[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"pqfetch:HomepageNotice:cs:{}":3,"pqfetch:Homepage:cs:{}":-1,"pqfetch:Footer:cs:{}":5,"pqfetch:GetPageBySlug:cs:{\"slug\":\"\u002Fvyzkum\u002Foddeleni-umeleckeho-vyzkumu-large\",\"preview\":false}":10,"pqfetch:MenuItems:cs:cs:{}":1011},{"homepageNotice":4},null,{"footer":6},{"content":7},{"cs":8,"en":9},"\u003Cp>U Akademie 4, 170 00, Praha 7\u003C\u002Fp>\u003Cp>Kontaktujte nás \u003Ca href=\"mailto:info@avu.cz\" target=\"_blank\">emailem\u003C\u002Fa>, \u003Ca href=\"tel:+420233090270\" target=\"_blank\">telefonicky\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Sledujte nás na \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagramu\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebooku\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do e-mailového účtu \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Přihlaste se do \u003Ca href=\"https:\u002F\u002Fis.avu.cz\u002F\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Frezervace.avu.cz\u002F\" target=\"_blank\">Systém pro rezervaci techniky\u003C\u002Fa>\u003C\u002Fp>\u003Cp><p><a href=\"#\" class=\"cky-banner-element\">Ochrana osobních údajů<\u002Fa><\u002Fp>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fakademie\u002Fstruktura\u002Fpodpurna-pracoviste\u002Foddeleni-komunikace\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>","\u003Cp>U Akademie 4, 170 00, Prague 7\u003C\u002Fp>\u003Cp>Contact us by \u003Ca href=\"mailto:info@avu.cz\" target=\"_blank\">email\u003C\u002Fa>, \u003Ca href=\"tel:+420233090270\" target=\"_blank\">phone\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Follow us on \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Favu_prague\u002F\" target=\"_blank\">Instagram\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FAVUprague\u002F\" target=\"_blank\">Facebook\u003C\u002Fa>\u003C\u002Fp>\u003Cp>Sign in to your \u003Ca href=\"https:\u002F\u002Fwww.office.com\u002F\" target=\"_blank\">Microsoft 365\u003C\u002Fa> email account\u003C\u002Fp>\u003Cp>Sign in to \u003Ca href=\"https:\u002F\u002Fis.avu.cz\u002F\" target=\"_blank\">IS STAG\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"https:\u002F\u002Frezervace.avu.cz\u002F\" target=\"_blank\">Equipment reservation system\u003C\u002Fa>\u003C\u002Fp>\u003Cp>\u003Ca href=\"\u002Fen\u002Facademy\u002Fstructure\u002Fsupport-departments\u002Fcommunications-department\" target=\"_blank\" rel=\"content-link|internal|department:1121\">Press\u003C\u002Fa>\u003C\u002Fp>",{"getPageBySlug":11},{"__typename":12,"id":13,"title":14,"slug":15,"perex":18,"contact":19,"employees":20,"content_blocks":162,"intro_video":4,"featured_image":4,"featuredImage":323,"featured_mobile_image":4,"featuredMobileImage":4,"seo":324,"menu_url":66,"breadcrumbs":330,"is_published":61,"status":62,"parentNodePage":345,"departmentCategory":504,"show_category_departments":61,"category_departments":510,"category_links":780,"address":4,"events":781,"archive_events":782,"announcements":1008,"archive_announcements":1009,"created_at":239,"updated_at":1010},"Department","14468","Oddělení uměleckého výzkumu LARGE",{"cs":16,"en":17},"oddeleni-umeleckeho-vyzkumu-large","large-en-avu-artistic-research-department-large","LARGE je pracoviště zaměřené na podporu a rozvoj uměleckého bádání na Akademii výtvarných umění v Praze, jakož i na reflexi povahy takového bádání. Jeho cílem je zkoumat, co znamená bádat nikoli o umění, ale