klubu za starou Prahu.\u003C\u002Fp>",[4531],{"__typename":4443,"html":4532},"\u003Cp>Biegel’s scholarly monographs focus on European architecture of the latter half of 18th century (Between Baroque and Classicism: Changes of Architecture in Bohemia and Europe, 1750–1800, 2012), Baroque architecture (Baroque Architecture in Bohemia, 2015), and the changing historic center of Prague during the 19th and 20th centuries (A City in the Storm: Urban Planning and Architecture of the History Center of Prague, 1830–1970, 2022). In addition to his teaching at AVU, Biegel is also a professor at the Institute of Art History of the School of Liberal Arts, Charles University, and Chair of the Club for Old Prague.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4534,"content":4537,"content_nodes":4538},{"cs":4535,"en":4536},"Seznam kurzů","List of Courses",{"cs":4,"en":4},{"cs":4539,"en":4542},[4540],{"__typename":4443,"html":4541},"\u003Cul>\u003Cli>Dějiny architektury a města I: Evropská architektura od středověku po polovinu 18. století\u003C\u002Fli>\u003Cli>Dějiny architektury a města II: Evropská architektura 1750–1960\u003C\u002Fli>\u003Cli>Dějiny architektury a města III: Urbanismus a architektura evropských metropolí\u003C\u002Fli>\u003C\u002Ful>",[4543],{"__typename":4443,"html":4544},"\u003Cul>\u003Cli>History of Architecture and the City I: European Architecture from Middle Ages to mid-1700s\u003C\u002Fli>\u003Cli>History of Architecture and the City II: European Architecture 1750–1960\u003C\u002Fli>\u003Cli>History of Architecture and the City III: Urban Planning and Architecture of European Metropolises\u003C\u002Fli>\u003C\u002Ful>",{"__typename":4436,"background":4437,"heading":4546,"content":4549,"content_nodes":4550},{"cs":4547,"en":4548},"Dějiny architektury a města I: Evropská architektura od středověku po polovinu 18. století","History of Architecture and Urban Design I: European architecture from Middle Ages to 1750",{"cs":4,"en":4},{"cs":4551,"en":4554},[4552],{"__typename":4443,"html":4553},"\u003Cp>Cílem přednášky je představit proměny evropské architektury od počátku středověku do poloviny 18. Století. Na příkladech klíčových staveb a nejvýznamnějších tvůrců jsou rozebírány zlomové momenty dějin architektury, jako jsou románské počátky, navazující na různorodé antické dědictví, gotická syntéza a vytvoření nového konstrukčního systému, různé tvůrčí polohy italské renesance i barokní prostorové a iluzivní experimenty. Etapy nejsou pojímány jako uzavřené a jasně definované uměnovědné kapitoly, ale jako fascinující momenty tvůrčího hledání a nejrůznějších přístupů. Účelem přednášky není představit „husí pochod stylů“, ale ukázat naopak jejich provázanost, otevřenost a – především – inspirativnost napříč staletími i regiony. Evropský přehled je doplněn představením architektury v českých zemích, na níž lze většinu klíčových evropských fenoménu skvěle prezentovat.\u003C\u002Fp>",[4555],{"__typename":4443,"html":4556},"\u003Cp>The purpose of this lecture course is to present the changes in European architecture from the beginning of Middle Ages to the mid-1700s. With reference to the key landmarks and their designers, we analyze the breaking moments of history of architecture, such as Romanesque beginnings that build on the legacy of Green and Roman Antiquity; the Gothic synthesis and the creation of a new construction system; varieties of innovation of the Italian Renaissance; as well as Baroque spatial and illusionist experiments. The periods are not conceived of as mutually exclusive and clearly defined chapters in history of art, but as fascinating moments of creative search for various approaches. Thus, our purpose is not to present a „goose step of styles“ but, on the contrary, their mutual interdependence, openness, and especially their inspirational nature across centuries and regions. The survey of European architecture is supplemented with a presentation of architecture in Bohemian Lands that marvelously exemplify the majority of key European phenomena.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4558,"content":4561,"content_nodes":4562},{"cs":4559,"en":4560},"Dějiny architektury a města II: Evropská architektura 1750–1960","History of Architecture and Urban Design II: European Architecture 1750–1960",{"cs":4,"en":4},{"cs":4563,"en":4566},[4564],{"__typename":4443,"html":4565},"\u003Cp>Téma navazuje na předchozí kurz, v němž byla probírána architektura od středověku po poloviny 18. století. Přednášky postupně proberou ozvěny francouzské revoluční architektury, novoklasicismus, různé variace historismů v rámci jednotlivých architektonických i kulturních okruhů, prosazování inženýrské architektury, zrození modernistických tendencí a jejich proměny a – ve finále – nástup radikálních avantgardních tezí a jejich důsledky pro evropskou i českou architekturu. Každý fenomén je podán v souvislostech, které umožňují pochopit okolnosti jeho vzniku a tím i důvodu, proč byl právě takto akceptován a rozvíjen.\u003C\u002Fp>",[4567],{"__typename":4443,"html":4568},"\u003Cp>The topic follows on from the previous course which focused on the architecture from Middle Ages to mid-1700s. Lectures cover the influence of the French Revolution in architecture, Neoclassicism, varieties of historicism in the context of individual architectural and cultural regions, the coming of engineering of architecture, the birth of modern trends and their evolution, and, finally, the onset of the radical avant-garde approaches and their consequences for European as well as Czech architecture. Each phenomenon is presented in a context which makes it possible to understand the circumstances of their origin, and also the reasons why each phenomenon was accepted and developed in its particular way.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4570,"content":4573,"content_nodes":4574},{"cs":4571,"en":4572},"Dějiny architektury a města III: Urbanismus a architektura evropských metropolí","History of Architecture and Urban Design III: Urban Planning and Architecture of European Capitals",{"cs":4,"en":4},{"cs":4575,"en":4578},[4576],{"__typename":4443,"html":4577},"\u003Cp>Cílem přednášky je představit urbanistický a architektonický vývoj vybraných evropských metropolí (Řím, Paříž, Vídeň, Berlín, Londýn, Praha) v návaznosti na předchozí výklad o dějinách evropské architektury. Studenti jsou vedeni ke komplexnímu porozumění jednotlivým urbanistickým vrstvám i souvislostem mezi vývojem daného města a obecnějšími urbanistickými evropskými tendencemi a proudy.\u003C\u002Fp>",[4579],{"__typename":4443,"html":4580},"\u003Cp>The purpose of the course is to present, as a follow-up to the previous presentation of history of European architecture, the development of urban planning and architecture of select European capitals (Rome, Paris, Vienna, Berlin, London, Prague). Students are led to acquire a complex understanding of individual strata of urban development, as well as connections between the evolution of a particular city, on the one hand, and general trends of urban development across Europe.\u003C\u002Fp>",{"__typename":4582,"background":4437,"title":4583,"items":4584},"AccordionBlock",{"cs":4,"en":4},[4585],{"title":4586,"content":4589,"content_nodes":4590},{"cs":4587,"en":4588},"Výběr z bibliografie","Selected bibliography",{"cs":4,"en":4},{"cs":4591,"en":4593},[4592],{"__typename":4443},[4594],{"__typename":4443},{"person_id":4596,"function":4597,"person":4598},"419","odborná asistentka",{"id":4596,"first_name":4599,"last_name":4600,"title":4601,"slug":4602,"title_before":4604,"title_after":4385,"role":4597,"email":4605,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4606,"featuredImage":4607,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4608,"menu_url":4614,"breadcrumbs":4615,"is_published":23,"status":76,"departments":4622,"created_at":4401,"updated_at":4433,"parentNodePage":4,"content_blocks":4636},"Vjera","Borozan","Mgr. Vjera Borozan Ph.D.",{"cs":4603,"en":4603},"borozan","Mgr.","vjera.borozan@avu.cz",[],[],{"title":4609,"description":4610,"canonical_url":4611,"og_title":4612,"og_description":4613,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fborozan",{"cs":4616,"en":4619},[4617,4618],{"label":59,"menu_url":60},{"label":4601,"menu_url":4614},[4620,4621],{"label":66,"menu_url":60},{"label":4601,"menu_url":4614},[4623,4625,4627,4634],{"id":636,"title":629,"slug":4624,"menu_url":633},{"cs":631,"en":4},{"id":1323,"title":1315,"slug":4626,"menu_url":1331},{"cs":1317,"en":1318},{"id":4628,"title":4629,"slug":4630,"menu_url":4633},"2530","Odbory AVU",{"cs":4631,"en":4632},"odbory-avu","avu-trade-union","\u002Fodbory-avu",{"id":886,"title":887,"slug":4635,"menu_url":882},{"cs":879,"en":880},[4637],{"__typename":4436,"background":4437,"heading":4638,"content":4639,"content_nodes":4640},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4641,"en":4644},[4642],{"__typename":4443,"html":4643},"\u003Cp>Vjera Borozan je historička umění, pedagožka a kurátorka. Vystudovala dějiny a teorii umění na Univerzitě Karlově, kde v roce 2011 získala doktorský titul. V letech 2011–2019 byla ředitelkou internetové platformy pro současné umění Artyčok TV. Od roku 2019 vyučuje současné umění a umění 19. století na Akademii výtvarných umění v Praze. V minulosti působila na Fakultě výtvarných umění VUT v Brně a Vysoké škole uměleckoprůmyslové v Praze. Byla ředitelkou Národního muzea v Černé Hoře (2017–2018) a dlouhodobou spolupracovnicí iniciativy pro současné umění tranzit.cz (2005–2011). Ve své pedagogické praxi upřednostňuje metodiku „učící se komunity“ před standardní frontální výukou. Kontinuálně přemýšlí nad koncepcí výuky dějin umění a podle potřeb jí přizpůsobuje a proměňuje. Přednášky o „dlouhém devatenáctém století“ vychází ze společné četby dobových textů a hlubší reflexe různorodých způsobů interpretace vybraných děl. Jejich nedílnou součástí je i neustálé podrobování stávajícího kánonu zátěžovým zkouškám. V rámci formátu seminářů vytváří prostor pro experimenty s možnostmi participativních sylabů. Na základě stanoveného teoretického rámce a vybraných textů vede efektivní strukturované diskuse na zvolené téma.