skrze umění a v umění: jak lze toto bádání provádět, jak může přinášet poznání a v jakém vztahu se toto poznání nachází k jiným disciplínám i k širšímu společenskému kontextu. LARGE se proto zaměřuje na zkoumání specifik výzkumu prováděného prostřednictvím umělecké praxe a myšlení: jeho metod, možných systémů hodnocení a prezentace, jakož i rozporů, které jsou tomuto procesu vlastní. LARGE bere vážně myšlenku, že umělecký výzkum musí často vytvářet nejen svůj obsah, ale i svou formu, metody a způsoby sdílení, a proto klade zvláštní důraz na zkoumání formátů prezentace specifických pro umění v rámci výzkumu.","[]",[21],{"title":22,"people":25},{"cs":23,"en":24},"Lidé","Employees",[26,104],{"person_id":27,"function":28,"person":29},"13728","vedoucí Oddělení uměleckého výzkumu LARGE, odborná asistentka",{"id":27,"first_name":30,"last_name":31,"title":32,"slug":33,"title_before":35,"title_after":36,"role":37,"email":38,"phone":4,"mobile":4,"web":4,"is_external":39,"video_embed":4,"perex":40,"featured_image":41,"featuredImage":42,"featured_mobile_image":4,"featuredMobileImage":4,"seo":43,"menu_url":49,"breadcrumbs":50,"is_published":61,"status":62,"departments":63,"created_at":74,"updated_at":75,"parentNodePage":4,"content_blocks":76},"Irina","Gheorghe","Irina Gheorghe Ph.D.",{"cs":34,"en":34},"gheorghe","MA","Ph.D.","Vedoucí oddělení","irina.gheorghe@avu.cz",false,"Irina Gheorghe je vizuální umělkyně, která pracuje především s performancí v kombinaci s různými médii, od instalace po kresbu, fotografii, zvuk nebo video.",[],[],{"title":44,"description":45,"canonical_url":46,"og_title":47,"og_description":48,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fgheorghe",{"cs":51,"en":56},[52,55],{"label":53,"menu_url":54},"Domů","\u002F",{"label":32,"menu_url":49},[57,59],{"label":58,"menu_url":54},"Homepage",{"label":60,"menu_url":49},"MA Irina Gheorghe Ph.D.",true,"Published",[64,67],{"id":13,"title":14,"slug":65,"menu_url":66},{"cs":16,"en":17},"\u002Fvyzkum\u002Foddeleni-umeleckeho-vyzkumu-large",{"id":68,"title":69,"slug":70,"menu_url":73},"26931","Výzkumné skupiny",{"cs":71,"en":72},"vyzkumne-skupiny","research-groups","\u002Fvyzkumne-skupiny","2026-09-02 10:59:01","2026-09-02 10:59:06",[77,90],{"__typename":78,"background":79,"heading":80,"content":81,"content_nodes":82},"TextBlock","white",{"cs":4,"en":4},{"cs":4,"en":4},{"cs":83,"en":87},[84],{"__typename":85,"html":86},"RichContentHtml","\u003Cp>Ve své tvorbě se často zabývá tématy, jako je nepřítomnost, přemístění a zmizení, přičemž se zamýšlí nad vztahem mezi efemérními uměleckými médii a entitami nebo prostory, které nejsou přístupné pozorování. Irina Gheorghe pracuje také pod názvem The Bureau of Melodramatic Research, což je projekt založený v roce 2009 společně s umělkyní Alinou Popa (1982-2019) s cílem zkoumat, jak vášně formují současnou společnost.Mezi samostatné výstavy patří Principy detekce prostoru v NCAD Gallery Dublin (2023), Věci, které tu nejsou, o kterých nemůžeme mluvit v Ivan Gallery Bukurešť (2022), Metody studia toho, co tu není, v Künstlerhaus Bremen (2021), Zrada smyslů aneb Jak mluvit o tom, co tu není, v Project Arts Centre Dublin (2022) a Všechny věci, které tu nejsou, v Swimming Pool Sofia (2019). Mezi nedávné samostatné výstavy Bureau of Melodramatic Research patří High Heel Communism v Kunstverein am Rosa-Luxemburg-Platz Berlin (2023), Heartbeat Detection Systems v Suprainfinit Gallery a The Internal Fire v Goethe-Institut (Bukurešť, 2022). K samostatným vystoupením patří A Guided Tour through the Distant Future v Irském muzeu moderního umění v Dublinu (2024), Scores for the End of the Present v Broadside v Glasgow (2024), Backgarden Trilogy v Goethe-Institutu v Dublinu (2023), Principles of Space Detection v NCAD Gallery Dublin (2023), Tools for Precision v Zitadelle Spandau Berlin (2021), Preliminary Remarks on the Study of What Is Not There v Grazer Kunstverein (2021) a Foreign Language for Beginners v Glasgow International (2018). Její práce byly součástí skupinových výstav a projektů v Salonul de Proiecte Bukurešť, Národním muzeu současného umění v Bukurešti, CCA Derry, TRAFO Budapešť, Pratt Manhattan Gallery New York, Times Museum Guangzhou, HOME Manchester a dalších.Její výzkumné práce byly součástí konferencí o uměleckém výzkumu EARN (That Art Exhibits, Luca School of Arts, Brusel, 2016; a Hauntopia\u002FWhat If, Pavilon výzkumu, Benátky, 2017), Pavilon výzkumu (The Utopia of Access a The Choregraphic, kurátoři Andrea Phillips a Edgar Schmitz, 2017) nebo Farewell to Research, kurátor Henk Slager, National University of Arts, Bukurešť, 2021. Irina získala také bohaté zkušenosti s výukou na vysokých uměleckých školách po celé Evropě.Mezi jeho výzkumné zájmy patří techniky odcizení v současných uměleckých postupech, vztah mezi uměním, vědou a filozofií při práci s nepozorovatelnými skutečnostmi a divergentní temporality v performanci a performanční notaci.Irina Gheorghe vystudovala bakalářský obor malířství a v roce 2010 získala magisterský titul v oboru fotografie, kinematografie a média na Národní univerzitě umění v Bukurešti. V roce 2021 dokončila doktorské studium umělecké praxe na GradCAM, Technological University Dublin, s projektem nazvaným „Zrazování smyslů: Techniky odcizení aneb Jak umění vypovídá o tom, co není“.\u003Ca href=\"https:\u002F\u002Fwww.irinagheorghe.ro\u002F\">www.irinagheorghe.ro\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Fthebureauofmelodramaticresearch.blogspot.com\u002F\">thebureauofmelodramaticresearch.blogspot.com\u003C\u002Fa>Od ledna 2024 je Dr. Irina Gheorghe vedoucí LARGE AVU – Laboratoře pro umění, výzkum a postgraduální vzdělávání na AVU.\u003C\u002Fp>",[88],{"__typename":85,"html":89},"\u003Cp>Her work often addresses themes such as absence, displacement and and disappearance while reflecting on the relationship between ephemeral artistic media and entities or spaces inaccessible to observation. Irina Gheorghe also works under the name The Bureau of Melodramatic Research, a project cofounded in 2009 with artist Alina Popa (1982-2019) with the aim of investigating how passions shape contemporary society.Solo exhibitions include Principles of Space Detection at NCAD Gallery Dublin (2023), Things Which Are Not Here, of Which We Cannot Say at Ivan Gallery Bucharest (2022), Methods for the Study of What Is Not There at Künstlerhaus Bremen (2021), Betraying the Senses, or How to Speak of What Is Not There at Project Arts Centre Dublin (2022) and All the Things Which Are Not Here at Swimming Pool Sofia (2019). Recent Bureau of Melodramatic Research solo shows include High Heel Communism at the Kunstverein am Rosa-Luxemburg-Platz Berlin (2023), Heartbeat Detection Systems at Suprainfinit Gallery and The Internal Fire at Goethe-Institut (Bucharest, 2022). Solo performances include A Guided Tour through the Distant Future at the Irish Museum of Modern Art, Dublin (2024), Scores