\u003C\u002Fp>",[4645],{"__typename":4443,"html":4646},"\u003Cp>Vjera Borozan is an art historian, educator and curator. She studied History and Theory of Art at Charles University, where she received her PhD in 2011. From 2011 to 2019 she was the director of the internet platform for contemporary art Artyčok TV. Since 2019 she has been teaching contemporary and 19th century art at the Academy of Fine Arts in Prague. Previously, she worked at the Faculty of Fine Arts of the Brno University of Technology and the Academy of Arts Architecture and Design in Prague. She was the Director of the National Museum in Montenegro (2017–2018) and a long-term collaborator of the contemporary art initiative tranzit.cz (2005–2011). In her teaching practice, she prefers the "learning community" methodology to standard frontal teaching. She continuously reflects on the concept of teaching art history and adapts and transforms it according to the needs. Lectures on the "long nineteenth century" are based on a common reading of contemporary texts and a deeper reflection on the various ways of interpreting selected works. An integral part of this is the constant stress-testing of the existing canon. The seminar format creates space for experimentation with the possibilities of participatory syllabi. Based on a set theoretical framework and selected texts, she leads effective structured discussions on the chosen topic.\u003C\u002Fp>",{"person_id":4648,"function":4500,"person":4649},"420",{"id":4648,"first_name":4650,"last_name":4651,"title":4652,"slug":4653,"title_before":4604,"title_after":4385,"role":4655,"email":4656,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4657,"featuredImage":4658,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4659,"menu_url":4665,"breadcrumbs":4666,"is_published":23,"status":76,"departments":4673,"created_at":4401,"updated_at":4433,"parentNodePage":4,"content_blocks":4678},"Ondřej","Buddeus","Mgr. Ondřej Buddeus Ph.D.",{"cs":4654,"en":4654},"buddeus","koordinátor doktorského programu","ondrej.buddeus@avu.cz",[],[],{"title":4660,"description":4661,"canonical_url":4662,"og_title":4663,"og_description":4664,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fbuddeus",{"cs":4667,"en":4670},[4668,4669],{"label":59,"menu_url":60},{"label":4652,"menu_url":4665},[4671,4672],{"label":66,"menu_url":60},{"label":4652,"menu_url":4665},[4674,4676],{"id":2065,"title":2056,"slug":4675,"menu_url":2061},{"cs":2058,"en":2059},{"id":1323,"title":1315,"slug":4677,"menu_url":1331},{"cs":1317,"en":1318},[4679],{"__typename":4436,"background":4437,"heading":4680,"content":4681,"content_nodes":4682},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4683,"en":4686},[4684],{"__typename":4443,"html":4685},"\u003Cp>Ondřej Buddeus (*1984) působí na AVU jako pedagog a koordinátor doktorského studia. Vede textové kurzy na AVU – Úvod do myšlení o jazyce a textové praxe a Textovou laboratoř \u002F kreativní psaní. Zabývá se teoreticky i umělecky možnostmi textového vyjádření, teorií básnických textů, experimentální literaturou a oblastí fikčnosti v literatuře. Vedle pedagogické praxe působí jako spisovatel, překladatel, editor a kulturní manažer v oblasti literatury. V letech 2017–2019 vedl státní agenturu České literární centrum, byl šéfredaktorem literárního časopisu Psí víno. Spolu s M. Magidovou vydal monografii \u003Cem>Třídit slova: Literatura a konceptuální tendence 1949–2015\u003C\u002Fem> (tranzit.cz, 2015). Je nositelem Ceny Jiřího Ortena (2013) a spolu s Davidem Böhmem získal ocenění Magnesia Litera (kategorie Kniha pro děti a mládež, 2014).\u003Ca href=\"https:\u002F\u002Fcs.wikipedia.org\u002Fwiki\u002FOndřej_Buddeus​\">cs.wikipedia.org\u002Fwiki\u002FOndřej_Buddeus​\u003C\u002Fa>\u003C\u002Fp>",[4687],{"__typename":4443,"html":4688},"\u003Cp>Ondřej Buddeus (*1984) works at the Academy of Fine Arts as a teacher and coordinator of doctoral studies. He teaches text courses at AVU – Introduction to Thinking about Language and Textual Practice and Text Lab \u002F Creative Writing. His research interests include the theoretical and artistic possibilities of textual expression, poetic text theory, experimental literature, and the field of fiction in literature. In addition to his teaching practice, he works as a writer, translator, editor and cultural manager in the field of literature. In 2017–2019, he headed the state agency Czech Literary Centre and was the editor-in-chief of the literary journal Psí víno. Together with M. Magidová, he published the monograph \u003Cem>Sorting Words: Literature and Conceptual Tendencies 1949–2015\u003C\u002Fem> (tranzit.cz, 2015). He is the recipient of the Jiří Orten Award (2013) and together with David Böhm he won the Magnesia Litera award (category Books for Children and Youth, 2014).\u003Ca href=\"https:\u002F\u002Fcs.wikipedia.org\u002Fwiki\u002FOndřej_Buddeus\">cs.wikipedia.org\u002Fwiki\u002FOndřej_Buddeus\u003C\u002Fa>\u003C\u002Fp>",{"person_id":4690,"function":4500,"person":4691},"447",{"id":4690,"first_name":4456,"last_name":4692,"title":4693,"slug":4694,"title_before":4384,"title_after":4385,"role":4500,"email":4696,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":4697,"featured_image":4698,"featuredImage":4699,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4700,"menu_url":4706,"breadcrumbs":4707,"is_published":23,"status":76,"departments":4714,"created_at":4401,"updated_at":4433,"parentNodePage":4,"content_blocks":4717},"Hříbek","PhDr. Tomáš Hříbek Ph.D.",{"cs":4695,"en":4695},"hribek","tomas.hribek@avu.cz","Tomáš Hříbek po studiích v Praze, Kanadě a Spojených státech nastoupil na Filosofický ústav AV ČR. Věnoval se filosofii mysli a vědomí a vybraným tématům z bioetiky a filosofie umění.",[],[],{"title":4701,"description":4702,"canonical_url":4703,"og_title":4704,"og_description":4705,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fhribek",{"cs":4708,"en":4711},[4709,4710],{"label":59,"menu_url":60},{"label":4693,"menu_url":4706},[4712,4713],{"label":66,"menu_url":60},{"label":4693,"menu_url":4706},[4715],{"id":1323,"title":1315,"slug":4716,"menu_url":1331},{"cs":1317,"en":1318},[4718,4728,4738,4750,4762,4774],{"__typename":4436,"background":4437,"heading":4719,"content":4720,"content_nodes":4721},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4722,"en":4725},[4723],{"__typename":4443,"html":4724},"\u003Cp>V posledních letech rozšířil pole zájmu na etiku nových technologií; v této souvislosti je zakladatelským členem interdisciplinárního Centra Karla Čapka pro studium hodnot ve vědě a technice. Je vedoucím oddělení aplikované filosofie a etiky na Filosofickém ústavu AV ČR. Vedle svého výzkumu také učí estetiku a teorii umění na Akademii výtvarných umění a Anglo-americké univerzitě v Praze.\u003C\u002Fp>",[4726],{"__typename":4443,"html":4727},"\u003Cp>In recent years, he has expanded his interests to include the ethics of emerging technologies. In this regard, he helped found the interdisciplinary Karel Čapek Center for Values in Science and Technology. He is Head of the Department of Applied Philosophy and Ethics at the Czech Academy of Sciences‘ Institute of Philosophy. In addition to his research, he also teaches aesthetics and art theory at the Academy of Fine Arts and at the Anglo-American University in Prague.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4729,"content":4730,"content_nodes":4731},{"cs":4535,"en":4536},{"cs":4,"en":4},{"cs":4732,"en":4735},[4733],{"__typename":4443,"html":4734},"\u003Cul>\u003Cli>Estetika a filosofie umění\u003C\u002Fli>\u003Cli>Současné umění a psychoanalýza\u003C\u002Fli>\u003Cli>Odkouzlení, blasfémie, transcendence: náboženství a spiritualita v současném umění\u003C\u002Fli>\u003C\u002Ful>",[4736],{"__typename":4443,"html":4737},"\u003Cul>\u003Cli>Aesthetics and Philosophy of Art\u003C\u002Fli>\u003Cli>Contemporary Art and Psychoanalysis\u003C\u002Fli>\u003Cli>Disenchantment, Blasphemy and Transcendence: Religion and Spirituality in Contemporary\u003C\u002Fli>\u003C\u002Ful>",{"__typename":4436,"background":4437,"heading":4739,"content":4742,"content_nodes":4743},{"cs":4740,"en":4741},"Estetika a filosofie umění","Aesthetics and Philosophy of Art",{"cs":4,"en":4},{"cs":4744,"en":4747},[4745],{"__typename":4443,"html":4746},"\u003Cp>Je estetika totéž, co filosofie umění? Umělci a kritici, kteří během uplynulého století – a zvláště v jeho druhé polovině –, pochybovali o tom, že má umění aspirovat na krásu, a že klíčem k jeho interpretaci je tudíž estetika, to popírali. Z poněkud jiných důvodů sdíleli tuto skepsi během téže doby mnozí filosofové. Tento kurz provede studenty hlavními tématy jak estetiky, jež během posledních několika desetiletí zažila renesanci, tak filosofie umění. Jde o témata jako definice a ontologie umění, estetická zkušenost, hodnota umění, vztah umění a poznání, umění a morálky, a filosofické otázky několika vybraných uměleckých oborů (malířství, sochařství, konceptuální umění atd.).\u003C\u002Fp>",[4748],{"__typename":4443,"html":4749},"\u003Cp>Is aesthetics identical with philosophy of art? Artists as well as critics who during the last century—and increasingly its latter half—questioned that art should aspire towards beauty and, thus, that the key to its interpretation is aesthetics, denied this equivocation. For somewhat different reasons, philosophers during the same period shared this skepticism. This course guides students through the main themes of aesthetics, which enjoyed something of a renaissance during the last few decades, and philosophy of art. The themes covered include definition of art, ontology, aesthetic experience, value of art, a relationship between art and kowledge, art and morality, and philosophical topics related to select individual art forms (painting, sculpture, Conceptual Art etc.).\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4751,"content":4754,"content_nodes":4755},{"cs":4752,"en":4753},"Současné umění a psychoanalýza","Contemporary Art and Psychoanalysis",{"cs":4,"en":4},{"cs":4756,"en":4759},[4757],{"__typename":4443,"html":4758},"\u003Cp>Řekne-li se „psychoanalýza a umění“, většinu z nás napadne surrealismus. Ačkoli má surrealismus dosud zprostředkovaný vliv na některé současné umělce, jde přece jen už o dosti vzdálenou epizodu dějin modernismu, které se již poměrně dávno uzavřely. Psychoanalýza však působí dál jako interpretační nástroj i zdroj inspirace v umění posledních desetiletí. Smyslem kurzu je seznámit studenty se základními pojmy a teoriemi klasické i novější psychoanalýzy, které měly zásadní vliv nejen na teorii umění a uměleckou kritiku posledních desetiletí, ale i na tvůrčí praxi řady klíčových umělců současnosti. Jde o pojmy jako snová práce, Oidipův komplex, tísnivé, fetišismus, narcismus, psychoanalytické pojetí tělesnosti, opakování, či zhnusení. Rovněž se budeme věnovat tomu, zda je psychoanalýza plodným nástrojem pro interpretaci současného českého umění.\u003C\u002Fp>",[4760],{"__typename":4443,"html":4761},"\u003Cp>When we hear the phrase „psychoanalysis and art,“ most of us immediately think of Surrealism. While Surrealism still has some influence over some contemporary artists, it is already a very remote episode in the history of modernism, which was closed for quite some time. However, psychoanalysis is still alive as an interpretative tool and source of inspiration in the art of the few decades. The purpose of this course is to make the students familiar with the basic concepts and theories of the recent as well as classical psychoanalysis that had a fundamental impact not only in the art theory and criticism of recent decades, but also the creative practice of many key contemporary artists. These concepts includes dream work, Oidipus Complex, the uncanny, fetishism, narcissism, a psychoanalytic notion of embodiment, repetition and abjection. We shall also touch on the question of whether psychoanalysis might be used for an interpretation of contemporary Czech art.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4763,"content":4766,"content_nodes":4767},{"cs":4764,"en":4765},"Odkouzlení, blasfémie, transcendence: náboženství a spiritualita v současném umění","Disenchantment, Blasphemy and Transcendence: Religion and Spirituality in Contemporary Art",{"cs":4,"en":4},{"cs":4768,"en":4771},[4769],{"__typename":4443,"html":4770},"\u003Cp>Česká společnost patří k nejsekularizovanějším na světě a rovněž současné české umění je povýtce sekulární. Uniká nám však, že ve světovém umění a též v současné teorii a kritice došlo během posledních několika desetiletí k návratu více méně spirituálních témat a přístupů. České umělkyně a umělci, které podobná témata přitahují, nenacházejí v našem domácím diskursu spolehlivé informace o vztahu umění a spirituality, resp. o podobách spirituality v novějším umění, teorii a kritice. Tento kurz si klade za cíl napravit tento nedostatek. Studenti se seznámí s příčinami rozluky mezi moderním uměním a náboženstvím, s nenápadnými podobami spirituality v modernismu, úzkými souvislostmi mezi moderní teologií a estetikou modernismu, teologickými kořeny abstraktního umění, s rozmanitými formami současného náboženského umění, vztahem mezi návratem spirituality a postkolonialismem, atd.\u003C\u002Fp>",[4772],{"__typename":4443,"html":4773},"\u003Cp>The Czech society is among the most secular in the world, and the contemporary Czech art is mostly secular as well. However, we have missed that in the international art as well as in contemporary theory and criticism more or less spiritual themes and approaches have enjoyed something of a comeback. Czech artists who are attracted to such themes do not find reliable information in the local discourse about the relationship between art and spirituality, or the forms of spirituality in contemporary art, theory and criticism. This course aims at aims at rectifying this shortcoming. Students will learn about the reasons of the separation between modern and religion; with discrete forms of spirituality in modernism; connections between modern theology and modern aesthetics; varieties of contemporary religious art; relations between the comeback of spirituality and the postcolonial condition, etc.\u003C\u002Fp>",{"__typename":4582,"background":4437,"title":4775,"items":4776},{"cs":4,"en":4},[4777],{"title":4778,"content":4779,"content_nodes":4780},{"cs":4587,"en":4588},{"cs":4,"en":4},{"cs":4781,"en":4783},[4782],{"__typename":4443},[4784],{"__typename":4443},{"person_id":4786,"function":4597,"person":4787},"6403",{"id":4786,"first_name":4788,"last_name":4789,"title":4790,"slug":4791,"title_before":4793,"title_after":4794,"role":4597,"email":4795,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4796,"featuredImage":4797,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4798,"menu_url":4804,"breadcrumbs":4805,"is_published":23,"status":76,"departments":4812,"created_at":4826,"updated_at":4826,"parentNodePage":4,"content_blocks":4827},"Hana","Janečková","M.A. Hana Janečková PgCert., Ph.D.",{"cs":4792,"en":4792},"janeckova","M.A.","PgCert., Ph.D.","hana.janeckova@avu.cz",[],[],{"title":4799,"description":4800,"canonical_url":4801,"og_title":4802,"og_description":4803,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fjaneckova",{"cs":4806,"en":4809},[4807,4808],{"label":59,"menu_url":60},{"label":4790,"menu_url":4804},[4810,4811],{"label":66,"menu_url":60},{"label":4790,"menu_url":4804},[4813,4815,4817,4819],{"id":4628,"title":4629,"slug":4814,"menu_url":4633},{"cs":4631,"en":4632},{"id":886,"title":887,"slug":4816,"menu_url":882},{"cs":879,"en":880},{"id":1323,"title":1315,"slug":4818,"menu_url":1331},{"cs":1317,"en":1318},{"id":4820,"title":4821,"slug":4822,"menu_url":4825},"26931","Výzkumné skupiny",{"cs":4823,"en":4824},"vyzkumne-skupiny","research-groups","\u002Fvyzkumne-skupiny","2026-09-02 10:59:02",[],{"person_id":4829,"function":4492,"person":4830},"467",{"id":4829,"first_name":4831,"last_name":4832,"title":4833,"slug":4834,"title_before":4499,"title_after":4385,"role":4500,"email":4836,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4837,"featuredImage":4838,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4839,"menu_url":4845,"breadcrumbs":4846,"is_published":23,"status":76,"departments":4853,"created_at":4826,"updated_at":4856,"parentNodePage":4,"content_blocks":4857},"Viktor","Kubík","doc. PhDr. Viktor Kubík Ph.D.",{"cs":4835,"en":4835},"kubik","viktor.kubik@avu.cz",[],[],{"title":4840,"description":4841,"canonical_url":4842,"og_title":4843,"og_description":4844,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fkubik",{"cs":4847,"en":4850},[4848,4849],{"label":59,"menu_url":60},{"label":4833,"menu_url":4845},[4851,4852],{"label":66,"menu_url":60},{"label":4833,"menu_url":4845},[4854],{"id":1323,"title":1315,"slug":4855,"menu_url":1331},{"cs":1317,"en":1318},"2026-09-02 10:59:07",[4858],{"__typename":4436,"background":4437,"heading":4859,"content":4860,"content_nodes":4861},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4862,"en":4865},[4863],{"__typename":4443,"html":4864},"\u003Cp>Doc. PhDr. Viktor Kubík, PhD, vystudoval dějiny umění na FF UK v Praze (1991–1998), kde pokračoval v doktorském studiu (1998–2006). Habilitoval se na KTF UK (doc. 2021). Od r. 1995 vyučoval dějiny umění, od roku 1996 na Filmové škole v Písku, od r. 2003 (dosud) na Ústavu dějin křesťanského umění KTF UK v Praze. Od roku 2016 učí na AVU v Praze. Specializuje se na vztahy středověkého malířství Čech a Itálie, na vývoj knižního malířství a dlouhodobě sleduje téma ornamentu. Věnuje se též historiografii a metodologii dějin umění. Pravidelně publikuje především ve \u003Cem>Studiích o rukopisech\u003C\u002Fem>, sbornících a v katalozích výstav starého umění (např. \u003Cem>Královský sňatek\u003C\u002Fem> 2010, \u003Cem>Benediktini v srdci Evropy 800–1300\u003C\u002Fem> (2014), \u003Cem>Gotika v severních Čechách\u003C\u002Fem> (2015), \u003Cem>Žezlo a koruna: Karel IV. a české královské korunovace\u003C\u002Fem> (2016). Účastní se různých výzkumných projektů (GAČR, NAKI), na svědomí má několik popularizačních prací o památkách v Praze a monografie: např. \u003Cem>Příručka ke studiu ornamentiky. Italské rukopisy (1200–1330)\u003C\u002Fem> (Halama, Praha 2008) nebo \u003Cem>Bible táborského hejtmana Filipa z Padeřova a knižní malba husitské doby\u003C\u002Fem> (NLN, Praha 2018).\u003C\u002Fp>",[4866],{"__typename":4443,"html":4867},"\u003Cp>Doc. PhDr. Viktor Kubík, PhD, studied art history at the Faculty of Arts, Charles University in Prague (1991–1998), where he continued his doctoral studies (1998–2006). He received his habilitation at the Faculty of Arts, Charles University (doc. 2021). Since 1995 he has been teaching art history, since 1996 at the Film School in Písek, since 2003 (until now) at the Institute of History of Christian Art, Faculty of Arts, Charles University in Prague. Since 2016 he has been teaching at the Academy of Fine Arts in Prague. He specializes in the relations between medieval painting in Bohemia and Italy, the development of book painting and has long been following the topic of ornament. He is also interested in historiography and methodology of art history. He publishes regularly, especially in Manuscript Studies, anthologies and catalogues of exhibitions of old art (e.g. \u003Cem>The Royal Marriage (\u003C\u002Fem>2010), \u003Cem>Benedictines in the Heart of Europe 800-1300\u003C\u002Fem> (2014), \u003Cem>Gothic in North Bohemia\u003C\u002Fem> (2015), \u003Cem>The Sceptre and the Crown: Charles IV and the Czech Royal Coronations\u003C\u002Fem> (2016). He has participated in various research projects (GAČR, NAKI), and has written several popularization works on monuments in Prague and monographs: e.g. Italian manuscripts (1200–1330) (Halama, Prague 2008) or The Bible of the Tábor governor Philip of Paderov and book painting of the Hussite period (NLN, Prague 2018).