for the End of the Present at Broadside, Glasgow (2024), Backgarden Trilogy at the Goethe-Institut Dublin (2023), Principles of Space Detection at NCAD Gallery Dublin (2023), Tools for Precision at Zitadelle Spandau Berlin (2021), Preliminary Remarks on the Study of What Is Not There at the Grazer Kunstverein (2021) and Foreign Language for Beginners at the Glasgow International (2018). Her work was part of group exhibitions and projects at Salonul de Proiecte Bucharest, the National Museum of Contemporary Art Bucharest, CCA Derry, TRAFO Budapest, Pratt Manhattan Gallery New York, Times Museum Guangzhou, HOME Manchester, among others.Her research works were part of the art research conferences EARN (That Art Exhibits, the Luca School of Arts, Brussels, 2016; and Hauntopia\u002FWhat If, the Research Pavilion, Venice, 2017), the Research Pavilion (The Utopia of Access and The Choregraphic, curated by Andrea Phillips and Edgar Schmitz, 2017) or Farewell to Research, curated by Henk Slager, National University of Arts, Bucharest, 2021. Irina has also gained extensive teaching experience at art universities across Europe.Research interests include techniques of estrangement in contemporary art practices, the relationship between art, science and philosophy in engaging with unobservable realities and divergent temporalities in performance and performance notation.Irina Gheorghe studied painting for her BA and was awarded an MA in Photography, Cinematography and Media from the National University of Arts Bucharest in 2010. In 2021 she completed a PhD in artistic practice at GradCAM, Technological University Dublin, with a project entitled “Betraying the Senses: Techniques of Estrangement, or How Art Speaks of What Is Not There”.\u003Ca href=\"http:\u002F\u002Fwww.irinagheorghe.ro\">www.irinagheorghe.ro\u003C\u002Fa>\u003Ca href=\"http:\u002F\u002Fthebureauofmelodramaticresearch.blogspot.com\u002F\">thebureauofmelodramaticresearch.blogspot.com\u003C\u002Fa>Beginning with January 2024, Dr. Irina Gheorghe is the Head of \u003Ca href=\"https:\u002F\u002Favu.cz\u002Fen\u002Fdepartment\u002Flarge-avu\">LARGE AVU – The Laboratory for Art, Research and Graduate Education at AVU\u003C\u002Fa>.\u003C\u002Fp>",{"__typename":91,"background":79,"heading":92,"images":93},"GalleryBlock",{"cs":4,"en":4},[94],{"id":95,"caption":96,"alt_text":4,"url":97,"srcset":4,"media":98,"conversions":103,"created_at":75,"updated_at":75},"14445","Image from the performance “Principles of Space Detection”, 2023","https:\u002F\u002Fadmin.avu.cz\u002Fstorage\u002F1599\u002Firina-gheorghe-principles-of-space-detection-rgb-cut-scaled.jpg",{"id":99,"name":96,"file_name":100,"mime_type":101,"size":102,"url":97},"1599","irina-gheorghe-principles-of-space-detection-rgb-cut-scaled.jpg","image\u002Fjpeg",756753,[],{"person_id":105,"function":106,"person":107},"518","odborná asistentka",{"id":105,"first_name":108,"last_name":109,"title":110,"slug":111,"title_before":113,"title_after":36,"role":106,"email":114,"phone":4,"mobile":4,"web":4,"is_external":39,"video_embed":4,"perex":115,"featured_image":116,"featuredImage":117,"featured_mobile_image":4,"featuredMobileImage":4,"seo":118,"menu_url":124,"breadcrumbs":125,"is_published":61,"status":62,"departments":132,"created_at":149,"updated_at":150,"parentNodePage":4,"content_blocks":151},"Magdaléna","Stanová","Mgr. art. Magdaléna Stanová Ph.D.",{"cs":112,"en":112},"stanova","Mgr. art.","magdalena.stanova@avu.cz","",[],[],{"title":119,"description":120,"canonical_url":121,"og_title":122,"og_description":123,"robots":4,"og_type":4,"twitter_card":4,"image_id":4,"image":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":4,"en":4},"\u002Fstanova",{"cs":126,"en":129},[127,128],{"label":53,"menu_url":54},{"label":110,"menu_url":124},[130,131],{"label":58,"menu_url":54},{"label":110,"menu_url":124},[133,140,142],{"id":134,"title":135,"slug":136,"menu_url":139},"57","Katedra teorie a dějin umění",{"cs":137,"en":138},"katedra-teorie-a-dejin--umeni","department-of-theory-and-history-of--art","\u002Fvyzkum\u002Fkatedra-teorie-a-dejin--umeni",{"id":13,"title":14,"slug":141,"menu_url":66},{"cs":16,"en":17},{"id":143,"title":144,"slug":145,"menu_url":148},"254","Oborová rada – programy Volné umění, Restaurátorství, Architektonická tvorba",{"cs":146,"en":147},"oborova-rada-volne-umeni-restauratorstvi-architektura","subject-area-board-fine-arts-restoration-architecture","\u002Fakademie\u002Fstruktura\u002Fporadni-komise-a-pracovni-skupiny\u002Foborova-rada-volne-umeni-restauratorstvi-architektura","2026-09-02 10:59:03","2026-09-02 10:59:08",[152],{"__typename":78,"background":79,"heading":153,"content":154,"content_nodes":155},{"cs":4,"en":4},{"cs":4,"en":4},{"cs":156,"en":159},[157],{"__typename":85,"html":158},"\u003Cp>Magda Stanová vystudovala fotografii na Vysoké škole výtvarných umění v Bratislavě, výtvarné umění na Hochschule für Gestaltung und Kunst Zürich, nové žánry na San Francisco Art Institute (díky Fulbrightovu stipendiu) a umělecký doktorát na AVU. Věnuje se výzkumu tvořivého procesu a vnímání umění, teorii fotografie, a také městům a jejich mapám z perspektivy chodců. Postřehy z bádání zprostředkovává formou vizuálních esejí a přednáškových představení. Je autorka dvou knih – \u003Cem>W cieniu fotografii\u003C\u002Fem> (2008) a \u003Cem>Algoritmy v umění\u003C\u002Fem> (2015) – a spoluautorka publikace \u003Cem>The Pedestrian’s Venice\u003C\u002Fem> (2017). Vystavovala například v Angus Hughes Gallery v Londýně, EFA Project Space v New Yorku, ThreeWalls v Chicagu, Fremantle Arts Centre ve Fremantle (Austrálie), ZPAF i S-ka v Krakově, ve Školské 28 v Praze, či v curyšské Shedhalle. Na AVU vede dva předměty v rámci doktorského studia: Umělecké myšlení ve výzkumu a Skupinové konzultace.Více na \u003Ca href=\"http:\u002F\u002Fwww.magdastanova.sk\">www.magdastanova.sk\u003C\u002Fa>\u003C\u002Fp>",[160],{"__typename":85,"html":161},"\u003Cp>Magda Stanová is an artist whose research-based practice results in visual essays and lecture shows. She smuggles performative lectures into academic conferences and a drawn theory of photography into photographic festivals. She looks into cognitive sciences for ideas about creative process and perception of art and combines them with the experience of an artist.She has authored two books—Algorithms in Art (2016) and In the Shadow of Photography (2022)—and is co-author of The Pedestrian’s Venice (2017). Her work has been exhibited internationally, including at EFA Project Space, New York; Angus Hughes Gallery, London; Školská 28, Prague; ThreeWalls, Chicago; Rencontres d’Arles, Arles; Fremantle Arts Centre, Fremantle; ZPAF i S-ka, Krakow; The Cross Art Projects, Sydney; and Shedhalle, Zurich.She holds an MFA in New Genres from the San Francisco Art Institute, where she studied as a Fulbright scholar, an MFA in Photography from the Academy of Fine Arts and Design in Bratislava, and a PhD in Fine Arts from the Academy of Fine Arts in Prague, where she now teaches doctoral-level classes related to artistic research (Artistic Thinking in Research, Group Consultations, and Research Catalogue Workshop).