\u003C\u002Fp>",{"person_id":4869,"function":4492,"person":4870},"470",{"id":4869,"first_name":4871,"last_name":4872,"title":4873,"slug":4874,"title_before":4876,"title_after":19,"role":4500,"email":4877,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4878,"featuredImage":4879,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4880,"menu_url":4886,"breadcrumbs":4887,"is_published":23,"status":76,"departments":4894,"created_at":4826,"updated_at":4856,"parentNodePage":4,"content_blocks":4899},"Václav","Magid","doc. Mgr. Václav Magid",{"cs":4875,"en":4875},"magid","doc. Mgr.","vaclav.magid@avu.cz",[],[],{"title":4881,"description":4882,"canonical_url":4883,"og_title":4884,"og_description":4885,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fmagid",{"cs":4888,"en":4891},[4889,4890],{"label":59,"menu_url":60},{"label":4873,"menu_url":4886},[4892,4893],{"label":66,"menu_url":60},{"label":4873,"menu_url":4886},[4895,4897],{"id":3903,"title":3904,"slug":4896,"menu_url":3900},{"cs":3898,"en":3898},{"id":1323,"title":1315,"slug":4898,"menu_url":1331},{"cs":1317,"en":1318},[4900],{"__typename":4436,"background":4437,"heading":4901,"content":4902,"content_nodes":4903},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4904,"en":4907},[4905],{"__typename":4443,"html":4906},"\u003Cp>Václav Magid je výtvarník a estetik. Po nedokončených studiích AVU a UMPRUM získal magisterský titul z filozofie na Filozofické fakultě UK v Praze, kde dále pokračuje v doktorském studiu estetiky. Ve své tvorbě zkoumá estetické projevy vztahu každodennosti a ideologie (např. samostatná výstava \u003Cem>Autonomie\u003C\u002Fem>, PLATO, 2015). Vystavoval na skupinových přehlídkách v ČR a zahraničí (Lyonské bienále, 2013), dvakrát byl finalistou Ceny Jindřicha Chalupeckého (2010, 2013). Vedle recenzí a kratších textů o současném umění publikoval odborné studie na témata romantismu, avantgardy, konceptualismu či politické angažovanosti v umění. Jako kurátor připravil řadu skupinových výstav (\u003Cem>Věcné stavy\u003C\u002Fem>, Karlín Studios, 2006; \u003Cem>Punctum\u003C\u002Fem>, Futura, 2008), jeho posledním kurátorským i teoretickým projektem byl cyklus sedmi výstav a publikací \u003Cem>Podmínky nemožnosti\u003C\u002Fem> (Galerie Kurzor, 2017–2018). V letech 2006–2018 působil na vědecko-výzkumném pracovišti AVU, kde vedl (společně s Jakubem Stejskalem) odborný časopis \u003Cem>Sešit pro umění, teorii a příbuzné zóny\u003C\u002Fem> a zároveň se věnoval redakci původních i překladových publikací z teorie (Peter Bürger, Boris Groys, Jan Zálešák, Slavoj Žižek). V roce 2019 mu v nakladatelství ArtMap vyšla literární prvotina \u003Cem>Malá encyklopedie nepatřičností\u003C\u002Fem>. V současnosti přednáší teorii a dějiny umění na Fakultě výtvarných umění VUT v Brně a na Akademii výtvarných umění v Praze.\u003C\u002Fp>",[4908],{"__typename":4443,"html":4909},"\u003Cp>Václav Magid is an artist and aesthetician. After unfinished studies at the Academy of Fine Arts and UMPRUM, he received a Master's degree in Philosophy at the Faculty of Arts of Charles University in Prague, where he continues his doctoral studies in aesthetics. His work explores the aesthetic manifestations of the relationship between everyday life and ideology (e.g. the solo exhibition Autonomy, PLATO, 2015). He has exhibited in group shows in the Czech Republic and abroad (Lyon Biennial, 2013), and has twice been a finalist for the Jindřich Chalupecký Award (2010, 2013). In addition to reviews and shorter texts on contemporary art, he has published scholarly studies on Romanticism, the avant-garde, conceptualism and political engagement in art. As a curator, he has prepared a number of group exhibitions (\u003Cem>Material States\u003C\u002Fem>, Karlín Studios, 2006; \u003Cem>Punctum, Futura\u003C\u002Fem>, 2008); his most recent curatorial and theoretical project was a series of seven exhibitions and publications, \u003Cem>Conditions of Impossibility\u003C\u002Fem> (Kurzor Gallery, 2017–2018). From 2006–2018, he worked at the AVU’s research department, where he directed (together with Jakub Stejskal) the professional journal A\u003Cem> Notebook for Art, Theory and Related Zones\u003C\u002Fem>, and also edited original and translated publications in theory (Peter Bürger, Boris Groys, Jan Zálešák, Slavoj Žižek). His literary debut, \u003Cem>The Little Encyclopedia of Improprieties\u003C\u002Fem>, was published by ArtMap in 2019. Currently, he lectures on theory and history of art at the Faculty of Fine Arts of the Brno University of Technology and the Academy of Fine Arts in Prague.\u003C\u002Fp>",{"person_id":4911,"function":4500,"person":4912},"6415",{"id":4911,"first_name":4913,"last_name":4914,"title":4915,"slug":4916,"title_before":4604,"title_after":4385,"role":4500,"email":4919,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":4920,"featured_image":4921,"featuredImage":4922,"featured_mobile_image":4,"featuredMobileImage":4,"seo":4923,"menu_url":4929,"breadcrumbs":4930,"is_published":23,"status":76,"departments":4938,"created_at":4826,"updated_at":4949,"parentNodePage":4,"content_blocks":4950},"Vojtěch","Märc","Mgr. Vojtěch Märc Ph.D.",{"cs":4917,"en":4918},"marc-2","marc-3","vojtech.marc@avu.cz","Vojtěch Märc je historik a teoretik umění se zájmem o okraje specializací, disciplín a institucí. Vystudoval dějiny a teorii moderního a současného umění na Vysoké škole uměleckoprůmyslové v Praze.",[],[],{"title":4924,"description":4925,"canonical_url":4926,"og_title":4927,"og_description":4928,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fmarc-2",{"cs":4931,"en":4934},[4932,4933],{"label":59,"menu_url":60},{"label":4915,"menu_url":4929},[4935,4936],{"label":66,"menu_url":60},{"label":4915,"menu_url":4937},"\u002Fmarc-3",[4939,4941,4943,4945,4947],{"id":1172,"title":1163,"slug":4940,"menu_url":1168},{"cs":1165,"en":1166},{"id":602,"title":603,"slug":4942,"menu_url":599},{"cs":596,"en":597},{"id":4628,"title":4629,"slug":4944,"menu_url":4633},{"cs":4631,"en":4632},{"id":374,"title":366,"slug":4946,"menu_url":371},{"cs":368,"en":369},{"id":1323,"title":1315,"slug":4948,"menu_url":1331},{"cs":1317,"en":1318},"2026-09-02 10:59:06",[4951,4961,4971],{"__typename":4436,"background":4437,"heading":4952,"content":4953,"content_nodes":4954},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4955,"en":4958},[4956],{"__typename":4443,"html":4957},"\u003Cp>Jako kurátor připravil pásmo Jiné vize CZ 2023 pro PAF Olomouc 2023. Kurátorsky působil také v pražské galerii Fotograf, mimo jiné na výstavách \u003Cem>Malé dějiny fotopastí\u003C\u002Fem> (2021), \u003Cem>Útoky na zboží\u003C\u002Fem> (2022) a \u003Cem>Úchylka měření\u003C\u002Fem> (2022). Publikoval časopisech A2, Artalk.cz, Art Antiques, Flash Art, Fotograf a Sešit pro umění, teorii a jiné zóny. Působil v uskupení Ateliér bez vedoucího a jako člen Pracovní skupiny pro výzkum mimosmyslové estetiky dostal Cenu Jindřicha Chalupeckého (2020). Na AVU přednáší od roku 2022.\u003C\u002Fp>",[4959],{"__typename":4443,"html":4960},"\u003Cp>He curated the series Other Visions CZ 2023 for PAF Olomouc 2023. As a curator, he also worked at a gallery Fotograf, based in Prague, having organized the exhibitions \u003Cem>A Concise History of Camera Traps\u003C\u002Fem> (2021), \u003Cem>Attacks on Commoditie\u003C\u002Fem>s (2022) and \u003Cem>Error of Measurement\u003C\u002Fem> (2022). He published in the local journals such as A2, Artalk.cz, Art Antiques, Flash Art, Fotograf a Sešit pro umění, teorii a jiné zóny. He participated in a collective called Headless Studio and, as a member of Workshop for a Study of Extrasensory Aesthetics, he received Jindřich Chalupecký Award (2020). He has lectured at the Academy of Fine Arts since 2022.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":4962,"content":4963,"content_nodes":4964},{"cs":4269,"en":4536},{"cs":4,"en":4},{"cs":4965,"en":4968},[4966],{"__typename":4443,"html":4967},"\u003Cul>\u003Cli>Úvod do myšlení v materiálu\u003C\u002Fli>\u003Cli>Laboratoř nesoustředěnosti\u003C\u002Fli>\u003C\u002Ful>",[4969],{"__typename":4443,"html":4970},"\u003Cul>\u003Cli>Introduction to Thinking in Material\u003C\u002Fli>\u003Cli>Laboratory of Unfocusedness\u003C\u002Fli>\u003C\u002Ful>",{"__typename":4436,"background":4437,"heading":4972,"content":4973,"content_nodes":4974},{"cs":4587,"en":4588},{"cs":4,"en":4},{"cs":4975,"en":4978},[4976],{"__typename":4443,"html":4977},"\u003Cp>Märc, Vojtěch (2022), „Fotogramatika: Obkreslování a odrámování.“ In Jitka Hlaváčková (ed.), \u003Cem>Věštění z noční oblohy částečně zakryté mraky: Role fotografie v postmediální dob\u003C\u002Fem>ě, Praha: Galerie hlavního města Prahy, 54–69Märc, Vojtěch (2022), „Jak dělat politiku oknem: Autonomní prostory v Československu a České republice po roce 1989.“ In Cyril Říha (ed.), \u003Cem>Ztracená vláda věcí tvých se k tobě navrátí\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 544–596Märc, Vojtěch (2022), „Prostory očekávání: Socialistická architektura a politika budoucnosti.“ In Karolina Jirkalová – Veronika Rollová (eds.), \u003Cem>Budoucnost je skryta v přítomnosti\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 135–191Märc, Vojtěch (2022), „Vědeckotechnická revoluce v urbanismu šedesátých let.“ \u003Cem>In Architektura a česká politika v 19.–21. století: Kritický katalog výstavy\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 257–262Märc, Vojtěch (2022), „Nástroje segregace.“ In Architektura a česká politika v 19.–21. století: Kritický katalog výstavy, Praha: Vysoká škola uměleckoprůmyslová v Praze, 361–366Märc, Vojtěch (2020), „Pseudoumělecký výzkum.“ In Milena Bartlová – Zdeněk Bezecný (eds.), \u003Cem>Umělecký výzkum na UMPRUM\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 50–51Märc, Vojtěch (2021), „Města na kraji nemocnic: Geopatogenní zóny jako architektonický a urbanistický fenomén.“ \u003Cem>Sešit pro umění, teorii a příbuzné zóny 30\u003C\u002Fem>: 34–93\u003C\u002Fp>",[4979],{"__typename":4443,"html":4980},"\u003Cp>Märc, Vojtěch (2022), “Photogrammatics: Tracing and Unframing”, in Jitka Hlaváčková (ed.), \u003Cem>Divination from a Night Sky Partly Covered by Clouds: The Role of Photography in the Post-Media Age\u003C\u002Fem>, Praha: Galerie hlavního města Prahy, 54–69Märc, Vojtěch (2022), “How to Do Politics through the Window: Squatting in Czechoslovakia and the Czech Republic after 1989“, in Cyril Říha (ed.), \u003Cem>The rule over your affairs once lost will return to you\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 544–596Märc, Vojtěch (2022), “Spaces of Expectation: Socialist Architecture and the Politics of the Future”, in Karolina Jirkalová – Veronika Rollová (eds.), \u003Cem>The Future is Hidden in the Present\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 135–191Märc, Vojtěch (2022), “The Scientific-Technical Revolution in Urbanism of the 1960s.” In Cyril Říha et al., \u003Cem>Architecture and Czech Politics from the 19th to the 21st Centuries: Critical Exhibition Catalogue\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 256–261Märc, Vojtěch (2022), “Tools of Segregation.” In Cyril Říha et al., \u003Cem>Architecture and Czech Politics from the 19th to the 21st Centuries: Critical Exhibition Catalogue\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 360–365Märc, Vojtěch (2020), „Pseudoumělecký výzkum.“ In Milena Bartlová – Zdeněk Bezecný (eds.), \u003Cem>Umělecký výzkum na UMPRUM\u003C\u002Fem>, Praha: Vysoká škola uměleckoprůmyslová v Praze, 50–51Märc, Vojtěch (2021), “Death by Landscape? Geo-Pathogenic Zones as Architectural and Urbanistic Phenomenon.” \u003Cem>Sešit pro umění, teorii a příbuzné zóny 30\u003C\u002Fem>: 34–93 https:\u002F\u002Fvvp.avu.cz\u002Fapp\u002Fuploads\u002F2021\u002F10\u002Fmarc-notebook-30-2021-translation.pdf.\u003C\u002Fp>",{"person_id":4982,"function":4983,"person":4984},"480","docentka",{"id":4982,"first_name":4985,"last_name":4986,"title":4987,"slug":4988,"title_before":4499,"title_after":4385,"role":4990,"email":4991,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":4992,"featuredImage":4994,"featured_mobile_image":4,"featuredMobileImage":4,"seo":5003,"menu_url":5009,"breadcrumbs":5010,"is_published":23,"status":76,"departments":5017,"created_at":4401,"updated_at":4856,"parentNodePage":4,"content_blocks":5038},"Pavlína","Morganová","doc. PhDr. Pavlína Morganová Ph.D.",{"cs":4989,"en":4989},"morganova","vedoucí VVP AVU","pavlina.morganova@avu.cz",[4993],"2100",[4995],{"id":4993,"caption":4996,"alt_text":4,"url":4997,"srcset":4,"media":4998,"conversions":5002,"created_at":4401,"updated_at":4401},"20210420-116a2075_5","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1587\u002F20210420-116a2075-5.jpg",{"id":4999,"name":4996,"file_name":5000,"mime_type":4398,"size":5001,"url":4997},"1587","20210420-116a2075-5.jpg",45464,[],{"title":5004,"description":5005,"canonical_url":5006,"og_title":5007,"og_description":5008,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fmorganova",{"cs":5011,"en":5014},[5012,5013],{"label":59,"menu_url":60},{"label":4987,"menu_url":5009},[5015,5016],{"label":66,"menu_url":60},{"label":4987,"menu_url":5009},[5018,5020,5022,5024,5026,5028,5030,5032,5034,5036],{"id":841,"title":4110,"slug":5019,"menu_url":4107},{"cs":4104,"en":4105},{"id":886,"title":887,"slug":5021,"menu_url":882},{"cs":879,"en":880},{"id":602,"title":603,"slug":5023,"menu_url":599},{"cs":596,"en":597},{"id":1827,"title":1819,"slug":5025,"menu_url":1824},{"cs":1821,"en":1822},{"id":922,"title":913,"slug":5027,"menu_url":918},{"cs":915,"en":916},{"id":412,"title":404,"slug":5029,"menu_url":409},{"cs":406,"en":407},{"id":3903,"title":3904,"slug":5031,"menu_url":3900},{"cs":3898,"en":3898},{"id":4820,"title":4821,"slug":5033,"menu_url":4825},{"cs":4823,"en":4824},{"id":374,"title":366,"slug":5035,"menu_url":371},{"cs":368,"en":369},{"id":1323,"title":1315,"slug":5037,"menu_url":1331},{"cs":1317,"en":1318},[5039],{"__typename":4436,"background":4437,"heading":5040,"content":5041,"content_nodes":5042},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":5043,"en":5046},[5044],{"__typename":4443,"html":5045},"\u003Cp>Doc. PhDr. Pavlína Morganová, Ph. D., na Akademii výtvarných umění v Praze pracuje od roku 1997, od roku 2013 jako vedoucí Vědecko-výzkumného pracoviště VVP AVU. V letech 2014−2016 zastávala pozici prorektorky pro studijní záležitosti a 2017−2022 pozici prorektorky pro umění, vědu a rozvoj. Na Akademii přednáší dějiny českého umění 20. století. V posledních letech se věnovala rozsáhlému výzkumu dějin vystavování, jehož výsledkem je kniha Pavlína Morganová – Terezie Nekvindová – Dagmar Svatošová, \u003Cem>Výstava jako médium. České umění 1957−1999\u003C\u002Fem> (VVP AVU, 2020). Je autorkou knih \u003Cem>Procházka akční Prahou \u002F Akce, performance, happeningy 1939–1989\u003C\u002Fem> (VVP AVU, 2014), \u003Cem>Czech Action Art \u002F Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain\u003C\u002Fem> (Karolinum Press, 2014), \u003Cem>Akční umění\u003C\u002Fem> (Votobia, 1999, 2. vydání Nakladatelství J. Vacl, 2010), spolueditorkou antologie \u003Cem>České umění 1939–1989 \u002F Programy, kritické texty, dokumenty\u003C\u002Fem> (Academia, 2001) a \u003Cem>České umění 1980–2010 \u002F Texty a dokumenty\u003C\u002Fem> (VVP AVU, 2012). Publikovala řadu odborných textů v časopisech a katalozích, např. \u003Cem>Jiří Kovanda \u002F I Haven’t Been Here Yet\u003C\u002Fem> (Wrocław Contemporary Museum, The Brno House of Arts, 2013), \u003Cem>Ostrovy odporu. Mezi první a druhou moderností 1985–2012\u003C\u002Fem> (Národní galerie v Praze, 2011), \u003Cem>Fluxus East\u003C\u002Fem> (Künstler-haus Bethanien, Berlín 2007), \u003Cem>Akce, slovo, pohyb, prostor\u003C\u002Fem> (GHMP, 1999). Je autorkou výstav, např.: \u003Cem>Někdy v sukni \u002F Umění 90. let\u003C\u002Fem> (Moravská galerie v Brně a GHMP, 2014), \u003Cem>Začátek století\u003C\u002Fem> (Západočeská galerie v Plzni, 2012, Galerie výtvarného umění Ostrava 2013), \u003Cem>Insiders \u002F Nenápadná generace 2. pol. 90. let\u003C\u002Fem> (Dům umění města Brna, 2004, Futura, 2005). Vedle rozsáhlé publikační činnosti je řešitelkou řady odborných grantů, pravidelně se účastní mezinárodních konferencí a sympózií. Působí v redakci \u003Cem>Sešitu pro umění, teorii a příbuzné zóny\u003C\u002Fem>, od roku 2018 je členkou redakční rady časopisu \u003Cem>ArteActa\u003C\u002Fem>. V letech 2014−2017 byla členkou redakčního okruhu \u003Cem>Artlist\u003C\u002Fem>, v letech 2015−2017 byla členkou poroty Ceny Jindřicha Chalupeckého.\u003C\u002Fp>",[5047],{"__typename":4443,"html":5048},"\u003Cp>Doc. PhDr. Pavlína Morganová, Ph. D., has been working at the Academy of Fine Arts in Prague since 1997, since 2013 as the Head of the Scientific Research Department of the Academy of Fine Arts in Prague. In 2014–2016 she held the position of Vice-Rector for Student Affairs and in 2017–2022 the position of Vice-Rector for Arts, Science and Development. At the Academy she lectures on the history of Czech art of the 20th century. In recent years, she has conducted extensive research on the history of exhibition, resulting in the book Pavlína Morganová – Terezie Nekvindová – Dagmar Svatošová, Exhibition as a Medium. Czech Art 1957–1999 (VVP AVU, 2020). She is the author of \u003Cem>Procházka akční Prahou \u002F Action, Performance, Happenings 1939–1989\u003C\u002Fem> (VVP AVU, 2014), \u003Cem>Czech Action Art \u002F Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain\u003C\u002Fem> (Karolinum Press, 2014), \u003Cem>Action Art\u003C\u002Fem> (Votobia, 1999, 2. J. Vacl Publishers, 2010), co-editor of the anthologies \u003Cem>Czech Art 1939–1989 \u002F Programmes, Critical Texts, Documents\u003C\u002Fem> (Academia, 2001) and \u003Cem>Czech Art 1980–2010 \u002F Texts and Documents\u003C\u002Fem> (VVP AVU, 2012). She has published numerous texts in journals and catalogues, e.g. \u003Cem>Jiří Kovanda \u002F I Haven’t Been Here Yet\u003C\u002Fem> (Wrocław Contemporary Museum, The Brno House of Arts, 2013), \u003Cem>Islands of Resistance. Between First and Second Modernity 1985–2012\u003C\u002Fem> (National Gallery in Prague, 2011), \u003Cem>Fluxus East\u003C\u002Fem> (Künstler-haus Bethanien, Berlin 2007), \u003Cem>Action, Word, Movement, Space\u003C\u002Fem> (GHMP, 1999). She is the author of exhibitions such as \u003Cem>Sometimes in a Skirt \u002F Art of the 90s\u003C\u002Fem> (Moravian Gallery in Brno and GHMP, 2014), \u003Cem>The Beginning of the Century\u003C\u002Fem> (West Bohemian Gallery in Pilsen, 2012, Gallery of Fine Arts Ostrava, 2013), \u003Cem>Insiders \u002F Inconspicuous generation 2nd half 90s\u003C\u002Fem> (Brno House of Arts, 2004, Futura, 2005). In addition to her extensive publishing activities, she is the principal investigator of a number of professional grants and regularly participates in international conferences and symposia. She is a member of the editorial board of the Journal for \u003Cem>Art, Theory and Related Zones\u003C\u002Fem>, and since 2018 she has been a member of the editorial board of the journal ArteActa. In 2014–2017 she was a member of the editorial circle of Artlist, in 2015–2017 she was a member of the jury of the Jindřich Chalupecký Award.