\u003Ca href=\"http:\u002F\u002Fwww.magdastanova.sk\">www.magdastanova.sk\u003C\u002Fa>\u003C\u002Fp>",[163,176,226,240,296,313],{"__typename":78,"background":79,"heading":164,"content":165,"content_nodes":168},{"cs":4,"en":4},{"cs":166,"en":167},"\u003Cp>LARGE je katedra, která zastupuje a podporuje umělecké výzkumné aktivity na Akademii výtvarných umění v Praze a zároveň rozvíjí platformy pro mezioborovou výměnu v národním i mezinárodním kontextu. LARGE se věnuje zkoumání toho, co znamená bádat nikoli o umění, ale v umění a prostřednictvím umění: jak lze tento výzkum provádět, jak může přinášet poznatky a v jakém vztahu se tyto poznatky nacházejí k jiným oborům i k širšímu společenskému kontextu.\u003C\u002Fp>\u003Cp>Oddělení LARGE si klade za cíl obohacovat podmínky a kontexty pro výzkumníky zabývající se uměním na Akademii výtvarných umění v Praze prostřednictvím publikací, konferencí a performancí, kurzů, seminářů a konzultací. LARGE se zaměřuje na zkoumání specifik výzkumu prováděného prostřednictvím umělecké praxe a myšlení: jeho metod, možných systémů hodnocení a prezentace, jakož i rozporů, které jsou tomuto procesu vlastní. LARGE bere vážně myšlenku, že umělecký výzkum musí často vytvářet nejen svůj obsah, ale i svou formu, metody a způsoby sdílení, a proto klade zvláštní důraz na zkoumání metodologií a formátů prezentace specifických pro umění ve výzkumu.\u003C\u002Fp>","\u003Cp>The activities of LARGE include, in addition to courses, seminars and guest lectures: organising the international conference A 12-hour (Performative) Reflection on Artistic Research, taking place yearly at AVU since 2022; publications (such as the upcoming periodical Velké: Journal for Artistic Investigation, whose pilot issue was launched in 2024, and the upcoming Handbook of Artistic Investigation, due to be published in November 2026); methodological documents, such as the “Principles for Evaluating Artistic Doctorates at AVU”, as well as a series of interdisciplinary performative presentations bringing together artists and scientists under the title Rendezvous Problem: Formulations on the Possible Ways for Art and Science to Meet.\u003C\u002Fp>",{"cs":169,"en":174},[170,172],{"__typename":85,"html":171},"\u003Cp>LARGE je katedra, která zastupuje a podporuje umělecké výzkumné aktivity na Akademii výtvarných umění v Praze a zároveň rozvíjí platformy pro mezioborovou výměnu v národním i mezinárodním kontextu. LARGE se věnuje zkoumání toho, co znamená bádat nikoli o umění, ale v umění a prostřednictvím umění: jak lze tento výzkum provádět, jak může přinášet poznatky a v jakém vztahu se tyto poznatky nacházejí k jiným oborům i k širšímu společenskému kontextu.\u003C\u002Fp>",{"__typename":85,"html":173},"\u003Cp>Oddělení LARGE si klade za cíl obohacovat podmínky a kontexty pro výzkumníky zabývající se uměním na Akademii výtvarných umění v Praze prostřednictvím publikací, konferencí a performancí, kurzů, seminářů a konzultací. LARGE se zaměřuje na zkoumání specifik výzkumu prováděného prostřednictvím umělecké praxe a myšlení: jeho metod, možných systémů hodnocení a prezentace, jakož i rozporů, které jsou tomuto procesu vlastní. 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