\u003C\u002Fp>",{"person_id":5050,"function":5051,"person":5052},"28864","profesorka",{"id":5050,"first_name":5053,"last_name":5054,"title":5055,"slug":5056,"title_before":5058,"title_after":4385,"role":19,"email":5059,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":5060,"featuredImage":5061,"featured_mobile_image":4,"featuredMobileImage":4,"seo":5062,"menu_url":5068,"breadcrumbs":5069,"is_published":23,"status":76,"departments":5076,"created_at":5079,"updated_at":5079,"parentNodePage":4,"content_blocks":5080},"Michaela","Ottová","prof. PhDr. Michaela Ottová Ph.D.",{"cs":5057,"en":5057},"ottova","prof. PhDr.","michaela.ottova@avu.cz",[],[],{"title":5063,"description":5064,"canonical_url":5065,"og_title":5066,"og_description":5067,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fottova",{"cs":5070,"en":5073},[5071,5072],{"label":59,"menu_url":60},{"label":5055,"menu_url":5068},[5074,5075],{"label":66,"menu_url":60},{"label":5055,"menu_url":5068},[5077],{"id":1323,"title":1315,"slug":5078,"menu_url":1331},{"cs":1317,"en":1318},"2026-09-02 10:59:01",[],{"person_id":5082,"function":4597,"person":5083},"24676",{"id":5082,"first_name":5084,"last_name":5085,"title":5086,"slug":5087,"title_before":4604,"title_after":4385,"role":19,"email":5090,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":5091,"featuredImage":5092,"featured_mobile_image":4,"featuredMobileImage":4,"seo":5093,"menu_url":5099,"breadcrumbs":5100,"is_published":23,"status":76,"departments":5108,"created_at":5079,"updated_at":5079,"parentNodePage":4,"content_blocks":5111},"Sylva","Poláková","Mgr. Sylva Poláková Ph.D.",{"cs":5088,"en":5089},"polakova-2","polakova-3","sylva.polakova@avu.cz",[],[],{"title":5094,"description":5095,"canonical_url":5096,"og_title":5097,"og_description":5098,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fpolakova-2",{"cs":5101,"en":5104},[5102,5103],{"label":59,"menu_url":60},{"label":5086,"menu_url":5099},[5105,5106],{"label":66,"menu_url":60},{"label":5086,"menu_url":5107},"\u002Fpolakova-3",[5109],{"id":1323,"title":1315,"slug":5110,"menu_url":1331},{"cs":1317,"en":1318},[],{"person_id":5113,"function":4597,"person":5114},"536",{"id":5113,"first_name":5115,"last_name":5116,"title":5117,"slug":5118,"title_before":5120,"title_after":5121,"role":4597,"email":5122,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":5123,"featured_image":5124,"featuredImage":5126,"featured_mobile_image":4,"featuredMobileImage":4,"seo":5135,"menu_url":5141,"breadcrumbs":5142,"is_published":23,"status":76,"departments":5149,"created_at":4401,"updated_at":4433,"parentNodePage":4,"content_blocks":5152},"Maria","Topolčanská","M. arch. Ing. arch. Maria Topolčanská PhD.",{"cs":5119,"en":5119},"topolcanska","M. arch. Ing. arch.","PhD.","maria.topolcanska@avu.cz","Maria Topolčanská je architektka a teoretička architektury. Je emeritní rektorkou AVU (2022–2024). Od akademického roku 2017–2018 přednáší na KTDU AVU teorii architektury. Věnuje se výzkumu a publikování v oblasti současné architektury a je školitelkou teoretických a uměleckých doktorandů\u002Fek. Vystudovala architekturu na FAD STU v Bratislavě a Metropolis Master in Architecture and Urban Culture na ETSAB v Barceloně.",[5125],"8555",[5127],{"id":5125,"caption":5128,"alt_text":4,"url":5129,"srcset":4,"media":5130,"conversions":5134,"created_at":4401,"updated_at":4401},"Maria Topolčanská_2022_foto Radek Dětinský","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1589\u002Fmaria-topolcanska-2022-foto-radek-detinsky.jpg",{"id":5131,"name":5128,"file_name":5132,"mime_type":4398,"size":5133,"url":5129},"1589","maria-topolcanska-2022-foto-radek-detinsky.jpg",471723,[],{"title":5136,"description":5137,"canonical_url":5138,"og_title":5139,"og_description":5140,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Ftopolcanska",{"cs":5143,"en":5146},[5144,5145],{"label":59,"menu_url":60},{"label":5117,"menu_url":5141},[5147,5148],{"label":66,"menu_url":60},{"label":5117,"menu_url":5141},[5150],{"id":1323,"title":1315,"slug":5151,"menu_url":1331},{"cs":1317,"en":1318},[5153,5163,5175],{"__typename":4436,"background":4437,"heading":5154,"content":5155,"content_nodes":5156},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":5157,"en":5160},[5158],{"__typename":4443,"html":5159},"\u003Cp>Spolupracuje na zkoumání podmínek pro umělecký výzkum v mezinárodních projektech (Towards a Manifesto for Critical Openness in Artistic Research, 2024–2025; Advancing Supervison in Artistic Doctorates, 2019–2021). Od roku 2018 se angažuje ve vedení ligy evropských uměleckých škol ELIA (Representative Board, 2019–2021; Artistic Research Working Group, od 2021). Dlouhodobě se věnuje výzkumu architektury 20. století, podmínkám architektonické praxe a teorii bydlení. Pracovala jako výzkumnice na Oddělení architektury v Ústavu stavebnictví a architektury Slovenské akademie věd v Bratislavě (2002–2013). V praxi se specializovala na municipální projekty kolektivního bydlení a občanských budov realizované v Katalánsku (2000–2004), je autorizovanou architektkou Slovenské komory architektů. Angažovala se v evropské sítí mladých architektek Wonderland a byla editorkou stejnojmenného časopisu (2004–2007). Pedagogicky krátce působila na Archip v Praze (2015–2017) a zejména na Fakultě architektury STU v Bratislavě (2002–2013). Od roku 2012 vede nezávislou platformu Fake Cities True Stories.\u003C\u002Fp>",[5161],{"__typename":4443,"html":5162},"\u003Cp>She is collaborating on exploring the conditions for artistic research in international projects (Towards a Manifesto for Critical Openness in Artistic Research, 2024–2025; Advancing Supervision in Artistic Doctorates, 2019–2021). Since 2018 she has been involved in the leadership of the ELIA League of European Art Schools (Representative Board, 2019–2021; Artistic Research Working Group, from 2021). She has a long-standing research interest in 20th century architecture, conditions of architectural practice and housing theory. She worked as a researcher at the Department of Architecture at the Institute of Civil Engineering and Architecture, Slovak Academy of Sciences in Bratislava (2002–2013). In practice, she specialized in municipal collective housing and civic building projects realized in Catalonia (2000–2004), and is an authorized architect of the Slovak Chamber of Architects. She has been involved in the European network of young female architects Wonderland and was editor of the magazine of the same name (2004–2007). She has been teaching briefly at Archip in Prague (2015–2017) and especially at the Faculty of Architecture of the Slovak Technical University in Bratislava (2002–2013). Since 2012 she has been leading the independent platform Fake Cities True Stories.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":5164,"content":5167,"content_nodes":5168},{"cs":5165,"en":5166},"Výuka","List of courses",{"cs":4,"en":4},{"cs":5169,"en":5172},[5170],{"__typename":4443,"html":5171},"\u003Cul>\u003Cli>Teorie architektury\u003C\u002Fli>\u003Cli>Reading Architecture Seminar\u003C\u002Fli>\u003Cli>Seminář architektury a urbanismu\u003C\u002Fli>\u003Cli>Diplomní seminář\u003C\u002Fli>\u003Cli>Seminář architektonického výzkumu PhD.\u003C\u002Fli>\u003C\u002Ful>",[5173],{"__typename":4443,"html":5174},"\u003Cul>\u003Cli>Theories of architecture\u003C\u002Fli>\u003Cli>Reading Architecture Seminar\u003C\u002Fli>\u003Cli>Architecture and Urbanism Seminar\u003C\u002Fli>\u003Cli>Diploma Seminar\u003C\u002Fli>\u003Cli>Architectural Research Seminar PhD.\u003C\u002Fli>\u003C\u002Ful>",{"__typename":4582,"background":4437,"title":5176,"items":5177},{"cs":4,"en":4},[5178],{"title":5179,"content":5181,"content_nodes":5182},{"cs":4587,"en":5180},"Selected Bibliography",{"cs":4,"en":4},{"cs":5183,"en":5186},[5184,5185],{"__typename":4443},{"__typename":4443},[5187,5188],{"__typename":4443},{"__typename":4443},{"person_id":5190,"function":4500,"person":5191},"542",{"id":5190,"first_name":5192,"last_name":5193,"title":5194,"slug":5195,"title_before":4384,"title_after":4385,"role":4500,"email":5197,"phone":4,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":5198,"featured_image":5199,"featuredImage":5200,"featured_mobile_image":4,"featuredMobileImage":4,"seo":5201,"menu_url":5207,"breadcrumbs":5208,"is_published":23,"status":76,"departments":5215,"created_at":4401,"updated_at":4433,"parentNodePage":4,"content_blocks":5218},"Štěpán","Vácha","PhDr. Štěpán Vácha Ph.D.",{"cs":5196,"en":5196},"vacha","stepan.vacha@avu.cz","Štěpán Vácha vyučuje umění renesance a baroka na AVU od roku 2016, souběžně pracuje  na Ústavu dějin umění AV ČR, kde se badatelsky věnuje baroknímu umění, zvláště malířství a v poslední době intenzivně dvorskému umění a sběratelství císaře Rudolfa II.",[],[],{"title":5202,"description":5203,"canonical_url":5204,"og_title":5205,"og_description":5206,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fvacha",{"cs":5209,"en":5212},[5210,5211],{"label":59,"menu_url":60},{"label":5194,"menu_url":5207},[5213,5214],{"label":66,"menu_url":60},{"label":5194,"menu_url":5207},[5216],{"id":1323,"title":1315,"slug":5217,"menu_url":1331},{"cs":1317,"en":1318},[5219,5229,5239,5248,5257],{"__typename":4436,"background":4437,"heading":5220,"content":5221,"content_nodes":5222},{"cs":4,"en":5166},{"cs":4,"en":4},{"cs":5223,"en":5226},[5224],{"__typename":4443,"html":5225},"\u003Cp>Vácha je spoluautorem knih \u003Cem>Ve stínu Karla Škréty: Pražští malíři v letech 1640–1680\u003C\u002Fem> (2017) a \u003Cem>Karel VI. & Alžběta Kristýna: Česká korunovace 1723\u003C\u002Fem> (2009). Spolueditoval knihu \u003Cem>Vznešenost & zbožnost? Barokní umění na Plzeňsku a v západních Čechách\u003C\u002Fem> (2016). Ve výuce na AVU klade Štěpán Vácha důraz na srovnávací hledisko, které umožňuje uvědomit si obecně platné principy výtvarné tvorby v předmoderní éře a současnosti. Historický přehled renesančního a barokního umění podává ze sociologické a antropologické perspektivy.\u003C\u002Fp>",[5227],{"__typename":4443,"html":5228},"\u003Cul>\u003Cli>History of Art II – Art of Renaissance and Baroque\u003C\u002Fli>\u003Cli>Baroque Art in Bohemia\u003C\u002Fli>\u003C\u002Ful>",{"__typename":4436,"background":4437,"heading":5230,"content":5231,"content_nodes":5232},{"cs":4535,"en":4588},{"cs":4,"en":4},{"cs":5233,"en":5236},[5234],{"__typename":4443,"html":5235},"\u003Cul>\u003Cli>Dějiny umění II: Umění renesance a baroka\u003C\u002Fli>\u003Cli>Barokní umění v Čechách\u003C\u002Fli>\u003C\u002Ful>",[5237],{"__typename":4443,"html":5238},"\u003Cp>Vácha, Štěpán (2022), “The Man of Sorrows by Hans von Aachen in Břevnov Monastery in Prague.” \u003Cem>RIHA Journal 0274\u003C\u002Fem>Vácha, Štěpán (2019), “The Picturesque Motif of the Rotunda in the Work of Roelandt Savery.” Oud Holland 132: 51–64Vácha, Štěpán – Radka Heisslerová (2017), \u003Cem>Ve stínu Karla Škréty. Pražští malíři v letech 1635–1680. Antonín Stevens – Jan Bedřich Hess – Matěj Zimprecht\u003C\u002Fem>, Praha: AcademiaSteckerová, Andrea – Štěpán Vácha (eds.) (2015), \u003Cem>Vznešenost & zbožnost. Barokní umění na Plzeňsku a v západních Čechách\u003C\u002Fem>, Lomnice nad Popelkou – Plzeň: Západočeská galerie v PlzniVácha, Štěpán (2014), “Imaginum elegantia. K estetické působivosti náboženského obrazu v českých zemích v 17. a 18. století.” \u003Cem>Umění \u002F Art 62\u003C\u002Fem>: 251–275.Konečný, Lubomír – Vácha, Štěpán (eds.) (2012), \u003Cem>Hans von Aachen in Context\u003C\u002Fem>. Praha: Ústav dějin umění AVVácha, Štěpán (2011), “An Unknown Work by Francesco Cozza in the Czech Republic.” \u003Cem>The Burlington Magazine 153\u003C\u002Fem>, no. 1301: 523–525Vácha, Štěpán – Irena Veselá – Vít Vlnas – Petra Vokáčová (2009), Karel VI. & Alžběta Kristýna. \u003Cem>Česká korunovace 1723\u003C\u002Fem>, Praha – Litomyšl: Paseka\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":5240,"content":5242,"content_nodes":5243},{"cs":5241,"en":4},"Dějiny umění II. – Umění renesance a baroka",{"cs":4,"en":4},{"cs":5244,"en":5247},[5245],{"__typename":4443,"html":5246},"\u003Cp>Dvousemestrální přednáškový kurz má za cíl vybavit posluchače základními znalostmi o obou slohových epochách a představit výtvarné umění s jeho významnými protagonisty (nejenom umělci, ale i významnými mecenáši) v souvislostech fungování raně novověké společnosti. Ve výkladu je kladen důraz na dobové funkce umění, na ekonomické a společenské aspekty výtvarné tvorby, záběr je celoevropský, v menší míře na české země. S přihlédnutím k dobovému dílenskému i akademickému provozu a umělecké teorii jsou vykládány stále platné pojmy jako identita a sociální postavení umělce, umělcova kreativita a genialita, dobově podmíněné funkce umění, institucionální podpora umění (mecenát) a publikum.\u003C\u002Fp>",[],{"__typename":4436,"background":4437,"heading":5249,"content":5251,"content_nodes":5252},{"cs":5250,"en":4},"Barokní umění v Čechách",{"cs":4,"en":4},{"cs":5253,"en":5256},[5254],{"__typename":4443,"html":5255},"\u003Cp>Kurz je přednostně určen studentům restaurátorských ateliérů, vítáni jsou rovněž zájemci z ateliérů volné tvorby. Kurz je založen na představení základních tematických okruhů a určujících osobností 17. a první poloviny 18. století. Pozornost je zaměřena na Prahu, která jako přirozené politické, ekonomické i kulturní centrum země k sobě poutala ty nejlepší umělce, náročné objednatele a sběratele umění. Umělecký vývoj, chápaný jako přejímání uměleckých inovací zvenku a rozvíjení vlastních řešení, je podán v širších geografických souvislostech střední Evropy se zaměřením na problém centra a periférie. Přednášky jsou doplněny návštěvami historických prostorů (pražské kostely, kláštery a paláce), galerií a muzejních depozitářů s výkladem díla v jeho původním prostředí či jako součást muzeální instalace se zaměřením nejenom na jeho význam, ale i materiální podstatu (výtvarné techniky, stav dochování). Součástí výuky je i praktické uplatnění znalostí – ikonografické a slohové určení díla, základní znalost pojmů.\u003C\u002Fp>",[],{"__typename":4582,"background":4437,"title":5258,"items":5259},{"cs":4,"en":4},[5260],{"title":5261,"content":5262,"content_nodes":5263},{"cs":4587,"en":4},{"cs":4,"en":4},{"cs":5264,"en":5266},[5265],{"__typename":4443},[],{"person_id":5268,"function":5269,"person":5270},"4940","tajemnice KTDU a senátu",{"id":5268,"first_name":5271,"last_name":5272,"title":5273,"slug":5274,"title_before":4604,"title_after":19,"role":5276,"email":5277,"phone":5278,"mobile":4,"web":4,"is_external":4388,"video_embed":4,"perex":19,"featured_image":5279,"featuredImage":5280,"featured_mobile_image":4,"featuredMobileImage":4,"seo":5281,"menu_url":5287,"breadcrumbs":5288,"is_published":23,"status":76,"departments":5295,"created_at":4826,"updated_at":4826,"parentNodePage":4,"content_blocks":5300},"Lucie","Pesrová","Mgr. Lucie Pesrová",{"cs":5275,"en":5275},"pesrova","tajemnice katedry a senátu","lucie.pesrova@avu.cz","+420 220 408 233",[],[],{"title":5282,"description":5283,"canonical_url":5284,"og_title":5285,"og_description":5286,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fpesrova",{"cs":5289,"en":5292},[5290,5291],{"label":59,"menu_url":60},{"label":5273,"menu_url":5287},[5293,5294],{"label":66,"menu_url":60},{"label":5273,"menu_url":5287},[5296,5298],{"id":1323,"title":1315,"slug":5297,"menu_url":1331},{"cs":1317,"en":1318},{"id":374,"title":366,"slug":5299,"menu_url":371},{"cs":368,"en":369},[],[5302,5324,5340],{"__typename":4436,"background":4437,"heading":5303,"content":5304,"content_nodes":5307},{"cs":4,"en":4},{"cs":5305,"en":5306},"\u003Cp>V programu kurzů (viz rozvrhy níže) jsou zařazeny i \u003Cstrong>další specializované předměty\u003C\u002Fstrong> – anatomie, úvod do deskriptivy a perspektivy, kurzy Digilabu, grafické techniky, speciální chemicko-technologické předměty pro restaurátory, přednášky a semináře zaměřené na dějiny a teorii architektury. Povinnou součástí teoretického vzdělání na AVU je studium angličtiny. Povinný program pro jednotlivé obory doplňují povinně volitelné předměty vypisované vždy na začátku akademického roku. Katedra pravidelně organizuje exkurze po památkách v České republice a studijní výjezdy do zahraničí, jako jsou pravidelné návštěvy výstav současného moderního umění DOCUMENTA v Kasselu a mezinárodního Bienále umění v Benátkách.\u003C\u002Fp>\u003Cp>Členové a členky katedry vyučují \u003Cstrong>povinné předměty (P), předměty povinně volitelné (PV) a volitelné (V)\u003C\u002Fstrong>. Přehled studijních plánů pro jednotlivé obory a podrobnější charakteristiku předmětů najdete v \u003Ca href=\"https:\u002F\u002Fstag-avu.zcu.cz\u002Fportal\">IS\u002FSTAG\u003C\u002Fa>.\u003C\u002Fp>\u003Cp>Katedra zároveň zajišťuje Diplomový seminář formou individuální konzultace teoretické části diplomové práce a Státnicový seminář, který připraví studentky a studenty na písemnou část \u003Ca href=\"\u002Fstatni-zaverecna-zkouska-z-dejin-umeni-a-architektury\">Státní závěrečné zkoušky z dějin umění a architektury (SZZK\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Favu.cz\u002Fstranka\u002Fstatni-zaverecna-zkouska-z-dejin-umeni-a-architektury\">)\u003C\u002Fa>. SZZK probíhá v 5. ročníku magisterského studijního programu a ve 2. ročníku navazujícího magisterského studijního programu.\u003C\u002Fp>","\u003Cp>The programme includes lectures on philosophy and aesthetics, as well as English, physical education, anatomy, an introduction to geometry and perspective, media theory, Digilab courses, graphics, special chemical, technological, and legal topics for restorers, Christian iconography, and the history and theory of architecture. The core modules for individual spheres are accompanied by optional core seminars addressing both current and historical topics.\u003C\u002Fp>\u003Cp>The department regularly organises cultural sightseeing tours in the Czech Republic and abroad. An integral part of these trips are regular visits to the DOCUMENTA contemporary art exhibition in Kassel and the Venice Biennale.\u003C\u002Fp>\u003Cp>Members of the department teach \u003Cstrong>core modules (P), optional core modules (PV), and optional modules (V)\u003C\u002Fstrong>. An overview of the curricula for individual subjects and a more detailed description of their contents is available on the AVU website.\u003C\u002Fp>\u003Cp>The department also runs a diploma seminar in the form of individual consultation regarding the theoretical parts of the course, and is the guarantor of the state final examination in the history of art and architecture, which is the first stage of the viva voce or oral examination (defence) and takes place in the fifth year of the complete Master’s programme and the second year of the postgraduate Master’s programme.\u003C\u002Fp>",{"cs":5308,"en":5315},[5309,5311,5313],{"__typename":4443,"html":5310},"\u003Cp>V programu kurzů (viz rozvrhy níže) jsou zařazeny i \u003Cstrong>další specializované předměty\u003C\u002Fstrong> – anatomie, úvod do deskriptivy a perspektivy, kurzy Digilabu, grafické techniky, speciální chemicko-technologické předměty pro restaurátory, přednášky a semináře zaměřené na dějiny a teorii architektury. Povinnou součástí teoretického vzdělání na AVU je studium angličtiny. Povinný program pro jednotlivé obory doplňují povinně volitelné předměty vypisované vždy na začátku akademického roku. Katedra pravidelně organizuje exkurze po památkách v České republice a studijní výjezdy do zahraničí, jako jsou pravidelné návštěvy výstav současného moderního umění DOCUMENTA v Kasselu a mezinárodního Bienále umění v Benátkách.\u003C\u002Fp>",{"__typename":4443,"html":5312},"\u003Cp>Členové a členky katedry vyučují \u003Cstrong>povinné předměty (P), předměty povinně volitelné (PV) a volitelné (V)\u003C\u002Fstrong>. Přehled studijních plánů pro jednotlivé obory a podrobnější charakteristiku předmětů najdete v \u003Ca href=\"https:\u002F\u002Fstag-avu.zcu.cz\u002Fportal\">IS\u002FSTAG\u003C\u002Fa>.\u003C\u002Fp>",{"__typename":4443,"html":5314},"\u003Cp>Katedra zároveň zajišťuje Diplomový seminář formou individuální konzultace teoretické části diplomové práce a Státnicový seminář, který připraví studentky a studenty na písemnou část \u003Ca href=\"\u002Fstatni-zaverecna-zkouska-z-dejin-umeni-a-architektury\">Státní závěrečné zkoušky z dějin umění a architektury (SZZK\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Favu.cz\u002Fstranka\u002Fstatni-zaverecna-zkouska-z-dejin-umeni-a-architektury\">)\u003C\u002Fa>. SZZK probíhá v 5. ročníku magisterského studijního programu a ve 2. ročníku navazujícího magisterského studijního programu.\u003C\u002Fp>",[5316,5318,5320,5322],{"__typename":4443,"html":5317},"\u003Cp>The programme includes lectures on philosophy and aesthetics, as well as English, physical education, anatomy, an introduction to geometry and perspective, media theory, Digilab courses, graphics, special chemical, technological, and legal topics for restorers, Christian iconography, and the history and theory of architecture. The core modules for individual spheres are accompanied by optional core seminars addressing both current and historical topics.\u003C\u002Fp>",{"__typename":4443,"html":5319},"\u003Cp>The department regularly organises cultural sightseeing tours in the Czech Republic and abroad. 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An overview of the curricula for individual subjects and a more detailed description of their contents is available on the AVU website.\u003C\u002Fp>",{"__typename":4443,"html":5323},"\u003Cp>The department also runs a diploma seminar in the form of individual consultation regarding the theoretical parts of the course, and is the guarantor of the state final examination in the history of art and architecture, which is the first stage of the viva voce or oral examination (defence) and takes place in the fifth year of the complete Master’s programme and the second year of the postgraduate Master’s programme.\u003C\u002Fp>",{"__typename":5325,"background":4437,"title":5326,"type":4,"display":5327,"links":5328},"LinksBlock",{"cs":4,"en":4},"buttons",[5329],{"type":42,"color":4437,"target":21,"link":5330,"url":5331,"page_id":5332,"page":5333,"file":4,"label":5338},"page:11098","\u002Frozvrh-predmetu","11098",{"id":5332,"title":5334,"slug":5335},"Rozvrh 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Biennale di Venezia 2026 è arrivata!",{"cs":5507,"en":5507},"la-biennale-di-venezia-2026-e-arrivata","Vážené a milé studentstvo, pedagožstvo a zaměstnanectvo, Benátské bienále 2026 je opět tady!",[5510,5532],{"__typename":4436,"background":4437,"heading":5511,"content":5512,"content_nodes":5513},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":5514,"en":5523},[5515,5517,5519,5521],{"__typename":4443,"html":5516},"\u003Cp>AVU letos tradičně pořádá zájezd do Benátek, který organizuje a zajišťuje Katedra teorie a dějin umění. Bude to příležitost vidět zblízka jednu z nejvýznamnějších mezinárodních přehlídek současného umění, sdílet dojmy, diskutovat a nechat se inspirovat.\u003C\u002Fp>",{"__typename":4443,"html":5518},"\u003Cp>Zájezd je otevřen celé komunitě AVU, hlavně studujícím a vyučujícím a v omezeném rozsahu také zaměstnanectvu školy (8 míst). Celková kapacita zájezdu činí 60 osob.\u003C\u002Fp>",{"__typename":4443,"html":5520},"\u003Cp>Uskuteční se ve dnech 15. – 19. října 2026 - odjezd autobusem z Prahy je ve čtvrtek 15. 10. večer, do Benátek přijedeme v pátek 16. 10. ráno, odjezd z Benátek je potom v neděli 18. 10. večer s příjezdem do Prahy v pondělí 19.10. v ranních hodinách.\u003C\u002Fp>",{"__typename":4443,"html":5522},"\u003Cp>Účastnický příspěvek činí 1 500 Kč na osobu. V ceně zájezdu je doprava autobusem z Prahy do Benátek a zpět a hromadné ubytování (pokoje pro 10–16 osob) se snídaní v hostelu na ostrově Giudecca. Vstupenku na bienále si každý hradí sám na místě v Benátkách.\u003C\u002Fp>",[5524,5526,5528,5530],{"__typename":4443,"html":5525},"\u003Cp>This year AVU is once again traditionally organizing a trip to Venice, organized and arranged by the Department of Theory and History of Art. It will be an opportunity to see one of the most important international exhibitions of contemporary art up close, to share impressions, discuss, and be inspired.\u003C\u002Fp>",{"__typename":4443,"html":5527},"\u003Cp>The trip is open to the entire AVU community, especially students and teaching staff, and, to a limited extent, also to school employees (8 places). The total capacity of the trip is 60 people.\u003C\u002Fp>",{"__typename":4443,"html":5529},"\u003Cp>The trip will take place from 15 to 19 October 2026. Departure by bus from Prague will be on Thursday, 15 October, in the evening. We will arrive in Venice on Friday, 16 October, in the morning. Departure from Venice will then be on Sunday, 18 October, in the evening, with arrival in Prague on Monday, 19 October, in the early morning hours.\u003C\u002Fp>",{"__typename":4443,"html":5531},"\u003Cp>The participation fee is CZK 1,500 per person. The price includes bus transport from Prague to Venice and back, as well as shared accommodation with breakfast in a hostel on the island of Giudecca, in rooms for 10–16 people. Each participant pays for their own Biennale ticket on site in Venice.\u003C\u002Fp>",{"__typename":4436,"background":4437,"heading":5533,"content":5536,"content_nodes":5537},{"cs":5534,"en":5535},"Jak se přihlásit?","How to apply?",{"cs":4,"en":4},{"cs":5538,"en":5561},[5539,5541,5543,5545,5547,5549,5551,5553,5555,5557,5559],{"__typename":4443,"html":5540},"\u003Cp>Přihlášení na zájezd probíhá prostřednictvím online přihlášky, která byla zaslán emailem dne 4.6.2026.\u003C\u002Fp>",{"__typename":4443,"html":5542},"\u003Cp>Jak se stát účastníkem nebo účastnicí zájezdu?\u003C\u002Fp>",{"__typename":4443,"html":5544},"\u003Cp>Na základě zkušeností z minulých let očekáváme vyšší zájem, než je kapacita autobusu a ubytování. Proto v případě, že počet přihlášených přesáhne kapacitu zájezdu, budou účastnice a účastníci vybráni losem.\u003C\u002Fp>",{"__typename":4443,"html":5546},"\u003Cp>Dne 22. 6. budou všem, kteří vyplnili přihlášku, rozeslány informace o přiděleném identifikačním čísle, které bude následně použito při losování.\u003C\u002Fp>",{"__typename":4443,"html":5548},"\u003Cp>Seznam vybraných účastníků a účastnic i případných náhradníků a náhradnic bude zveřejněn dne 23. 6. 2026 na webu školy pod identifikačními čísly (z důvodu ochrany osobních údajů dle GDPR nebudou na webu zveřejněna jména přihlášených osob).\u003C\u002Fp>",{"__typename":4443,"html":5550},"\u003Cp>Tentýž den 23.6.2026 budou vylosované účastnice a účastníci obesláni emailem s platebními údaji a výzvou o zaplacení účastnického příspěvku ve výši 1 500 Kč, a to nejpozději do 30. 6. 2026. Pokud příspěvek nebude uhrazen v termínu, místo bude nabídnuto náhradnicím a náhradníkům.\u003C\u002Fp>",{"__typename":4443,"html":5552},"\u003Cp>V průběhu září 2026 proběhne informační setkání věnované programu zájezdu, hlavním výstavám Benátského bienále a doporučením na doprovodné akce, výstavy a muzea v Benátkách.\u003C\u002Fp>",{"__typename":4443,"html":5554},"\u003Cp>Těšíme se na vás!\u003C\u002Fp>",{"__typename":4443,"html":5556},"\u003Cp>Katedra teorie a dějin umění\u003C\u002Fp>",{"__typename":4443,"html":5558},"\u003Cp>V případě jakýchkoli dotazů se obracejte na tajemnici KTDU Lucii Pesrovou\u003C\u002Fp>",{"__typename":4443,"html":5560},"\u003Cp>lucie.pesrova@avu.cz\u003C\u002Fp>",[5562,5564,5566,5568,5570,5572,5574,5576,5578,5580],{"__typename":4443,"html":5563},"\u003Cp>Registration for the trip is done via the online registration form, which was sent by email on June 4, 2026.\u003C\u002Fp>",{"__typename":4443,"html":5565},"\u003Cp>How to become a participant in the trip?\u003C\u002Fp>",{"__typename":4443,"html":5567},"\u003Cp>Based on experience from previous years, we expect demand to exceed the capacity of the bus and accommodation. Therefore, if the number of applicants exceeds the trip capacity, participants will be selected by lottery.\u003C\u002Fp>",{"__typename":4443,"html":5569},"\u003Cp>On 22 June, everyone who has completed the application form will receive information about their assigned identification number, which will subsequently be used in the lottery.\u003C\u002Fp>",{"__typename":4443,"html":5571},"\u003Cp>The list of selected participants, as well as any alternates, will be published on 23 June 2026 on the school website under the identification numbers. Due to the protection of personal data under GDPR, the names of applicants will not be published on the website.\u003C\u002Fp>",{"__typename":4443,"html":5573},"\u003Cp>On the same day, 23 June 2026, the selected participants will be contacted by email with payment details and a request to pay the participation fee of CZK 1,500, no later than 30 June 2026. If the fee is not paid by the deadline, the place will be offered to alternates.\u003C\u002Fp>",{"__typename":4443,"html":5575},"\u003Cp>An information meeting will take place during September 2026, dedicated to the trip programme, the main exhibitions of the Venice Biennale, and recommendations for accompanying events, exhibitions, and museums in Venice.\u003C\u002Fp>",{"__typename":4443,"html":5577},"\u003Cp>We look forward to seeing you!\u003C\u002Fp>",{"__typename":4443,"html":5579},"\u003Cp>Department of Theory and History of Art\u003C\u002Fp>",{"__typename":4443,"html":5581},"\u003Cp>For any questions, please contact the KTDU secretary, Lucie Pesrová:lucie.pesrova@avu.cz\u003C\u002Fp>",[],[],[],[],2026,[5588],{"id":1323,"title":1315,"slug":5589},{"cs":1317,"en":1318},{"title":5591,"description":5592,"canonical_url":5593,"og_title":5594,"og_description":5595,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fla-biennale-di-venezia-2026-e-arrivata",{"cs":5598,"en":5601},[5599,5600],{"label":59,"menu_url":60},{"label":5505,"menu_url":5596},[5602,5603],{"label":66,"menu_url":60},{"label":5505,"menu_url":5596},"2026-09-02 11:18:47",[]]